First Indian film museum opens in the home of Bollywood

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A visitor walks past exhibits at the National Museum of Indian Cinema (NMIC), the country's first museum showcasing the history of its film industry.
A visitor walks past exhibits at the National Museum of Indian Cinema (NMIC), the country’s first museum showcasing the history of its film industry.

First Indian film museum opens in the home of Bollywood

movie & TV January 31, 2019 01:00

By Agence France-Presse
Mumbai

2,503 Viewed

Mumbai facility celebrates celluloid magic since 1913

From silent black-and-white films to colourful blockbusters bursting with song and dance, the evolution of Indian cinema is traced by a new museum in the home of Bollywood.

Costing 1.4 billion rupees (Bt619 million), India’s first national film museum is spread across a stylish 19th-century bungalow and a modern five-storey glass structure in south Mumbai.

“It showcases to the world outside what Indian cinema has achieved in its entirety over more than 100 years,” says Amrit Gangar, a consulting curator on the project.

Moviemad India today produces around 1,500 films a year, dwarfing even Hollywood’s output.

 

Visitors learn fascinating facts – like Gandhi’s influence on Charlie Chaplin.

The government-funded National Museum of Indian Cinema (NMIC) boasts stacks of memorabilia, recordings and filmmaking tools as well as interactive touch screens where visitors can watch clips from memorable movies.

Movie buffs can learn about India’s first full-length feature film, the 1913 Dadasaheb Phalke-directed “Raja Harishchandra”, and listen to recordings of KL Saigal, considered the first superstar of Hindi-language cinema.

They are also able to view handpainted movie posters, including for internationally acclaimed director Satyajit Ray’s 1955 hit “Pather Panchali”, and click selfies beside a statue of Bollywood icon Raj Kapoor.

The museum takes visitors through “the journey of Indian cinema, from silent films to ‘talkies’ to the studio era to the new wave,” says Prashant Pathrabe, director general of the Indian government’s film department.

 

Old camera and lighting equipment are also on display at the museum.Old camera and lighting equipment are also on display at the museum.

Bollywood is a nickname for the Hindi-language film industry that is based in Mumbai, formerly known as Bombay.

The museum celebrates not just Bollywood but also the movies made in the various regions and languages across India.

“Films are made in about 25 different regional languages in India and all are included here so that the entire country, irrespective of which part you come from, can enjoy this museum,” Pathrabe says.

The museum also hosts replicas of the Mutoscope, the camera used by the Lumiere Brothers, and the Praxinoscope – a spinning cylindrical animation device invented in France in the 1870s.

The idea for the museum was first mooted in 2006 and it was due to open in 2014 when the exhibition rooms housed in the 560-square-metre square heritage building were declared ready.

However the opening was delayed after the government decided to build the new wing, which includes a section exploring the impact independence hero Mahatma Gandhi had on cinema around the world, including on Charlie Chaplin.

“This is the first time I have seen such a huge museum about cinema,” says Maria Jones, who has travelled from her home in the southern India state of Kerala, to visit the museum.

“I’m really happy and excited to see the history of Indian cinema until now. The different cameras have been fascinating for me. The first cameras were really huge,” she adds.

The museum does contain some gaps though as many of India’s early films were never preserved while other artefacts have been damaged over the years.

For example, the last remaining print of India’s first “talkie”, the 1931 “Alam Ara” (“The Light of the World”), was destroyed in a fire in 2003. Still, officials expect the museum to be a hit with fans.

“It’s an education in cinema,” Pathrabe says.

Netflix adds an app

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Netflix adds an app

movie & TV January 29, 2019 12:05

By The Nation

Almost everyone these days uses the social networks to share their lives, what they are doing and their likes and dislikes.

Now you can share the movies you watch on Netflix thanks to a new tool provided by the streaming service that encourages members to discuss what they’re watching through Instagram stories, using their Netflix iPhone app.

With this new feature, Netflix members can go to the app on their iPhones, select a title they want to share, add that title’s custom art, then share it as an Instagram story or to their friends as a direct message. The story remains visible for 24 hours and provides a “Watch On Netflix” link back to the title page within the app.

