Going back to the very beginning

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Going back to the very beginning

movie & TV April 30, 2019 13:05

By The Nation

Netflix has announced that “Arthdal Chronicles”, a new Korean epic fantasy drama, starring Song Joong-ki, Jang Dong-gun, Kim Ji-won and Kim Ok-bin, will launch globally in early June.

 “Arthdal Chronicles” depicts the birth of civilisation and nations in ancient times. It is a story of mythical heroes, their struggle, unity and love of people living in a virtual land called Arth.

The storyline of “Arthdal Chronicles” is centred around the ancient city of Arthdal, established on Arth. Eunseom (Song Joong-ki) is a character who relentlessly fights to protect his own tribe. Eunseom may appear innocent- looking, but his protective instincts are quite strong that he does not hesitate to be aggressive when attacks are imminent. Korean superstar Jang Dong-gun plays Tagon, a son of Sanung who is the leader of Saenyeok Tribe. Tagon is a charismatic and talented yet overwhelmingly dangerous as he buries his feelings so deeply that no one knows when he will explode with anger and rage.

Alongside Eunseom and Tagon are Tanya and Taealha, played by Kim Ji-won from “Descendants of the Sun” and Kim Ok-bin. Tanya is the successor of Wahan Tribe clan mother, who realises her destiny to lead and protect her own people against other powerful tribes. Taealha is the most beautiful lady in Arthdal, and has the strongest desire for power.

“Arthdal Chronicles” is directed by Kim Won-seok whose previous works include “Sungkyunkwan Scandal” and “Misaeng”. “Arthdal” is written by Kim Young-hyun and Park Sang-yeon, the two award-winning screenwriters of the popular Korean historical period dramas “Deep Rooted Tree” and “Queen Seondeok”. Kim is also known for the mega-hit drama “Dae Jang Geum”.

The name is Bond, James Bond

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photo from www.007.com

The name is Bond, James Bond

movie & TV April 30, 2019 13:02

By The Nation

2,725 Viewed

James Bond producers, Michael G Wilson and Barbara Broccoli, last week confirmed that the start of principal photography on the 25th official James Bond would begin April 28.

 The new movie from Albert R Broccoli’s Eon Productions and Metro Goldwyn Mayer Studios is directed by Cary Joji Fukunaga and stars Daniel Craig, who returns for his fifth film as Ian Fleming’s 007.

The announcement took place at GoldenEye in Jamaica, once the home of Ian Fleming where he created the James Bond character in 1952. Fleming wrote 12 novels and two collections of short stories on the island. GoldenEye is owned and operated by Island Outpost, founded byChris Blackwell who formerly owned Island Records.

Metro Goldwyn Mayer will release the 25th James Bond feature film domestically through their United Artists banner on April 8 next year. Those living in the UK and Europe will get to see it a few days earlier, with the release set for April 3. The Thai release is set for April 9.

“Bond 25”, as the film is currently being called, stars Ralph Fiennes, Naomie Harris, Rory Kinnear, Lea Seydoux, Ben Whishaw and Jeffrey Wright, all of whom will reprise their roles and newcomers Ana de Armas, Dali Benssalah, David Dencik, Lashana Lynch, Billy Magnussen and Rami Malek.

Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.

The 007 production will be based at Pinewood Studios in the UK, and on location in London, Italy, Jamaica and Norway.

Wilson and Broccoli commented, “We’re thrilled to return to Jamaica with ‘Bond 25’, Daniel Craig’s fifth instalment in the 007 series, where Ian Fleming created the iconic James Bond character and ‘Dr No’ and ‘Live And Let Die’ were filmed.”

“Spectre”, the 24th James Bond film, was a global box office hit, earning $880 million. The film broke a new all-time box office record in the UK with the biggest seven-day opening of all time at $63.8 million. Skyfall, the 23rd film in the series, earned $1.1 billion worldwide.

The lady behind the wok

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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  • The documentary series “Street Food” features episodes from several Asian countries in including Indonesia, Taiwan, South Korea, Japan, Vietnam and Singapore./Netflix photo
  • Supinya Junsuta, better known as Jay Fai who wins onestar Michelin Star in Thailand will be in Netflix’s documentary series “Street Food: Asia”./Nation photo
  • A familiar picture at her shophouse, Jay Fai wears her trademark large goggles and cooks for customers from all over the world./Netflix photo

The lady behind the wok

movie & TV April 30, 2019 01:00

By PARINYAPORN PAJEE
THE NATION

Jay Fai, whose crab omelette has earned her a Michelin star, takes her fame another step forward in a new Netflix documentary

As the first and only street venue in Thailand to be awarded a Michelin star, the queues outside Jay Fai’s shophouse are long as gourmets from around the world flock to taste her signature dishes. Since that win a little over a year ago, Supinya Junsuta, or Jay Fai as she is more commonly known, has been no stranger to the media but now she’s getting more exposure that she ever dreamt of with her inclusion in Netflix’ latest |documentary series “Street Food Asia”.

