Salty-sweet, flaky-gooey and yummy salted egg yolk croissants

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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Da Paolo Gastronomia’s Francesca Scarpa with her salted egg yolk custard croissant. /The Straits Times
Kenneth Goh
The Straits Times
HOME AEC FOOD & RESTAURANTS THU, 25 FEB, 2016 7:31 PM

SINGAPORE – Salted egg yolk custard croissants are the first food craze of the year here.

The croissants, which originated in Hong Kong, started making inroads here late last month, when brunch cafe Flavour Flings in Hougang started selling them.

Since then, five bakeries and cafes have jumped on the bandwagon to offer the sweet-savoury pastry.

The latest to fuel the craze is Italian deli chain Da Paolo Gastronomia, which will sell its salted egg yolk croissants from today.

It joins French patisserie chain Antoinette, Kokomama Marketplace in the School of the Arts, Bridge restaurant-bar in Seah Street and Black & Ink in Changi Road, all of which started selling the item earlier this month.

Do.Main Bakery in Tanjong Katong Road will launch its version on Saturday.

It was European bakery chain Urban Bakery in Hong Kong that started offering molten egg yolk croissants in September 2014.

Da Paolo Gastronomia’s Ms Francesca Scarpa, Antoinette’s Pang Kok Keong and Kokomama Marketplace director Francis Huang (above) with their salted egg yolk custard croissants. -PHOTO: TAMARA CRAIU

The move followed the success of its Ball Law Cowssant, a croissant topped with the crumbly cookie dough found in bo lo bao (pineapple buns). The chain sells more than 1,000 molten egg yolk croissants across its 10 outlets daily. Each croissant costs HK$22 (S$4).

Mr Rico Cheng, 30, food concept manager of Maxim’s Group, which owns Urban Bakery, says he was inspired by the popular dim sum item liu sha bao – steamed buns filled with flowing salted egg yolk custard. “We are thrilled and proud that the croissant,which was created to celebrate Hong Kong’s food culture, has become a hit in other countries too,” he says.

He adds that more tourists, mostly from Singapore and Malaysia, have been buying the pastry. The craze has also spread to Kuala Lumpur and Johor Baru in Malaysia, and Jakarta, Indonesia.

Some home-grown eateries have been quick to spot a potential hit.

Antoinette, Da Paolo Gastronomia and Kokomama Marketplace make their croissants from scratch, while the other cafes get theirs from bakeries or pastry suppliers. Most of them pipe the filling into the pastry from a hole at the top or base of the croissant.

Da Paolo Gastronomia director Francesca Scarpa, 33, says a love for liu sha bao and requests from customers prompted her to expand the chain’s croissant selection.

She says: “We use the dim sum favourite as a reference to create the taste and consistency of the custard filling, which has a touch of coconut milk.”

The chain has been nimble in adapting to food trends. It introduced its version of cronuts, a hybrid of croissants and doughnuts, in 2013, when the confection was trending in New York City.

Ms Scarpa says: “We can react fast to such trends as we can tap on our croissant-making expertise and experiment with new recipes.”

At Antoinette, sales of its liu sha croissants have doubled over the past three weeks, with 600 sold within four hours daily across its three outlets. Its chef-owner, Mr Pang Kok Keong, says the craze has sparked interest in his pastries.

“The pick-up rate of these pastries has not been as good as our cakes, but more people are interested to understand what makes a good croissant,” he says.

The chain also enjoys a spillover effect on its dine-in business, as diners order the croissants to go with their meals there.

For cafes such as Kokomama Marketplace and Black & Ink, getting in on the custard croissant trend is a way to extend their existing selection of salted egg yolk dishes, such as pizza, pasta and muffins.

Kokomama director Chris Chew, 54, says: “We have been developing croissants stuffed with red beans and matcha since November, and when the trend hit Singapore, we didn’t want to be left behind.”

While there has been an increase in walk-in sales, he says business has not risen significantly.

Mr Lawrence Ngan, 35, managing director of Bridge, which sells up to 250 croissants a day filled with salted egg yolk or truffle honey custard, says: “People from the offices nearby have been ordering up to 20 pieces at a go, but we do not sell them during dinner time as diners will be full after eating one and it makes business sense to focus on dinner service.”