“We’re always on the lookout for ways to make it easier for members to share the Netflix titles they’re obsessing about and help them discover something new to watch. We hope our members enjoy this new feature,” said Leigh Wong Netflix’s Head of Communications for Southeast Asia.

Currently, this feature is only available on iPhone, with plans for Android later this year.

Out of the Darkness

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  • Actor Ju Jihoon stars as Crown Prince Lee Chang who is accused of being a traitor and leaves the palace to find the truth behind the plague.
  • From left Ryu Suengyong, Bae Doona, Ju Jihoon, writer Kim Eunhee and director Kim Seunghun cut a cake made to resemble the mountain of zombies from “Kingdom” during the press conference in Seoul. /Netflix photo

Out of the Darkness

movie & TV January 29, 2019 01:00

By PARINYAPORN PAJEE
THE NATION

Released online just a few days ago, the South Korean zombie series “Kingdom” is already a massive hit

Ther’s something about zombies that guarantees a hit – look no further than 1968’s “Night of the Living Dead” to the current TV series “The Walking Dead”. So it comes as little surprise to see that the first South Korean original Netflix series, the zombie-driven “Kingdom”, drew millions of viewers when the first episode was streamed last Friday and will no doubt continue to gather a even greater following as the story pans out.

Written by hit-maker Kim Eun-hee, whose 2016 suspense thriller “Signal” has won several awards, “Kingdom “ is directed by Kim Seong-hun, whose movie “Tunnel” garnered a sales record with 7.12 million ticket sold and his acclaimed action thriller “A Hard Day” was picked for Directors’ Fortnight at the 2014 Cannes International Film Festival.

“Kingdom” also has a strong cast led by Ju Ji-hoon, actress Bae Doona and prominent actor Ryu Seung-ryong in the role of the vicious Joseon Chief State Councillor.

The six-episode “Kingdom” shows just how good Korean series can be. There’s a hint of “The Walking Dead” and “World War Z” in its zombie theme, a sense of “Game of Thrones” in the fight between the ruling class and ordinary folk, and a taste of the journey of the “Lord of the Rings” when it comes to the fight against the zombies, which starts from eastern Dongne (near today’s Busan) and heads to Hanyang (today’s Seoul).

That’s not to say there’s any imitation. The series has its own distinctive Korean drama style – it’s exciting, scary and funny and will lead to binge watching once you’ve started.

Netflix’s first original Korean series “Kingdom” is a thriller set in the Joseon era where people die from a strange plague and transform into flesheating zombies. 

“Kingdom” is developed from an original story created by Kim Eun-hee for the webtoon “Land of the Gods” in 2011. Set in the Joseon era at a time when the population is devastated by war and famine, it sees Crown Prince Lee Chang (Ju Ji-hoon) being accused of treason and his father the King terminally ill. Lee Chang sets off on a journey to find out the truth about the King’s disease but what he sees instead is a plague that is turning people into zombies.

Inspiration for the story came from a 19th century royal court document that recorded tens of thousands of deaths in the capital during an outbreak of an unidentified epidemic. “I thought an epidemic would be an interesting subject that could portray the sufferings of that time – the hunger, the deprivation,” the writer says during the press conference in Gangnam, Seoul.

“I wanted to talk about Kim Eun-hee’s notion of hunger, and its different roles. First, there is the physical hunger experienced by the commoners in our story and there’s the hunger or greed. Both of these gave birth to the so-called zombies or what we call the patients of the plague, so I hope that we can encourage viewers to think about these issues,” says the director.

“At the beginning of this project, I wrote the question ‘what is politics?’ on the whiteboard in my office. I wanted to tell the story of those who have power and how they affect the common people. I don’t know how effective I was in telling the story through “Kingdom” but it is a story that I had always wanted to tell as a writer,” Kim Eun-hee adds.

Since the phenomenal success of “The Walking Dead”, which was released in 2010, the zombie genre has taken off around the world with Thailand releasing “Phee Ha Ayothaya” in 2015, a chronicle of the plague that killed people and turned them into zombies during the Ayutthaya era. South Korea came up with “Train to Busan” in 2016, and last year’s “Rampant”, also set in the Joseon era.