Netflix worked with the creators of Chef’s Table on the series, which explores the rich culture of street food in Thailand, Japan, India, Indonesia, Taiwan, South Korea, Vietnam, Singapore, and the Philippines, and goes beyond the famous dishes to the sweat and tears that has made the eateries so iconic.

Thailand opens the series and takes viewers behind the scenes to listen to the lady herself.

“I feel sorry for myself,” says Jay Fai after a long pause when asked how she feels after watching herself in the series. “It makes me look back on my life and how I’ve struggled yet I am very honoured and proud to get the Michelin star.”

Each episode of “Street Food Asia” presents three well-known street food eateries and highlights one of them, telling the story of how cooking street food began as a necessity and how through generations of refining and honouring family traditions, it became a life-long passion. In addition to Jay-Fai who taught herself to cook, we meet 100-year old Mbah Lindu in Indonesia who hasn’t changed her recipes since she started.

Jay Fai’s most famous dish Crab Meat Omlette./Netflix Photo

 

Jay Fai – the “Jay” is a familiar Chinese term for older sister and “Fai” a reference to the mole on her face – was the middle child of nine kids born to a poor family. She describes the rented house in which she grew up and “little more than a slum”, and speaks proudly of her business acumen, which started at the age of eight. A classmate whose father owned a printing company would give her pal free cartoons and the enterprising Pia, as Jay Fai is known to friends, talked that friend into a starting comic book rental business. She charged 25 satangs per book and continued her little enterprises for seven months before her teacher banned her.

“She told me that you came to school to study not to do business,” she recalls.

But that admonishment didn’t stop her looking for other jobs. She went on to help a noodle vendor in her school’s canteen, became a nanny for her teacher and helped another teacher sell curry puffs in the morning. “I just wanted to lessen my mother’s burden,” says the woman who turns 74 in June.

Pia left school when she finished Prathom 4 (Grade 4) – Thailand’s minimum compulsory education at the time – her mother giving her no choice as unless she left, her younger siblings couldn’t study. “I love studying and wanted to study more but I couldn’t,” she says.

She then took a seamstress course and started work while her mother sold chicken noodles and rice porridge on the street helped by her sisters. Her father, she says in the documentary, was an opium addict and abandoned the family when she was very young.

Her life changed again when she was in her 20s and her rented home caught fire. Losing her sewing equipment to the flames, she started looking for something else to do. In the meantime, she watched her mother and sisters cook and was so frustrated at their lack of speed, that she told them she wanted to cook. “They told me ‘no you couldn’t do it’.

“Okay, you don’t think I can do it,” she replied and that night grabbed the wok and started stir-frying noodles. She practised every night and ate what she made.

One night she poured oil into a wok and forgot about it. When she saw the wok was overheating, she panicked, “So I dumped it all out. I got so mad that I just threw noodles into the pan and stirred them furiously. The heat alone browned them nicely and they had such a wonderful taste and aroma.”

The next day she asked her mother to be allowed to work and thus began a whole new career.

She has always maintained that she has a passion for every dish she cooks. “I love every dish. You have to love them, to cook them properly down to every little detail.

Selling street food is not complicated, she says, adding that the downside is that it means working well into the night. By the time she made it into her 30s, she was responsible for all the chicken noodles and often cooked until 4 or 5am and went to bed at dawn. But while she had plenty of customers, there were also disadvantages. Sometimes she couldn’t sell on the sidewalk because it was raining or was stopped by the authorities from putting out her tables.

So she borrowed some money and bought some quality prawns, topping her rad naa (stir-fried noodles topped with gravy) that usually cost Bt20, with a giant-sized portion of seafood and selling the dish for Bt120. “I told my customers that these prawns were totally different. One customer ate them once and kept coming back. He never ordered chicken again. I knew the dish was a success,” she says.

That led Jay Fai to prepare her dishes with expensive seafood, raising the standard of her meals way above regular street food and charging higher prices. It was also the beginning of her signature dish crabmeat omelette, into which she puts almost 500 grams of crab and sells it for Bt1,000.

“I like to cook crab omelette but with that dish I wanted to make something different too. So I taught myself how to make Japanese omelette, rolling several layers of egg around a lot of crab. When I took my first bite, oh! It was so beautiful. I had done it. Now I had something special to sell,” she says.

That dish won her both praise and a lot of orders. She continued to build a whole new menu based on common dishes like tom yum, drunken noodles, and dry rice porridge but with extravagant ingredients. Today her best-selling dish is still the crabmeat omelette, while the most expensive is rad naa made with Mexican abalone that can go as high as Bt10,000 a pop. The cheapest items on the menu are guay tiew kua gai (wok-fried noodles with chicken) and pork rad naa, which start at Bt400.