As salted egg yolk custard croissants gain popularity, health experts caution against indulging in them too often.

Ms Claudia Correia, a dietitian at Raffles Diabetes & Endocrine Centre, says a plain croissant is rich in saturated fat and salt, and when salted egg yolks and custard are added, the pastry can contain about 600 calories and up to 80 per cent of a person’s daily recommended intake for saturated fats.

She says: “I recommend sharing the croissant and eating it mindfully by paying attention to your senses and body cues to reduce overeating.”

Ms Vanessa McNamara of The Travelling Dietitian says: “Those with coronary heart disease or are trying to lose weight should minimise their intake of salted egg yolk croissants.”

However, diners are still drawn to the pastry.

Digital strategist Rebecca Saw, 35, who is Malaysian and based in Kuala Lumpur, came here to try the croissants from Antoinette, after her Singapore friends told her about them.

She says: “They are my second favourite after Urban Bakery’s as they have a crisp and good pastry. However, the filling could be sweeter and it lacks the full-bodied flavour of a liu sha bao filling.”

Project manager Michelle Nah, 38, who has tried the croissants from Antoinette, Bridge and Kokomama Marketplace, was curious about the social media craze over them.

She says: “I like Antoinette’s croissants best as the custard has the most intense salted egg yolk flavour and oozes like nobody’s business.

“But I think that croissants and salted egg yolks make a weird pairing. I still prefer croissants with sweet fillings such as chocolate.”

A version of this article appeared in the print edition of The Sunday Times on February 21, 2016, with the headline ’Salty-sweet, flaky-gooey and yummy’.

Crafting a good time for drinkers

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Craft Singapore’s festival director Charles Guerrier wants to introduce craft beer to Singapore in a fun way./The Straits Times
Kenneth Goh
The Straits Times
HOME AEC FOOD & RESTAURANTS THU, 25 FEB, 2016 6:36 PM

SINGAPORE – Craft beers can be intimidating for the casual drinker. There is beer jargon to grapple with, such as IPA (India Pale Ale, a robust hop-laden brew) and Imperial (used to describe beers with stronger and bolder flavours).

Compared with regular beer, craft beer offers a wider range of flavours.

Craft Singapore, an inaugural craft beer festival held as part of the i Light Marina Bay festival, hopes to shake off that snobbish image by introducing the beverage in a fun and laidback way.

Come March 4 to 6, beer enthusiasts can mingle with beer professionals from about 20 breweries, which will set up booths to showcase more than 200 craft beer and cider labels from 14 countries.

A third of these breweries will make their Singapore debut. These include Stone Head Beer from Cambodia, which will bring in beers such as Morning Monsoon, an Imperial stout brewed with coffee and coconut; and Melbourne’s Holgate Brewhouse, which carries porter beers infused with Dutch cocoa and vanilla beans. They join big names in the craft beer scene such as Brewdog from Scotland and Japan’s Hitachino Nest Beer.

Craft Singapore’s festival director Charles Guerrier, 44, notes that most drinkers see craft beers as “niche products”.

“Besides being more expensive, craft beers have more intricate and complicated flavours as they are made with more hops and malts.”

Mr Guerrier, who hopes to attract 8,000 to 10,000 visitors, adds that bringing the breweries under one roof is a convenient way to get people acquainted with craft beers.

“We’re bringing the beers to the people, instead of the other way round. They can sample the beers and chat with brewmasters to discover their preferred flavour profiles of beers.”

Each serving of beer will cost $5 to $10.

Another way of introducing craft beers is to pair them with food. There will be five booths by eateries such as Full of Luck Club, which serves Cantonese-style steamed buns with fillings such as smoked duck and salted egg yolk and prawns; and Vatos Urban Tacos, which serves Korean-Mexican food such as kimchi carnitas fries and tacos. Prices are $6 to $16 a portion.

Mr Guerrier says: “Beer pairs with food better than wine, as it has more subtle flavours and aromas that complement or contrast with food.”