While both writer and director agree that “Kingdom” is a little similar to “The Walking Dead”, they point out that most stories in the zombie genre tend to lack the narrative part of how the zombies came to life. “Kingdom” sets that to |rights with the hunger for |power.

“If you remove the zombies, it still tells a story of humans and we wanted to focus on who caused it, how they came about and how they became these zombies. This kind of storytelling is what differentiates “Kingdom” from other zombie tales,” says the writer, adding that the sense of tension is what makes the zombie genre so popular.

Veteran actor Ryu Sungyong plays the charismatic but vicious Cho Hakju.

Kim the director compares it to playing a video game. “In games, we get pleasure from killing or attacking the subjects that come on the screen but feel guilty if these are human beings. When it’s a monster or a zombie, that guilt goes away and all you feel is pleasure,” he says.

“The series brings together two different worlds: the calm beauty of the East and Western dynamism and I think that combination offers both entertainment as well as a certain level of irony, so I hope that that will resonate with our global audience,” he adds.

Kim set two criteria for choosing the cast. The first was that they had to be good actors or actresses and the second condition was they really had to fit each character. “That was the reasoning behind our choice for the three main characters and we were very lucky that all of them said yes immediately,” he says.

Actor Ju Ji-hoon accepted the role as the crown prince Lee Chang as he is the fan of the writer. Ju made his name in “Princess Hours” in 2006 and then hit the spotlight again with the huge success of the fantasy movies “Along With the Gods”.

Bae Doo-na is not only successful in her home country but also works on international productions like Netflix’s “Sense 8”. She worked with director Kim on “Tunnel” before and accepted the role of Seo-bi, the female physician who is key to resolving the plague. Charismatic actor Ryu, meanwhile, who starred in “Masquerade” and “Miracle in Cell No 7”, takes on the role of Chief State Councillor Cho Hak-ju, the de facto ruler of Joseon.

Ju says he found the crown prince role challenging.

“Traditionally all the kings or crown princes live in the palace but my character Lee Chang steps out of his comfort zone, the palace, to find answers himself, which give ‘Kingdom’ an element of a road movie and that’s what I was most interested in,” says the actor.

Lee Chang’s character shifts from a person concerned only for his safety and that of his father into a prince who learns that it’s the people that he needs to protect.

Actress Bae Doona in her historical drama debut as physician Seobi who is key to finding the cure for the plague.

 

Actress Bae also found it a challenge to play Seo-bi.

“It was an era of Confucianism and it wasn’t easy in terms of the social structure for a woman to play any kind of active role. At first I thought I wouldn’t be drawn to a female character in a historical setting but Seo-bi is a professional physician who is very smart. She is the brain of the group,” says the actress.

“When it comes to Korean historical dramas, there is a certain form of speech that is quite unique in the Korean language and I’m sure that’s also the case in English and other languages as well. I had to really think hard about the particular speech as well as the attitude that would fit that particular time in era,” says the actress.

As the vicious Cho Hak-ju, veteran actor Ryu Seung-ryong sends chills down the audiences’ backs whenever he appears on screen. “My character doesn’t have any action scenes so for me the hardest challenge was getting the tone of my voice and my glare exactly right. That was quite difficult for me because I was playing a character that was scarier than the zombies but who was also scared of the zombies,” he says.

“Kingdom” has so many gruesome scenes that it probably couldn’t be shown on regular broadcast TV. Being streamed on Netflix allowed the writer and actors to broaden their creativity. Tempering the violence and ghastly scenes is the beautiful scenery of Korea in different seasons and the terrific cinematography.

“It was something that we wanted to portray. I believe that we have a calm beauty and showing it as the background to the horrific themes brought a different aesthetic to the scenes,” says the director.

And even before release the series, Netflix decided to renew the series for a second season. Shooting starts soon and cast and crew all agree they are looking forward to it.

New Taiwanese series to launch in March

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New Taiwanese series to launch in March

movie & TV January 25, 2019 01:00

By THE NATION

HBO Asia’s new original Taiwan drama series, “The World Between Us” premieres in Asia (outside of Taiwan) on Sunday, March 24 on HBO with two back-to-back episodes starting at 8pm.