Jay Fai and her daughter Yuwadee who now helps her to run the shop./Nation photo

 

Her non-stop creativity helped her save up the money to move into a permanent shophouse and has attracted people from around the world. Famous guests have included Martha Stewart and she appeared in the food travel programme like “Somebody Feed Phil” before earning a Michelin star in the first edition of Thailand’s “little red book”.

And she is known not just for her dishes but also for her appearance – she wears giant goggles when she cooks.

“I started by borrowing my husband’s motorbike goggles after I had eye surgery. I used them to protect my eyes after the surgery and liked them so much that I continued. Someone has even contacted me to buy the copyright too,” she says with a smile.

The fame has changed her life and she asked her youngest daughter Yuwadee to leave her writing and translating job to help her manage the shop. Meanwhile, Jay Fai stays in the kitchen, doing exactly what she has done for the last 40 years.

“I still cook with a charcoal brazier and am the only cook,” she says.

“I have faith in charcoal fires and iron woks. They taught me to be clever and brave. So for as long as I still have the strength, I will continue cooking.”

Asked whether she has any plans to pass her legacy to her daughter, Jay Fai says that it’s not easy.

“I’m old, but I always remind them that while they may be younger, I am stronger. It’s hard work handling the wok for hours every day and then you have to deal with your staff and your customers,” she says.

Her daughter who is now busy managing the queues at the restaurant agrees and knows that she can’t be the next Jay Fai though she is interested in continuing the family’s restaurant in her own way.

“I am a different generation and I can’t be her. If I do, I will find my own way. I want to be strong like her but at the same time, like anyone else at my age, there has to be a work-life balance too,” says Yuwadee, adding that to avoid disappointment, customers are advised to make a reservation is via email at jayfaibangkok@gmail.com. They will get a confirmation email in return.

Double the man, double the action

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Double the man, double the action

movie & TV April 26, 2019 01:00

By THE NATION

Director Ang Lee joins up with Will Smith for the upcoming science fiction flick “Gemini Man”, which is currently slated for release on October 10.

Smith plays Henry Brogan, a veteran assassin, who is suddenly targeted and pursued by a mysterious young operative who can seemingly predict his every move.

“This story is not one that could have been told with cinema as we know it,” says Lee, whose work with CG on his previous film “Life of Pi” won him plenty of critical acclaim.

“However, thanks to incredible new digital technology, not only can we finally see both younger and older Will Smith embodied together on screen, but we can also experience the story in a deeply immersive way.

“It is my great fortune to be able to experiment and test the limits of what new digital cinema has to offer us. No less so to be able to work with two Will Smiths – one beautifully sophisticated, the other exuberantly honest. In my opinion, this is Will at his very best, and when the two come together, it is something truly magical. The immense effort and technical skill of the crew in creating a new aesthetic, between the cinematography, art department, visual effects and technical team, was both inspiring and heartwarming. I truly hope that this movie delivers a completely new theatrical cinematic experience to audiences across the world,” Lee adds.

“The emotional and physical challenges of making this film have been the most demanding of my career. Ang is pushing the limits to give people an experience in the movie theatre that you can’t get anywhere else. This is not only an action film, but an exploration of what one’s younger self can ultimately teach one’s older self. I’m 50-years-old now, and the irony of becoming 23-year-old Junior in this film is that 23-year-old me wouldn’t have been ready for this experience or to take on this role. Our hope is that this story provides something for everyone – never before seen cinematic wizardry, nuanced, relatable characters and nextlevel action,” adds the actor.

A web of lies

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The cast and crew of
The cast and crew of “Erica 38” walk the red carpet at the Okinawa International Movie Festival. From left, Kazuyoshi Okuyama, Miyoko Asada, Shizuyo Yamazaki, and Yuichi Hibi (director).

A web of lies

movie & TV April 25, 2019 01:00

By Donsaron Kovitvanitcha
Special to The Nation

Not long before she died last year, veteran Japanese actress Kirin Kiki asked her friend Yuichi Hibi to tell the story of a Japanese con woman Setsuko Yamabe who escaped to Thailand. The film premiered last week in Okinawa

It’s April in the far south of Japan and for residents of and visitors to Okinawa, that means a feast of films and special events at the Okinawa International Movie Festival. The festival, which is organised by Japanese entertainment conglomerate Yoshimoto Kogyo, has just turned 11 and this year was held from April 18 to 21 on the theme “Laugh and Peace”.

The festival screened many films from Japan and Asia. For Thailand, Yoshimoto Entertainment cooperated with the Ministry of Culture and Tourism Authority of Thailand to bring the 2018 hit comedy “Bikeman” to entertain the crowds. Actor Pachara “Peach” Chirathivat and director Prueksa Amaruji were on the island to present the film and walk the red carpet. Also posing prettily on the red carpet for a second year was Thai idol group Sweat 16.