For example, he notes, dark ales go well with beef and pale ales with pork, as the sweetness of the malts in the beers matches that of the meats. And the refreshing citrus- like taste of a wheat beer enhances the flavours of seafood.

Craft Singapore is an extension of Craft Beer Week, a series of craft beer events, promotions and masterclasses that has been organised by Mr Guerrier, a director at marketing company Evolve Beverages, since 2012. Progressing to a full-fledged festival is in line with the growing interest in craft beers, especially golden ale, among drinkers here.

He says: “Younger Singaporeans are travelling more or have studied in countries such as Australia, where there’s an active craft beer movement, and they have an emotional attachment to the labels they have tried there.”

Explaining the burgeoning popularity of golden ale here, he describes it as an entry-level craft beer as it is mildly sweet and not too bitter, and has more flavours than lagers.

Another palate-friendly tipple that is popular among Singapore drinkers is cider. At the festival, visitors can expect quirky flavours such as blueberry and one that has been aged in a bourbon cask for six months from American cider house Woodchuck.

There will also be 10 workshops on topics such as cooking with beer and understanding what goes into ciders and ales. The workshops are free for ticket holders. Other activities include music performances, face- painting and balloon sculpting in the festival village.

A version of this article appeared in the print edition of The Sunday Times on February 21, 2016, with the headline ’Crafting a good time for drinkers’.

Chef Cyrille Gallard keeps it brilliantly simple

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Main course of duck in Burgundy wine, truffle and wild mushroom jus./The Star

Cyrille Gallard’s modern French food is the latest showcase at the Genting Resorts Celebrity Chef Series./The Star
Julie Wong
The Star
HOME AEC FOOD & RESTAURANTS SUN, 21 FEB, 2016 4:54 AM

GENTING – The allure of a fine dining restaurant with its white starched table cloths, manic rush hours and polished table service must have seemed very exciting to a young French lad in Cognac dreaming of his future

When he was all of 14 years old, Cyrille Gallard left school for the kitchen of Chef Jean Locusol whose claim to fame came from having worked at the historic Parisian restaurant, La Tour d’Argent, at its peak a three-Michelin starred establishment.

After six years, bright eyed and bushy tailed, Gallard was ready to move on to greener pastures.

He couldn’t have chosen better than Thierry Verrat’s La Ribaudiere, the only Michelin-starred restaurant in Cognac.

Verrat paved the way for his next venture when he introduced him to winemaker Jean-Louis Vicard with whom Gallard formed a new alliance to launch L’Atelier de Candale at the Chateau de Candale in Saint Emilion and realised his dream of running his own restaurant with a young and dynamic team.

At 31, Gallard is himself young. While many chefs his age are still in training diapers, he’s already a pro with 17 years in the business behind him.

When met at The Olive restaurant in Genting Highlands where he held court for three days to bring a menu paired with the famous wines of his region – Saint Emilion – he spoke of his aspiration to have a wine-forward restaurant.

“Diners choose the wines and the chef then creates a menu around the wines.” It makes sense as his restaurant is in the middle of a vineyard and close to Bordeaux, the world’s most famous wine region.

At any rate, we were at the Genting Grand and surrounded by car parks and theme parks rather than vines so this utopian dream remained a pie in the sky for now. But we did get served a neoteric menu competently paired with some very good grand cru wines from Saint Emilion.

After the Three Toast Surprise amuse bouche three disparate tastes which I found on hindsight, missing the simple eloquence of the rest of the meal – the show rolled out.

Dive under a round sea of bubbly yellow curry to find the oyster under the smoked herring caviar in the appetiser of Madras Curried Oyster. Oyster, curry and caviar – each one full of umami but perfectly balanced in strength, the briny oyster and caviar eliminating the need for salt.

The warm and slightly spicy notes of the curry found an interesting counterpoint in the Chateau Haut Brisson 2008, a velvety smooth Bordeaux style red with good acidity and freshness; a less adventurous pairing would be Chablis or a crisp white.

“Salt, pepper and piment d’Espelette,” said Gallard of the three ingredients he reached for most often in the kitchen, piment d’Espelette being the precious and pricey chilli pepper grown in the south of France for its bright, rich and deep flavours.