“The World Between Us”  is a 10-part, hour-long series that follows the aftermath of a mass shooting where the fates of all parties involved – the killer, the victims, the victims’ families, the media and the defence teams are intertwined.

Two new episodes will debut at the same time every Sunday. Produced by Taiwanese broadcaster, Public Television Service (PTS), the series is being jointly distributed by HBO Asia and Catchplay outside of Asia.

“The World Between Us” features an all-star ensemble cast from Taiwan including Alyssa Chia, James Wen and Wu KangJen. The series is directed by award-winning filmmaker, Lin ChunYang and written by the renowned award-winning screenwriter, Lu Shih-Yuan.

“Following the success of our first Taiwanese drama series, ‘The Teenage Psychic’, we are excited to be once again be presenting intriguing content and stories from Taiwan that will resonate with our audience in the region,” says Jonathan Spink, CEO of HBO Asia.

“With the addition of ‘The World Between Us’ to our lineup of original content, we are further reinforcing our commitment to producing quality local programming for our audience in Asia and beyond,” he adds.

“We are delighted that our efforts in building international networks have placed us in a good position to bring quality Taiwan original content to the world. We are excited to be working with HBO Asia on the global distribution of ‘The World Between Us’,” says Daphne Yang, CEO of Catchplay.

“We will strive to build more collaborations like this to create more opportunity for quality Taiwan content to be seen globally.”

HBO Asia started producing its Original productions in 2012 and has since expanded their range of award-winning Asian Original productions to include series, movies and documentaries. “The World Between Us” marks the network’s seventeenth Asian Original to date, with more slated to premiere in the coming years.

Netflix Thai series “The Stranded” reveals cast

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Netflix Thai series “The Stranded” reveals cast

movie & TV January 24, 2019 15:20

By The Nation

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 After being announced as one of the first two Netflix original Thai series at the “See What’s Next: Asia in Singapore” event late last year, “Khweng” (“The Stranded”) has started shooting and recently unveiled its cast.

 The series stars Thailand’s Sinjai Plengpanich, Sarunyoo and Hattaya Wongkrachang, together with Winai Kraibutr, Papangkorn “Beam” Lerkchaleampote, Chayanit “Pat” Chansangavej, Chutavuth ‘March’ Pattarakampol, Kittisak “Jack” Patomburana and Oabnithi “Oab” Wiwattanawarang and more.

“The Stranded” centres on Kraam, an 18-year-old boy who survives a devastating tsunami along with 36 of his fellow students at an elite private high school on a remote island in the Andaman Sea.

As mysterious events start happening on the island, it quickly becomes clear that no one is coming to rescue them and Kraam must lead the students to rescue themselves.

The series is produced by GMM Grammy and H2L Media group and directed by Sophon “Jim” Sakdaphisit of GDH Film Studios, who is bet known for his horror movies including “Laddaland” and “Puen.. Tee Raluek” (“The Promise”).

The series is expected to have six episodes.

With Ekachai Uekrongtham, Gary Levinsohn, Christian Durso, Steven Sims and Billy Hines as executive producers, the project is an international collaboration between teams from across the world, including Los Angeles, Singapore and Bangkok.

Lights, camera, action

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Life Is Fruity
Life Is Fruity

Lights, camera, action

movie & TV January 24, 2019 01:00

By Special to The Nation

Japan bring 12 of its best movies to Thailand for the latest edition of its annual film festival

The Japan Foundation, Bangkok and SF Cinema are marking the 132nd anniversary of Thai-Japan diplomatic relations and welcoming the Year of the Pig with the Japanese Film Festival 2019.

The festival, which gets underway in Bangkok today and continues through February 3, is being held at SF World Cinema CentralWorld before travelling north to Chiang Mai then south to Phuket.

A total of 12 films have been selected for this 42nd festival, all of them reflecting Japanese art, culture and ways of life so as to offer a true cultural exchange between the two countries.