 

One of the most interesting titles this year was “Erica 38” by director Yuichi Hibi. The film, which had its world premiere at Okinawa, marked Kiki Kirin’s debut as a producer and was also the last film in which she starred.

The veteran actress who died last September had worked in the Japanese film industry since the 1960s and appeared in more than 100 films and television series. Almost exactly a year ago, Kirin went to the Cannes Film Festival to attend the world premiere of Hirokazu Koreeda’s “Shoplifters”, which became the Palme d’Or winner and was one of the last films in her illustrious acting career.

 

“I had a couple of projects with her,” says Hibi, who was a long time friend of Kirin. “I wrote a script about 12 years ago. I wanted her to be in that film and she wanted to do it. That is how we met. It was a Hollywood film on which I worked with one of Woody Allen’s producers. He created five different stories that take place in one cafe in New York. We never made this film, but Kirin and I became friends, and I kept in contact with her.”

Hibi, a fine art photographer based in New York, has seen many of his photos published around the world and exhibited in museums and galleries, but had never directed a feature film before “Erica 38”. In 2016, Hibi helmed the documentary “Ken San” for which he interviewed many people including Michael Douglas about the late Japanese actor Takakura Ken.

 

Satoko Watabe (Miyoko Asada), a woman in her 60s who calls herself Erica, comes to Thailand where she tells her young Thai lover Porsche that she is 38. He is also unaware that the police are after her.

“In May 2017, Kirin contacted me and asked me ‘Do you know this woman? She is a 60 year old who pretends to be in her late thirties.’ I told her I had heard about her and she told me she wanted to make a film about this woman,” says Hibi of the feature, which was inspired by a true story that made the headlines in Japan and Thailand two years ago.

In 2017, Japanese woman Setsuko Yamabe was arrested in Thailand’s Ubon Ratchatani province of Thailand on a warrant issued by police in Kumamoto on charges of investment fraud. Over the years, Yamabe defrauded dozens of people, and one of her victims who was left penniless committed suicide. Yamabe swindled more than 700 million Yen (Bt200 million) and escaped to Thailand. Here, she met a Thai man who later became her lover. Then a sprightly 62 year old, she told him she was 38.

Kirin was interested in making the film about the woman, and felt actress Miyoko Asada, who acted with her in Naomi Kawase’s “Sweat Bean (An)” would be perfect as the main character.

 

“Erica 38” is the first and the last film produced by Kirin Kiki, and also the last film for her as an actress. Kirin (left) plays the mother of Erica, a con woman who tricked dozens of people into fake investments.

“I asked her if she wanted to play that woman but she said no. She had an actress friend who was like a daughter to her. She told me she was a great actress but hadn’t found a good role and thought this film was just right for her. She also told me she wanted me to direct the film,” Hibi says.

Asked why Kirin chose him to direct the film, the photographer shrugs. “I have no idea. I still ask myself that question, but we talked a lot and she saw something in me. She just thought I could make an interesting film out of this subject.”

 

Kirin Kiki on the set of her last film “Erica 38”, directed by fine art photographer Yuichi Hibi

“She took care of the financing and finally she got Yoshimoto on board.” Kirin knew Kazuyoshi Okuyama, a veteran film producer involved with Yoshimoto Kogyo and founder of the production company KatsuDo. Okuyama became the executive producer of “Erica 38”. Work started on the film in February 2018, with Kirin in the role of the protagonist’s mother.

“Erica 38” tells the story of Satoko Watabe (Miyoko Asada), a woman in her sixties who calls herself Erica. Erica organises business support meetings to defraud people, especially older men. Erica comes to Thailand and meets Porsche (Woraphop Klaisang), a young Thai man who becomes her lover. Porsche believes that Erica is 38 years old, and is also unaware that the police are after her.

“The story is not about Yamabe though it is inspired by her. I decided to take pieces of all the elements. It is interesting that a woman of 60 pretends to be so much younger,” Hibi says.

 

“I did a lot of research in making the story from scratch. I contacted people who work for magazines to see if they have any contact with professional cons, but it is not easy as these people are always in hiding. However, I got to know how they talk, how they approach an individual, and the kind of places they go to. I personally went to many meetings, pretending to be a possible victim.”

The total production was shot over 13 days.

“We shot in Thailand for just two days. I wish I could have had more time, but I don’t really understand the geography of Thailand, and Thailand today is very different from how I imagined it. That made it difficult for me to create a fancy tropical moment when Erica goes to a resort in Thailand to meet a younger man,” he says.

 

Pachara “Peach” Chirathivat, centre, attended the screening of “Bikeman” last Sunday at the Okinawa International Movie Festival. Director Prueksa Amaruji can be seen second right.