While the 24-hour pressed foie gras terrine with onion confit and melba toast was declared “the best foie gras I’ve ever tasted” by someone at our long table, it was the Riveyrac 1965 which got others quite excited. The 50-year-old natural sweet wine from the Rivesaltes appellation of Roussillon in southern France is a blend of Grenache which we first mistook for Muscat, also made in the region. Marmalade notes and a slight rancidity provided the beguiling difference.

While this wine has been accused of rather lacking in complexity – 1965 being a bad year for wine – we appreciated the chance to taste the sweet wines from this region not often available here.

Another soupy dish followed – lobster ravioli in tom yum-inspired miso given a blast in the siphon to transform it into a foam, giving it great texture and lightness. A dusting of dried caviar was the only decoration. Again, dive under the sea of foam to find the treasure – not unlike harvesting seafood, when you think of it.

A pattern of simplicity had begun to emerge, along with modern French food with touches of Asian. Gallard admitted to a love for Asian flavours and a flirtation with modern cooking techniques like aeration, jellification and spherification.

This was evident in the main course, a big black ball sitting in a pool of sauce. The French duck in Burgundy wine, truffles and wild mushroom jus’ simple looks belied the skills that went into making the fabulous deluge of tastes: dried bread powder, squid ink powder, shredded slow-cooked duck and mashed potato held together by kappa and anointed with orange peel infused olive oil, in a pool of trumpet mushroom sauce laced with truffle oil.

“My kitchen is full of simple pleasures built around local products which I revisit according to my mood,” Gallard said.

The duck was paired with the flagship wine of Chateau Haut Brisson, La Reserve 2010, an impressive Merlot aged in 100% new French oak. Aromatic, full-bodied and rather intense, the tannins have rounded out and the plummy flavours were excellent with duck.

Like the others, the cheese course was elegant and restrained: just a triangle of brie sandwiched with truffles and mascarpone, which allowed the limited edition Enclos Tourmaline 2012 to be enjoyed properly. There are only 1,000 bottles of this wine, the 2012 being the first vintage for this label which was acquired in 2011 by Chinese investor Peter Kwok, who also owned Chateau Haut Brisson.

Of the 36 bottles of the wine available, the Genting cellar snapped up 12 bottles to add to its collection. This dinner is a good example of the kind of excellent food and wine pairing experiences you can have at The Olive, a restaurant with one of the best wine lists in the country; it won the coveted Wine Spectator Best of Award of Excellence (2015) – equivalent to a two star rating, you can say.

Finally the dessert, a modern take of the traditional Floating Island dessert, a concoction of eggwhite cloud blitzed with black truffle to add a savoury flavour, and creme anglais in a surprise custardy base.

Did we just dine on seas of foams, airs and a whimsical puff of cloud? We should feel cheated but it was delicious! So simple, yet brilliant.

Or perhaps our euphoria had something to do with the wines.

Note: Genting Resort’s Celebrity Chef Series brings noteworthy chefs from around the world to The Olive to offer Malaysians a chance to enjoy great food and wine without leaving home.

Basic shapes – especially circles – connive to convey the philosophy of simplicity in Gallard’s cooking.

Philippine heritage houses embrace technology

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WALL features at the Apacible House./Photo courtesy of Kimberly Dela Cruz

Computer terminals for the students’ use at the Agoncillo house. /Photo courtesy of Kimberly Dela Cruz
Raoul J Chee Kee
Philippine Daily Inquirer
HOME AEC ENTERTAINMENT TUE, 7 JUN, 2016 1:00 AM

MANILA – Philippine museums are getting an upgrade.

What used to be mere repositories of old books and antiques now have interactive displays and touchscreens that allow visitors to learn more about the venue. All 21 museums throughout the country are expected to sport the new changes by 2017.

In fact, two heritage houses in the town of Taal were recently modernised and reopened by the National Historical Commission of the Philippines. Both Museo nina Leon at Galicano Apacible and the Museo nina Marcela Marino at Felipe Agoncillo used to be the homes of the Apacible siblings and the Agoncillo couple, respectively.