 

The Crimes That Bind

Opening the event is “The Crimes That Bind,” a 2018 thriller directed by Katsuo Fukuzawa and starring veteran actor Hiroshi Abe. It tells the story of a mysterious murder. A woman named Michiko Oshitani from Shiga prefecture, was found dead strangled in an apartment in Tokyo. Matsuo Koshikawa, the owner of the apartment also disappears without trace.

Hiromi Asai’s name appears in the investigation due to her relations with Oshitani but she has a strong alibi and therefore the investigation cannot continue further. When a note is found at the crime scene on which the names of 12 bridges surrounding the Nihonbashi area have been written, detective Kyoichiro Kaga (Abe) is filled with unease as flashes back to the sudden disappearance of his own mother.

 

Chihayafuru

In the romantic dramedy “Chihayafuru”, childhood friends Chihaya, Taichi and Arata are childhood friends, bound by their passion for competitive karuta (traditional Japanese playing cards.) They part ways after graduating from elementary school, but reunite in the secondary school by forming the “Karuta Club” to compete and win at the national Karuta competition. The first and second parts of the film, which were screened in 2016, are being relaunched with the newly released “Chihayafuru Part 3” and will show as a trilogy this Saturday accompanied by a pre-talk and a post-talk by director Nori Koizumi.

“Laughing Under the Clouds” is part action, part horror and set at the end of the Samurai era (Edo) when the new Meiji government is founded in Japan. This historical transition between the samurai era and the modern era is a period of upheaval. In addition, a legend says that every 300 years the “Orochi” (gigantic snake) resurrects in order to destroy Japan. This gigantic snake is hidden in one family through generations before taking over one human body when coming back to life. Through this human form, the Orochi’s power will be unstoppable.

 

Mirai no Mirai

Animation “Mirai no Mirai”, which has been nominated for several awards and was well received by Thai audiences last year, tells the story of Kun, a spoilt 4yearold boy, who meets his new born sister. Kun misses his parents’ affection and is baffled by things he has never experienced before. Then he meets Mirai, his little sister, who travels back in time from the future.

“Shashin Koshien Summer in 0.5 Seconds” focuses on 18 high schools competing for top honours in Shashin Koshien, a national photography contest. Set in the expansive wilderness of Hokkaido, competitors fight to capture the beauty of Japan and the human spirit. Inspired by true events, it is directed by Hiroshi Sugawara who will lead a discussion after the screening on Sunday.

 

The Scythian Lamb

Thriller “The Scythian Lamb” centres on six strangers who arrive in Uobuka, a small shabby harbour town. Tsukisue is the unflappable, nonchalant city official who is assigned to be in charge of “acclimatising” the six, who are part of a secret government programme to release convicted felons back into society. Their pasts have not been revealed to Tsukisue or the townspeople. The six try to blend in with the town while carrying the burden of their sins. The discovery of a body in the harbour brings Tsukisue, his high-school classmate, Aya, and the people of this small town to intersect in an emotional climax.

 

Mixed Doubles

Other highlights include the comedy “Mixed Doubles” about love around a table tennis competition, director Masaaki Yuasa’s animation “Lu over the Wall” and “Life is Fruity”, a touching documentary about a Japanese architect and his wife.

 

Lu over the Wall

All of the films will be screened with Thai and English subtitles and tickets cost Bt120.

The festival travels to SFX Cinema at the Maya Lifestyle Shopping Centre in Chiang Mai from February 8 to 10 then to SFX Cinema at Central Festival from February 22 to24. Tickets for the upcountry screenings are Bt80.

The complete schedule is available at http://www.SFCinemaCity.com.

A year of fun entertainment ahead

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Teams from four music labels will compete to win a weekly challenge set by special guests in “Melody to Masterpiece” on True4U Channel 24.
Teams from four music labels will compete to win a weekly challenge set by special guests in “Melody to Masterpiece” on True4U Channel 24.

A year of fun entertainment ahead

movie & TV January 18, 2019 01:00

By THE NATION

True4U Channel reveals its lineup for the next 12 months

True4U Channel 24 kicks off the New Year with a new strategy “True for All, More 4U” which sees a strengthening of its content offerings and an adjustment in scheduling to ensure viewers enjoy high-quality entertainment.