“My friend has a production company so he helped me. “The guy I chose to play Porsche is the only one who could act, but he turned out well. He was a natural. I liked the way he spoke but he didn’t want to show his body or do the kiss scene. I told him he must do it.”

The film was finished last October, but unfortunately, Kirin died a month earlier and was therefore unable to see the final cut. “I hope that if she had watched it, she would have liked it,” says Hibi.

Following its Okinawa premiere, “Erica 38” is set to open in Japan this June. There are no plans as yet to release the film in Thailand.

From rags to riches

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From rags to riches

movie & TV April 25, 2019 01:00

By Special to The Nation

Max Minghella’s latest film “Teen Spirit” brings a new spin to the Cinderella tale

Premiering last September at the Toronto Film Festival and going on release in the US earlier this month, “Teen Spirit” will appeal to any young person who dreams of making it in the cut-throat music industry.

It tells the story of Violet Valenski (Elle Fanning), a young Polish immigrant living with her mother on the Isle of Wight – a small island off the coast of England – who seizes on an opportunity to audition for a local singing competition with the help of an unlikely mentor (Zlatko Buric).

Director Max Minghella talks about the inspiration behind the film, working with Fanning and why he chose “Teen Spirit” for his debut feature.

 

Can you explain more about the film?

It’s really about a young girl who embarks on a journey to pursue her dream with the help of an unlikely mentor. While there is this music contest in the backdrop, the film is very much about the relationship between these two characters and how they affect one another. This is not a traditional underdog story. Violet is a strong performer from the outset but she is inhibited by personal demons that limit her from truly expressing herself. The contest ultimately becomes a test of her character as much as her talent.

How was it working with Elle Fanning and why is she the perfect choice to play Violet?

Elle and Violet lined up in the right moment. There were wonderful and unplanned parallels between her and this character that elevated what was on the page. It was clear from our first meeting that she had a deep understanding of the script and how to enhance it. She is clearly an extraordinary actor but she is also a consummate professional and those things are equally important. This was not an easy shoot and she really went above and beyond to make sure she was prepared every day on set.

 

Elle has an incredible voice, how impressed have you been with her performance?

We knew when we hired Elle that she had an extraordinary singing voice that hadn’t really been explored yet, at least on film, and she was very keen and excited to do that. That said, as good as she was when she started, she did so much preparation for this movie, not only with the Polish and the choreography, but really on stretching her vocal ability.

Following on from that, can you introduce us to Marius de Vries’s role with Elle and her preparations?

Our composer and music producer, is a hero of mine and that’s really been special for me and for Elle as well. They have a really trusting and respectful relationship and it actually reflects the relationship between Vlad and Violet in the film.

Can you introduce us to the character Vlad and what does Zlatko bring to the role?

Well… the role of Vlad was written for Zlatko dating back to the first draft of the script. He was the one and only actor that I wanted to play this part. He is so much himself, he has such a huge heart, he’s incapable of a lie, he feels very authentic and it felt like a way to ground the story but also sort of guarantee the audience’s empathy for this person.

 

 

It’s a fantastic soundtrack. Can you talk through some of the musical numbers?

It was important that each musical sequence would drive the story forward and actually give insight into Violet’s internal life. So that each song had an emotional responsibility as well as a narrative one.

With the strong exception of “Tattooed Heart”, every track that was specified in the script appears in the finished film, which is still unbelievable to me. That’s all because of Steve Gizicki, our music supervisor who made miracles happen.

On paper it’s an ambitious project for your feature debut. Have you faced many challenges?

I have faced a lot of challenges but I’ve also faced a bizarre amount of luck. Every step of the way we’ve really been blessed with the people who have decided to work on this film and support it. I never thought this movie was going to happen. The first draft of the script was written in 2009. We’re now in 2018 so it has been a long journey. It’s also an absolute reflection of the film I originally set out to make and that’s largely because of Fred Berger. He receives a sole producer credit and there is a reason for that. This was a movie everyone thought would be impossible and he quite literally willed it into fruition. He also held my hand every step of the way. Both as a supporter and devil’s advocate. I owe him a huge amount.

A comedy of errors

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A comedy of errors

movie & TV April 24, 2019 01:00

By THE NATION

The River City Film Club is back and is showing Italian film “The Chair of Happiness”(“La Sedia Della Felicita”) on Saturday May 25, at 4pm.

“The Chair of Happiness” is a whodunit mystery and rollicking Italian comedy combined. It’s an amalgam of mystery and suspense, romance and emotion, topped up with plenty of laughs.

The movie has an arresting beginning, with a tattoo artist Dino creating a dolphin on a fishmonger’s back, He then encounters his pretty, lively neighbour Bruna, a beauty therapist. He’s smitten, and after that, his life is never the same again. Nor is hers, when she is told (by a lady mafiadon, in a prison) of a chair that contains hidden treasure. She is determined to hunt for it, and he offers his help. The task is not easy, when they learn that there are eight identical chairs.