While they have long been open to visitors, there were no storylines on view. One simply looked through the rooms and saw beds, tables and chairs. Now, there are narratives and wall texts that tell stories of the houses’ original occupants.

There are tour guides available as well although one has to make arrangements before visiting.

León Apacible was a delegate to the Malolos Congress and fought in Batangas during the 1896 Revolution. His brother Galicano was active in the Propaganda Movement and later chaired the Comite Central Filipino in Hong Kong, which sent munitions to the Filipino army and engaged in diplomatic activities to secure foreign recognition of Philippine sovereignty.

National seamstress

Schoolchildren may know Marcela Agoncillo as the seamstress of the Philippine flag together with her daughter Lorenza and José Rizal’s niece Delfina Herbosa de Natividad.

Marcela was also an accomplished homemaker who sewed her children’s clothes and helped augment the family’s income by making clothes for her neighbours when they lived in Hong Kong.

Visitors can learn about these and other little-known facts when they visit the house she shared with her husband Felipe, who led diplomatic activities in Europe during the war of the Philippines against the United States.

Both museums have since been outfitted with interactive features like light-and-sound presentations; stereoscopic devices and photographs; audiovisual rooms; and the aforementioned touchscreen terminals describing the different rooms and furniture.

The Apacible and Marino-Agoncillo museums are both located at Marcela Marino de Agoncillo Street in Taal, Batangas.

Chinese artist’s US$15,000 Lego artwork destroyed by little boy

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Zhao reportedly took three days and nights to build the 1.8m lego sculpture of a fox named Nick (above) from animated film Zootopia./Photo courtesy of Weibo
Nicole Weers
The Straits Times
HOME AEC ENTERTAINMENT SAT, 4 JUN, 2016 1:00 AM

NINGBO, CHINA – A Lego sculpture that took three days to build was smashed to pieces by a Chinese boy within an hour of it being put on display on Sunday (May 29).

Zhao, a young artist from the eastern Chinese city of Wenzhou, spent more than 100,000 yuan (US$15,200) on the sculpture of a fox named Nick, from the animated film Zootopia.

It took him three days and nights to build the 1.8m statue, which was put on display at a Lego expo held in Ningbo.

However, it did not stand for long. Within an hour of the expo’s opening, a four-year-old placed his hand on the figure and accidentally pushed it over while posing for a photo.

This was despite the fact that a “no touching” sign was placed near the artwork, and all the sculptures at the exhibition were separated from visitors with ropes.

According to Metro, the child’s parents apologised and wanted to pay for the damage but Zhao refused to accept it, saying the young boy’s actions were unintentional.

“The child did not intend to break it,” he said, according to CCTVNews.

The artist was crushed; his devastation apparent from the photos he uploaded of him creating his masterpiece on Chinese social media platform Weibo.

He also uploaded a photo which captured the aftermath of the accident, with his intricate sculpture completely reduced to rubble.

Zhao reportedly said: “It took a lot of effort building the sculpture, especially the eyes. I had to change it a lot of times.”

According to BBC News, the hashtag #ManSpends3DaysAndNightsBuildingBlocks has been used over 13,000 times on Chinese social media after the accident.

This was not the first time an artwork was destroyed by visitors.

Just last week, CCTV footage of two boys fracturing a glass sculpture at the Shanghai Museum of Glass in China was released.

The adults accompanying the children were seen filming them and choosing not to intervene as the kids started touching the sculpture, which is titled “Angel Is Waiting”.

Its creator, Shelly Xue, spent 27 months on it and completed it as a dedication to her newborn daughter.

Instead of fixing the damage, she decided to rename it “Broken”.

Another piece of art was unintentionally damaged in October last year when cleaners at the Museion museum in Bolzano, Italy, accidentally threw several items from a modern art installation into bin bags. They thought that the items were from the aftermath of a party.

The artwork, titled Where Shall We Go Dancing Tonight? and created by artists Sara Goldschmied and Eleonora Chiari, comprised confetti, empty bottles and cigarette butts which were used to represent the decadence of Italy in the 1980s.