 

BamBam Got7 will team up with his Korean bandmates for “GOT7 Real Thai”.

“True4U’s business direction in 2019 will focus on world-class quality content in addition to the sports content that has long been our strength. We’ll have more movies, series, game shows, variety shows, and reality programmes. We’ve also adjusted the schedule to better match viewers’ lifestyles,” says Apicha Honghirunruang, managing director of True4U.

 

Ananda Everingham and Baifern Pimchanok will star in “Secret Garden”.

Among the programme highlights in the first half of this year are “GOT7 Real Thai”. Featuring BamBam, Mark, Young-jae and Jin-young from the much-loved K-pop boy band GOT7, it sees the young heartthrobs travelling around Thailand with guardians portraying characters from Thai folktales and a Thai version of the Korean series “Secret Garden” starring Ananda Everingham and Pimchanok “Baifern” Luevisadpaibul. Another must-watch is “Voice”, a drama-thriller series starring Khemanit “Pancake” Jamikorn and Andrew Gregson.

 

Khemanit “Pancake” Jamikorn and Andrew Gregson will star in “Voice.”

Upcoming music shows include “Melody to Masterpiece”, a reality programme in which teams from four music labels will compete to win a weekly challenge set by special guests The Melody. Only two of them will be selected to produce special songs using limited resources and time and the best song will be named a true “Masterpiece”.

 

Five boys become coaches in “Cuteboy Thailand”.

“Cuteboy Thailand” is also a reality TV show and seeks good-looking boys with a dream. The contestants will be coached by five leading cuteboys, namely the King of Smart Chutavuth “March” Pattarakampol, the King of Alpha Male Nat Sakdatorn, the King of Sport Sattaphong “Tao” Phiangphor, the King of Entertainment by Tanont “Nont” Chamroen, and the King of Gentleman by Ratchanont “Guy” Suprakob. The winner will become Thailand’s first Cuteboy to hold a ticket to the entertainment business.

“You Are My Fantasy” fulfils a lucky winner’s dream of going on a date with a superstar. DJ Nui, John Winyu and Kwang Orakarn will host the show with a long list of surprise guests.

 

The finalists of “Cuteboy Thailand”

“True4U believes that great content is key to attracting larger audiences. This year, we continue our commitment to producing high-quality contents in different genres including series, game shows, reality shows and sports. This guarantees that our audience will experience fresh, fun yet flexible entertainment programmes. They will also receive many privileges,” said Teerasak Arunrermwattana, group director of True Content & Media, True Corporation.

“Strike Back” gets back into action

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“Strike Back” gets back into action

movie & TV January 14, 2019 01:00

By The Nation

The action-packed Cinemax drama series “Strike Back” will kick off its sixth season same time as the US on Saturday January 26 at 10am with a same day encore at 9pm. The series will also be available on HBO GO via AIS Play and AIS Playbox”.

The six-episode season, which was shot entirely in Malaysia, features returning stars Warren Brown, Daniel MacPherson and Alin Sumarwata along with new cast members Jamie Bamber and Yasemin Allen.

This season starts when a Russian bomber crashes in the South China Sea and the covert special-ops soldiers of Section 20 — Thomas “Mac” McAllister (Brown), Samuel Wyatt (MacPherson) and Gracie Novin (Sumarwata) — are sent to investigate. There, they cross paths with Katrina Zarkova (Allen), a rogue Russian operative with questionable loyalties.

Under orders of the new commanding officer, Col Alexander Coltrane (Bamber), Section 20 pursues stolen contents of the Russian jet across Southeast Asia, working alongside the Malaysian police to shut down a Triad gang in Kuala Lumpur, uncover a corrupt plot by a wealthy Indian businesswoman running for Parliament and plunge into the jungles of the Golden Triangle in Myanmar, facing off against mercenary drug agents and terrifying warlords as they uncover a conspiracy that threatens to push the world to the brink of global conflict.