The rest of the film deals with the couple’s uproarious adventures to retrieve the lost treasure. It takes them to beautiful and bizarre places, from lagoons and hills, to abandoned homes and crowded museums. They also meet a wide range of eccentric characters, and encounter strange animals like boars. The final scene in the gorgeous Alps, is intensely beautiful – and funny.

The story is a surreal drama of fun, fantasy and high spirits. It was the last movie of Director Carlo Mazzacurati, who made 23 films, but died before the release of this movie. The film was premiered at the Torino Festival, won various local awards and also popular among general audience.

The screening is free but reservation is required. The event is supported by Italian Embassy, who will host a reception of Italian beers and pizzas, after the screening. Italian ambassador Lorenzo Galanti will introduce the film.

The film is part of the “Italian Film Festival” in the city (May 1626). For reservations please email or visit http://www.RiverCityBangkok.com

GoT – the facts and the figures

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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GoT – the facts and the figures

movie & TV April 24, 2019 01:00

By THE NATION

The final season of “Game of Thrones” is now airing on HBO and has more six episodes to go before the epic hit series ends.

Fans might be interested in the facts and figures that has turned the series into one of the globe’s greatest hits.

“Game of Thrones” first aired on April 17, 2011 and is broadcast in 207 countries and territories and simulcast in 194 countries and territories.

US viewership for each season was 9.3 million for season one, 11.6 million for season two, 14.4 million for season three, 19.1 million for season four, 20.2 million for season five, 25.7 million for season six and 32.8 for season seven.

With well over 100 licensees globally, “Game of Thrones” is most-licensed programme in HBO history.

Over the course of its eight seasons, “Game of Thrones” has filmed in 10 countries, namely Northern Ireland, Republic of Ireland, Morocco, Malta, Spain, Croatia, Iceland, United States, Canada and Scotland. There have been 50 locations in Ireland – 49 in Northern Ireland and one in the Republic of Ireland.

Belfast is home to Titanic Studios, which has six shooting stages that housed the interiors of Winterfell, Castle Black, High Hall of the Eyrie, the Sky Cells in the Eyrie, the Hall of Faces, the House of Black and White, the Great Sept of Baelor, the Great Pyramid of Meereen Throne Room and the iconic King’s Landing Throne Room.

The series has used 12,986 extras in Northern Ireland alone and 2,000 Northern Ireland crewmembers across the series’ eight seasons.

Overall, the show totalled 105,846 days for extras across all seasons and countries.

The series has utilised a total of 40 VFX houses in 13 countries, namely the US, Canada, the UK, Northern Ireland, Spain, Germany, Australia, New Zealand, Ireland, China, France, Sweden and India. There were 13,250 VFX shots in the first seven seasons of the series.

Weeks of post-production per season were 17 weeks for season one, 21 weeks for season two, 20 weeks for season three, 21 weeks for season four, 22 weeks for season five, 24 weeks for season six, 30 weeks for season seven and 42 weeks for season eight.

During all eight seasons, and specific to production in Northern Ireland, 1,700 kg of rubber and 1.5 tons of metal were used for armoury, with 1,300 shields created.

Additionally, production used 52,000 bags of paper snow, 163 tons of propane, 3,000 pyrotechnic effects, 15,000 litres of artificial blood; 20,907 candles, 25 miles of rope; 7,000 metres of waxed cotton fabric to make more than 330 tents, and 80 kilometres of fabric for costumes. The construction department used: 1,200 km s of repurposed timber, 60,000 sheets of plywood, 20,000,000 screws and bolts, 65,000 bags of plaster, 4,996 litres of wood glue, 1,200 blocks of polystyrene, 1,000 sheets of fire board, more than 1,600 km of cable, and 120 semitruck loads of reclaimed beams from warehouses and barns from all over Europe.

Since season four, the SFX teams utilised 11,077 kg of silicone (for prosthetics) and 499 kg of Coffee Mate (for pyrotechnics). The longest prosthetics applications were for the Children of the Forest and the Mountain, which took seven hours.

Over the course of eight seasons, “Game of Thrones” has used 12,137 wigs and hairpieces. Deanerys’ wig colour and style are the result of more than two months of testing and seven prototypes.

Also over the eight seasons, 19,722 travel documents have been issued, 68,143 hotel rooms booked, 1,749 call sheets issued and 243 shooting schedules issued over the eight seasons.

Primary unit photographer Helen Sloan has taken 1.4 million stills over all seasons.

Over the first seven seasons, “Game of Thrones” received: a total of 132 Emmy nominations and 47 wins; seven Golden Globe nominations and one win; 18 SAG Award nominations and seven wins; 17 Critics’ Choice Award nominations and one win; and seven AFI award wins.