Miss Swensen’s Idol looking for fresh talent in Laos

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A poster promoting Miss Swensen’s Idol 2016.
Sisouphan Amphonephong
Vientiane Times
HOME AEC ENTERTAINMENT SAT, 28 MAY, 2016 1:00 AM

VIENTIANE – Young ladies looking to get into the Lao entertainment scene are being urged to enter the Miss Swensen’s Idol 2016 contest which is looking for a ‘Fresh and Smart Sweet Girl’.

The winner will receive a scholarship from the local purveyor of ice-cream.

The audition round for the project will take place at Swensen’s National Culture Hall branch today with young ladies given the chance to publicly show their abilities and talent.

The contestants from this project will also get the chance to meet well known Lao celebrities such as Kai Overdance, Ola Black Eyes, Tar A’Pacts, Toun Diva and Miss Laos 2011 Louknam Thidalat Vongsili who will also be the contest judges.

One of the judges Toun Diva said this was the first time the Swensen’s project had been organised and it would open opportunities for a young woman to gain special experience and fulfil their dream of getting into the local entertainment industry.

The project has attracted almost 100 young ladies who are eager to impress the judges. The audition round starts from 10am today with only the top 25 contestants who meet the judges’ criteria able to progress to the contest final taking place on June 25 at the Vientiane Center.

The winner will become a presenter and brand ambassador for Swensen’s Ice-cream in Laos for one year and the title will identify them as a rising star and open up other career opportunities in the local entertainment scene.

Korean record holders to perform in Vietnam

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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Korean magicians, EK and Zeki, who set a world record for their quick clothes-changing show, will perform in HANOI at the end of this month. /Photo courtesy of vir.com.vn
Viet Nam News
HOME AEC ENTERTAINMENT FRI, 27 MAY, 2016 7:43 PM

HANOI – Korean magicians EK and Zeki, a couple renowned for their fast clothes-changing performance, will perform at the Cultural Friendship Palace in Hanoi on May 29 and June 1.

They will participate in the show titled Cô Tam và Cuoc Phiêu Luu Dieu Ki (Tam and Magical Adventures), which is dedicated to children for International Children’s Day.

The event has also drawn the participation of Vietnamese comedian Quang Thang and the winner of the Sao Mai 2015 Singing Contest, Thu Hang, who plays the role of Tam.

EK and Zeki’s performance involving 16 wardrobe changes in just a few seconds in the Star King Programme in 2013 made them a media phenomenon in Korea. The programme became one of the most-searched shows on the internet in the country.

In 2016, they set the Guinness world record with their special clothes-changing performance.

Indonesian short movie Prenjak wins award at Cannes

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Prenjak/In The Year of Monkey’s crew and cast./Photo courtesy of Wregas Bhanutedja
Agnes Anya
The Jakarta Post
HOME AEC ENTERTAINMENT SAT, 21 MAY, 2016 1:00 AM

JAKARTA – Indonesian short movie Prenjak/ In The Year of Monkey has came out on top at the Cannes Film Festival, winning the Leica Cine Discovery Prize.

“To all our relatives, best friends, and families in Indonesia. We won!” wrote Wregas Bhanutedja, the man behind Prenjak, on his Facebook wall. “Thanks to you. This award is for you all.”

Wregas, a 23-year-old film director, was also involved in making behind-the-scenes videos of the country’s much-anticipated drama Ada Apa Dengan Cinta 2. Prenjak was filmed in February this year in Yogyakarta by teaming up with his former high school friends, such as Henricus Pria as his line director, Rosa Winenggar and Yohanes Budyambara as cast members, as well as his movie-maker girlfriend Ersya Ruswandono as photography director.

( Read also: Two Indonesian films heading to Cannes 2016 )

It took only two days for them to shoot, and they decided to submit the project to the prestigious movie festival three days before registration was closed.

The 12-minute short tells the story of widow Diah, who is on a lunch break from her work. In desperate need of money, she offers Jarwo a single matchstick for the price of Rp 10,000 ( less than US$1 ), explaining that he will have the opportunity to take a peek at Diah’s body by lightning up the match in a dark place.