An ‘Umbrella’ to save the world

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  • Robert Sheehan, left, with his costar David Castaneda were in Singapore recently to promote new series “The Umbrella Academy”, which starts streaming on Netflix next month.
  • The Umbrella Academy returns home for the first time in 17 years after the death of their adopted father.

An ‘Umbrella’ to save the world

movie & TV January 14, 2019 01:00

By Parinyaporn Pajee
The Nation

It rains often on the sibling superheroes of ‘The Umbrella Academy’ coming to Netflix – they need to save themselves first

THE YOUNGEST superhero franchise in show business is coming to Netflix starting on February 15 with a crew of unlikely but idealistic stars determined to save the world from danger.

“The Umbrella Academy” is a 10-episode series based on the popular, Eisner Award-winning comic books and graphic novels of the same name created and written by musician-singer Gerard Way of the band My Chemical Romance and illustrated by Gabriel Ba.

“‘The Umbrella Academy’ follows the estranged members of dysfunctional family of superheroes who work together to solve the mystery behind their adopted wealthy father Reginal Hargreeves’ death. They also need to save the world from the imminent threat of apocalypse,” said David Castaneda, who was recently in Singapore promoting the series with his co-star, Robert Sheehan.

Robert Sheehan, left, with his costar David Castaneda were in Singapore recently to promote new series “The Umbrella Academy”, which starts streaming on Netflix next month.

“What’s so great about the story is that it’s not yet been cemented as a great comic book – it’s still just a ‘child’ if you think about it. There’s only been two books and a third volume just came out, so there’s so much more depth left in the pond. It can get so much deeper and we have the opportunity to dive into that.

“With other comic books that have been coming out since the 1920s and 1940s, there are thousands and thousands of issues that you really can’t break away from.”

“So we have the opportunity to make it our own story in that sense.”

Published by Dark Horse Comics, “The Umbrella Academy” and two series of the book were released in quick succession in 2007 and 2008, with the third series coming out last year and this year.

The pilot episode of the series introduces the 43 characters – all born inexplicably on the same day in 1989 to random women who were not pregnant.

Billionaire industrialist Sir Reginald Hargreeves adopted seven of them and created the Umbrella Academy to prepare his “children” to save the world. But not everything went according to plan. When the kids were still in their teens, the family fractured and the team disbanded.

The Umbrella Academy reunion including Number Five (Aiden Gallagher), left, who travels back into the present after 17 years and remains in the body of a 13-year-old.

It took Hargreeves’ death to reunite the six surviving members, now in their 30s. Luther (played by Tom Hopper from “Game of Thrones”), Diego (Castaneda), Allison (Emmy Raver-Lampman), Klaus (Sheehan), Vanya (Ellen Page) and Number Five (Aidan Gallagher) decide to work together to solve the mystery surrounding their father’s death.

Also starring in the show are nine-time Grammy winner and two-time Oscar nominee Mary J Blige and Cameron Britton from Netflix’s psychological-crime drama “Mindhunter”. They both play ruthless and unorthodox hitmen who travel through time to kill their assigned targets.

Sheehan, who also appears in the just-released film “Mortal Engines”, agrees that “The Umbrella Academy” is different from other superhero yarns.

“The archetypal superhero film is, like, ‘They save the day’, whereas our series explores the necessity of failure,” he said in Singapore.

“We are a dysfunctional family. The core of our dysfunction is the fact that we’re not very good superheroes. Our millionaire, reclusive, strange adoptive father turned us into ‘superheroes’ when we were very young, but he didn’t give us a childhood. So we all grow up missing something emotionally and feel sort of like failures. We were manipulated and coerced into being superhero crime-fighters when we should have been nourished as children, so we all grew up a little bit traumatised.”

Naturally, all the academy members have their own unique powers. Luther is the strongest with the giant body of a Martian gorilla. Rebellious, father-loathing Diego became a vigilante like Batman. Allison can literally change reality by lying (much like a certain US politician).

Nine-time Grammy winner and two-time Oscar nominee Mary J Blige (left) and Cameron Britton play ruthless and unorthodox hitmen Cha Cha and Hazel in “The Umbrella Academy”. 

Klaus is able to speak to the dead, which turns him into a drug addict. Number Five, who’s retained the appearance of a boy, can travel through time.