The eighth and final season of “Game of Thrones”, which filmed in Northern Ireland, Spain, Iceland and Canada, is now available on HBO and is also available on HBO GO via AIS Play and AIS Playbox.

Living, Loving and sharing

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/movie/30368152

Song-i, left, (Jung Chae-yeon) comes to live in her longtime friend Taeo’s house (Jisoo) after her mother runs away leaving her homeless.
Song-i, left, (Jung Chae-yeon) comes to live in her longtime friend Taeo’s house (Jisoo) after her mother runs away leaving her homeless.

Living, Loving and sharing

movie & TV April 23, 2019 01:00

By PARINYAPORN PAJEE
THE NATION

Netflix brings a very South Korean take on young people sharing a home to its series menu.

 Just as in Japan, spring in Seoul brings residents out in their masses to enjoy the cherry blossoms, with Yeouido Park on Yeouido island in the middle of the Han river a popular spot to watch as nature turns the trees the palest pink.

And what better ambience to introduce a light-hearted story about young lovers? That’s exactly what Netflix chose to do for the launch of its second original Korean series “My First First Love”, holding the press conference at the Conrad Seoul Hotel in Yeouido and decorating the stage with cherry blossoms as the backdrop for the five young cast members and their director, Oh Jin-suk.

Loosely based on a web series by Jung Hyun-jung and Kim Ran, who wrote the script for the series, “My First” depicts the daily lives of a group of friends sharing a house owned by college student Tae-o (Jisoo). Tae-o moves into the house that his grandfather left him in his will only to have his friends appear one by one at the front door, each asking for a place to stay, albeit for different reasons. His long-time friend Song-i (Jung Chae-yeon) has just lost her home because of her mother’s debts, the daughter of his father’s friend Garin (Choi Ri) has run away from home, and his high school friend Hun (Kang Tae-oh) has been kicked out of the family nest for pursuing a career as a musical actor rather than studying at school. Tae-o then finds out that Song-I is dating his best friend in college Do-hyeon (Jin-young) and begins to feel uncomfortable even though Song-I is like family and there has never been any romantic feelings between them.

The cast is made up of up-and-coming actors with the odd K-pop idol thrown in for good measure. Actor Ji-soo is well known for his roles in TV series “Doctors” and the film “One Way Trip”. Jung Chae-yeon, a member of girl band DIA, shot to stardom in the TV show “Produce 101”, Jin-young is from boy band B1A4 while Choi Ri and Kang Tae-oh have had minor roles in both series and movies.

“This is a story about the young adulthood. This is about the most beautiful time that is shared with the people who mean most to you in life,” says director Oh, who has worked on such TV series as “Lover in Paris” and “Lover In Prague” and also directed the action thriller “Yong Pal”.

Director Oh Jin-suk/Netflix Photo

The story reminds the director of his life as a college student who would be kept awake at night by the most trivial of issues.

“I can’t help but laugh about it when I look back. There were some romances and worries about what I should do with my life. We all go through that phase because everything’s a first for us. Back then I was full of passion but also worried about my career. So while I don’t think viewers who are the same age as the cast will laugh a lot, they will watch the series with a smile of recognition on their faces.”

Following on from the zombie hit “Kingdom”, the new coming-of-age drama is among Netflix’s string of series targeting young adult viewers. Others include the dark romantic thriller “You”, “Riverdale” or “The End of the F***ing World”. In some ways, “My First” brings to mind the 1990s hit series “Friends”. And unlike other Korean dramas for that age group where the focus is on the young people involved and the family values that kids are expected to follow, both in terms of education and their personal lives, it looks at young people living independently as they study, hang out with friends and pursue their dreams.

The four young people live together in the same house. From left Garin (Choi Ri), SongI, Hun (Kang Taeo) and Taeo./Netflix Photo

 

“This kind of story will resonate with young adults anywhere in the world because we experience the same kind of highs and lows. It also shows how 20-somethings in South Korea are living,” says the actor Jisoo.

“The lives of young adults is a common theme and I don’t think this series is particularly different from all the others. What I wanted to do, and the cast agreed, was to show young adults the way they are. Watch them and if it’s fun then we can have a smile on our faces and if we think it’s sad, maybe we will find it encouraging that other people are having the same doubts. We’re not artificially adding encouragement. Because it’s showing on the global platform, I want to show the lifestyles of young people in Korea. I’ve tried to add all these colours to the series and to use hip locations such as Hongdae and Yeonnam-dong. I really want to show the coming-of-age aspect of the show. It doesn’t necessarily mean that they become famous or important but I want to show them growing even a little,” the director says.