“The idea for the story came from a Yogyakarta cultural practice that existed in the 1980s. Nowadays, there aren’t any girls who do this anymore, and I want to show this culture in today’s era, but in a different context, where Diah needs money so badly that she has to do this,” Wregas told The Jakarta Post in April.

Prenjak is one of two Indonesian movies at Cannes this year.

( Read also: In a France darkened by fear, Cannes hopes to supply light )

The other movie is thriller-drama Marlina the Murderer in Four Acts – the only film from Southeast Asia signed in the L’Atelier Cinéfondation category.

L’Atelier is a program under Cinéfondation that aims act as a bridge between young filmmakers, producers and international distributors.

The movie, which involves director Mouly Surya, depict the story of a woman in Sumba who beheads a man and carries his head around on a journey after he and his friends rob her house.

Rare Chinese ceramics on display at Asian Civilisations Museum

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Jar with Taoist immortals (porcelain, China, 1522 to 1566) is on display at the permanent gallery at the Asian Civilisations Museum. /The Straits Times
Huang Lijie
The Straits Times
HOME AEC ENTERTAINMENT TUE, 17 MAY, 2016 2:52 PM

SINGAPORE – Ivory, cream, pork fat and white jade – these many shades of white are seen in the various types of Chinese porcelain on show in a permanent gallery at the Asian Civilisations Museum.

The newly opened gallery, which occupies 333 sq m of the museum’s top floor, offers a quick survey of Chinese ceramics.

It features more than 300 objects made of baked clay – ranging from simple cups and pots that date as far back as 5000BC to exquisite porcelain vessels and ornamental objects from as recent as the 18th century.

Many of these objects, which include recent acquisitions, have either never been displayed in the museum before or have not been in public view for some time.

The crown jewel of the show is the collection of Dehua porcelain – white porcelain from Dehua county in Fujian province – that is displayed on the third floor of the museum’s three-storey Kwek Hong Png wing, named after the late property czar.

The first two floors of the natural light-filled wing, which highlights treasures from China, were unveiled last year. They were completed under the first phase of the museum’s ongoing S$25-million (US$18.21 million) revamp.

Dehua porcelain is well-known around the world for its distinctive white glaze and fine clay – allowing for delicate workmanship and highly expressive forms.

The section on Dehua porcelain features the museum’s fine collection of Dehua ware, which grew out of an important donation of more than 120 pieces by collectors Frank and Pamela Hickley.

Dehua porcelain was especially popular in the 16th and 17th centuries due to flourishing trade between Fujian and the rest of the world. It was exported to Asia and Europe and it found a zealous collector in August the Strong (1670 to 1733), king of Poland and elector of Saxony, who owned more than 1,200 pieces of it.

It was also Dehua porcelain that inspired European potters to make copies of them before they were able to successfully produce porcelain in the 1700s.

Besides Dehua ware, the exhibition, which flows in a largely chronological order, includes sections on clay objects for burial and porcelain made for the imperial court.

The museum’s director, Dr Alan Chong, says: “At the end of the day, what we’re trying to communicate is that these things have an eternal beauty.

“These are things that can be appreciated over thousands of years and they are objects that still appeal to us today. It goes to show that ceramics is a tradition that keeps going and is very important.”

K-pop powerhouses looking to take a bite out of culinary world

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/aec/K-pop-powerhouses-looking-to-take-a-bite-out-of-cu-30285667.html

An interior view of SM Entertainment’s restaurant SMT Seoul, located in Gangnam-gu./Photo courtesy of SM Entertainment
Julie Jackson
The Korea Herald
HOME AEC ENTERTAINMENT WED, 11 MAY, 2016 1:00 AM

SEUOL – Hallyu continues to forge ahead around the globe, with K-pop powerhouses unrelenting in finding new ways to spread Korean culture, even if it means venturing outside the entertainment field.

One of the biggest current trends in the South Korean entertainment community involves celebrities and entertainment agencies taking a stab at the food and beverage scene.