Vanya, on the other hand, seems to have no superpowers at all.

And each of them also suffers a unique pain held over from childhood experiences that drove them from home as soon as they were old enough to go.

“The six haven’t seen each other for 17 years and come back for the funeral,” Sheehan said. “Klaus is taking a lot of drugs to quiet the ‘voices’. His personal struggle has been externalised into the dead and he has the power to speak to them, but it’s more like a sickness, like a disability. He has to do great damage to his body to suppress it, and his journey is about figuring out ways of controlling this ability.”

Castaneda said his character, Diego, doesn’t believe he has a superpower like the others, so his tactical abilities get messed up with his emotional instability.

“So, when provoked, he immediately reacts with action rather than reason, and that gets him into a pickle with the siblings. He can’t cope with the fact that everybody has a special ability except him and yet they’re not using their powers for the right reasons. So they he builds up this animosity, and he becomes sort of like a joke because he takes his job too seriously.”

The Umbrella Academy returns home for the first time in 17 years after the death of their adopted father.

Each of the siblings bears a “palpable resentment”, Castaneda said, “and each of us has a different reason why we left”. The complexity of their group relationship distinguishes the academy from any other group of superheroes.

“These people have to save themselves before they can save the world – if they can’t find a way out of own trouble, they’re not going to be of any help to anyone else,” Castaneda said. “They stand out from all others in the superhero genre because there this element of morality. Someone like Superman or Batman would do whatever is right to help people, to sacrifice themselves, but we are so far different than that.”

Despite all the dysfunction and complexity, the series is never mired in psychological drama, Sheehan emphasised. On the contrary, it’s filled with hilarious comedy deriving from their personalities and there’s plenty of music too along the way.

The show portrays the life of a superhero in a new and different from what we’ve seen before and that will give the whole genre a new direction.

That view of superheroes is what he likes most about the series.

“I like the idea that it’s okay to fail. In fact, failure is absolutely necessary to success. You have to fail to know which way to go next, and that’s not something that’s understood well enough these days. It’s harder to fail these days and get back up and do whatever because there’s more riding on every attempt to do something.

“Failure can damage personal reputations, but we’re human and we all fail every day – it’s absolutely essential to being human. We can’t all be successes all day long – it’s not very interesting.

“So I think our show is about superheroes who fail,” Sheehan said. “You’re looking through the back door of their house and you’re watching them just be human and be failures and I think that’s a nice message to take away.”

Tribute to a filmmaker

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/movie/30361921

  • Director Jocelyne Saab/Wikipedia photo
  • Beirut Never Again

Tribute to a filmmaker

movie & TV January 09, 2019 16:06

By The Nation

Cinema Oasis continues with its “Filmmaker in Focus” programme, this time focusing on the late great female director from Lebanon, Jocelyne Saab, and showing her Beirut trilogy “Witness in Beirut”, “Once Upon a Time in Beirut” and “Letter from Beirut” and “Beirut Never Again”.

 The screenings kick off today with all three films being shown until January 26.

“Letter from Beirut” and “Beirut Never Again” will be shown together. “Letter”, which runs for 48 minutes, was made in 1978 and follows a young woman through the bullet-pocked and bomb-wrecked ruins, encountering Israeli tanks and international checkpoints. “Beirut Never Again” portrays the city, once the playground of the rich, in ruins from the civil war.

“Once Upon a Time in Beirut”, which was made in 1994, was dedicated to the anniversary of a century of cinema and the founding of the Lebanese cinematheque. It follows two young women on a journey to explore Beirut of the past with a reclusive film expert. That leads them to tour the city through films.

Saab gained attention with her first featurelength documentary “Lebanon in Turmoil” (1975) and also released works about Iran, “The Polisario Front of Western Sahara”, and Vietnam. In recent years, her photo installations and her art film “What’s Going On” (2010) earned her international acclaim.

She also founded the organisation Cultural Resistance, and in 2013, became the organiser and curator of the Tripoli Film Festival, Lebanon’s first film festival featuring films of Asia and the Mediterranean area.

Saab died on Monday at the age of 70.