The life of young adults in the story is not as dramatised as most of us have seen in other TV series, but it does, as Oh says, portray the daily life of young people before they transition to a professional working life. However, despite being the same age, the actors playing the characters do not share the same sort of life – they are already well into the music or acting careers.

But they all say that’s not relevant to their portrayals. “We’ve been through all of that too and we know the way they feel. I found it easy to relate to my character,” says actor/singer Jin-young.

Taeo’s friend Doh-yeon (Jinyoung) has a crush on Song-i and keeps it secret from Taeo, though the latter finds out and feels uncomfortable about their relationship.

 

And while the love triangle between Tae-o, Song-i and Do-hyeon is at the core of the story romance, the characters of Garin and Hun spice up the denouement with their comical acting as they reflect on how young people reject their parents’ plans for them and escape from their comfort zone to pursue their dreams.

Actor Kang Tae-oh adds that the drama is not just about love but about coming of age. “These young adults are starting to live as independent people for the first time and are experiencing love and dreams, everything in fact, for the first time. They are making mistakes and they get hurt along the way but through that pain eventually become mature people,” he says.

The director says he’s not feeling any pressure following the huge success of “Kingdom”.

“The content is completely different,” he points out. “I joke that this show can also be a fantasy in a way because these days we have so many people living, eating and drinking alone so watching friends live as housemates could actually come across as a fantasy for some.”

“My First First Love” is divided into two seasons each with eight episodes. All 16 episodes have been shot and the first season is already showing on Netflix.

Learning to save our planet

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/movie/30367883

Learning to save our planet

movie & TV April 19, 2019 09:05

From now until June 2, Singapore ArtScience Museum visitors will be able to explore the forests of Borneo or dive deep into the coastal seas of Southeast Asia with “REWILD Our Planet”, Singapore’s first Social Augmented Reality (AR) experience jointly developed by the World Wide Fund for Nature (WWF), Google, Netflix, the ArtScience Museum at Marina Bay Sands and PHORIA.

 The sensorial experience connects people to nature and one another through immersive storytelling that blends cutting-edge AR technology with stunning 4K video footage from “Our Planet”, a new Netflix original documentary series voiced by world-renowned naturalist, Sir David Attenborough.

“‘Our Planet’ is the definitive nature documentary event of our time and Netflix’s most ambitious documentary project to date. We are proud to bring great and vital content like this to millions of people worldwide, informing and inspiring them towards taking action for the greater good. With “REWILD Our Planet”, we are taking this one step further by showing how stories can come to life in a way that spurs us all to help improve our environment. We couldn’t be more delighted to do this in concert with amazing partners like WWF, Google, PHORIA and ArtScience Museum of Singapore,” says Jessica Lee, vice president of Communications for Netflix.

“REWILD Our Planet” is built around four natural landscapes representing the last wilderness places on Earth, from the forests of Borneo and India to the oceans of Asia, grasslands of Mongolia and the frozen worlds of the Arctic.

“REWILD Our Planet is an immersive and interactive exhibition that shows how climate change impacts all living creatures. It uses cutting edge technology to transport visitors to some of the world’s most jaw-dropping landscapes. ‘REWILD Our Planet’ follows up on what we did together with WWF and Google with ‘Into the Wild’, our augmented reality experience about rainforests in Southeast Asia. The users of that project have so far planted over 10,000 trees in Sumatra. ‘REWILD Our Planet’ is even more ambitious. It combines art and technology to encourage all of us to play an active role in the conservation of our world,” adds Honor Harger, executive director of the ArtScience Museum at Marina Bay Sands.

Combining spectacular IMAX-style projections with spatial soundscapes and AR, the experience unfolds through the lens of the Google Pixel 3, where groups of participants can work together to build natural landscapes in 3D. They will unlock global weather patterns and magical animal encounters, ending with a deeper understanding of shared solutions and a meaningful pledge to act and help bring nature back.

Beyond showcasing the breathtaking diversity of our planet, the experience is also intended to drive important conservation conversations, highlighting the fragility of the planet and the negative impacts of humankind.

It shows a path forward by pointing to solutions, so participants come away understanding not just the threats that face our planet, but also what must be done collectively, ensuring people and nature can thrive alongside each other.

The experience uses footage from “Our Planet”, an eight-part series that showcases the planet’s most precious species and fragile habitats, revealing amazing sights on Earth in ways they have never been seen using the latest in filming technology.

The ambitious project was filmed in 50 countries across all the continents of the world, with over 600 members of crew capturing over 3,500 filming days.

Footage from “Our Planet” was then integrated with Google’s ARCore technology – an Android Software Development Kit (SDK) that works with Java and Unity and Unreal, and includes Application Programming Interfaces (APIs) that bring AR to mobile devices without requiring any special hardware. PHORIA’s unique digital twin system which, once activated with Google’s ARCore, enables the 2D content to break free from the screen and seamlessly flow into the space around users.