Many Korean celebs have invested in their own cafes or dining establishments, such as Grill5taco owned by Super Junior’s Dong-hae, JYJ Junsu’s Misarang Imshil Cheese Pizza and G-Dragon’s Cafe Monstant Aewol on Jejudo Island. The country’s leading K-pop agencies are also jumping on the bandwagon, rapidly penetrating the food market with their eyes set on successfully pioneering a chain of Korean cuisine eateries outside the peninsula.

Following the unveiling of its SMTOWN@Coex Artium – an entertainment hub complex in the centre of Gangnam that features a merchandise store, theater, studio and a cafe – last year, SM Entertainment forged ahead with its third attempt at the restaurant business by opening the five-story multi-complex restaurant SMT Seoul earlier in January in the posh neighbourhood of Cheongdam-dong, Seoul.

The eatery not only offers diners a variety of fusion food options such as Seoul-style tapas, as well as other Asian dishes, it also oozes K-pop goodness – featuring hologram projections of the agency’s artists – making it the ultimate dining option for die-hard fans or curious patrons.

According to officials at SM, the agency has tentative plans to launch the restaurant franchise overseas, with aims of opening an SMT Tokyo and an SMT LA sometime later this year.

“Creating a global establishment has always been the plan for our restaurant ventures from the start,” said a representative of SM Entertainment. “The concept for SMT Seoul is to meet our aims for having our style of Korean food being tasted at an international level.”

Despite its sky-high ambitions, the restaurant marks SM’s third attempt at penetrating the food market. In 2008, the company opened the Korean restaurant e-table, but eventually had to close its doors in 2011. The following year SM attempted to open the Chi Mc pub in collaboration with the local hamburger joint Kraze, but the project ended up going bust at the last minute.

“Having run a number of test-runs in the restaurant business in the past, we now feel like we possess the know-how (with the SMT franchise),” the SM spokesperson added.

In a media presentation earlier this year, SM founder Lee Soo-man announced his initiatives to continue expanding the company’s celebrity-based merchandise stores and international projects.

“SM has now come of age, and is looking forward to taking another leap. We will accomplish the world’s greatest ‘blooming of culture,'” Lee said during his presentation.

Rivaling SM is another top dog in the Korean entertainment industry – Yang Hyun-suk of YG Entertainment.

No stranger to appearing on the small screen, the cafeteria at YG’s company headquarters has garnered much public attention in the past. Audience members have gotten quick glimpses of the agency’s notoriously tasty, in-house cafeteria food through various K-pop reality shows, with Yang famously having stated, “Our families must eat well to work well.”

In 2004, the company established a dining subsidiary YG Foods which opened its first Korean-style pub Samgeori Pocha in 2004. Noh Hee-young, former brand executive of mega-conglomerate retail giant CJ Group, was later appointed to head YG Foods leading to the unveiling of the agencies new Korean barbecue franchise – Samgeori Butchers.

Last June, the agency opened the first Samgeori Butchers in Hongdae. In less than a year, the company has already launched two branches of “YG Republique” – which feature YG’s Samgeori Butchers, K Pub and 3 Birds cafe – in the bustling tourist hotspots of Myeong-dong and the IFC Mall in Yeouido.

“YG Republique is not just a brand that is launching in Korea. We are currently preparing to expand our brand into the overseas market,” said a spokesperson at YG Foods, adding that the company plans on opening a YG Republique complex in ShowDC Mall in Bangkok in June.

Later this year YG expects to open its Republique dining complexes in Orange County, California and China.

Along with his fellow agency rivals, mega K-pop producer and founder of JYP Entertainment Park Jin-young has also taken a stab at the restaurant scene, with hopes of global expansion. However this was met with little success.

In 2012, JYP Entertainment opened a chic, upscale Korean barbeque joint, Kristalbelli, near Korea Town in downtown Manhattan. Park had announced that he had invented the restaurant’s signature grill, as well as created his own grilling manual after visiting numerous barbecue establishments in his home country.

Banking on its success, JYP Entertainment had announced its plan to open branches in cities worldwide including Los Angeles, Tokyo and Beijing. However, the agency ended up selling off the restaurant and was unable to expand the brand.