Boot camps for beauty queens

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Boot-camps-for-beauty-queens-30278134.html

BEAUTY QUEEN

Flores, the man in charge at this beauty queen boot camp in Quezon City, putting his charges through the paces. Photo/The Straits TimesPhoto/The Straits Times

Flores, the man in charge at this beauty queen boot camp in Quezon City, putting his charges through the paces. Photo/The Straits TimesPhoto/The Straits Times

A member of the Flores team assists a pageant candidate with exercises. Photo/The Straits Times

A member of the Flores team assists a pageant candidate with exercises. Photo/The Straits Times

Beauty queen candidates make up themselves. Photo/The Straits Times

Beauty queen candidates make up themselves. Photo/The Straits Times

Beauty queen candidates spend their days doing the 'duck walk' exercise, all while wearing high heels.Photo/The Straits Times

Beauty queen candidates spend their days doing the ‘duck walk’ exercise, all while wearing high heels.Photo/The Straits Times

Beauty queen candidates spend their days doing the 'duck walk' exercise, all while wearing high heels. Photo/The Straits Times

Beauty queen candidates spend their days doing the ‘duck walk’ exercise, all while wearing high heels. Photo/The Straits Times

Confetti rains down on Miss Universe Pia Wurtzbach during her victory parade in Manila. Photo/AFP

Confetti rains down on Miss Universe Pia Wurtzbach during her victory parade in Manila. Photo/AFP

Manila is home to several of these “factories of dreams”

Pia IWurtzbach may have to accept that she will always be remembered as the Miss Universe who nearly never was, after show host Steve Harvey made the biggest boo-boo in pageant history when he wrongly announced the winner as Miss Colombia in December.

But there has hardly been any dispute over whether the 26-year-old Miss Philippines deserved the title. The poise, beauty and confidence she exuded, and which won the judges over, were the fruits of three years of training in one beauty-queen boot camp after another.

Filipinos can name their beauty queens as easily as Brazilians remember their football legends.

And all over the country, beauty-queen boot camps – formal and informal – have helped turn the country into a superpower in the beauty pageant world; probably anachronistic in this day and age of political correctness, yet surprisingly enduring.

Inside a compound in the heart of Manila’s Quezon City, dozens of tall, lithe, young women gather under a high, curved iron roof covering a basketball court that for now serves as a dance studio. A wall of mirrors stands at one end. At the other end are the dressing rooms and in between is a smattering of plastic chairs and tables where a couple of women are busy applying make-up and fixing their hair.

It is hot, even in January. Four industrial fans keep the air circulating. Most of the women are on the floor, perspiring in their seven-inch heels, bikini tops and gym shorts.

They are doing the “duck walk”, lunging as they swing their hips as far as they can, left to right, left to right. Before the day ends, usually near midnight, they would have walked like this 25 times around a rectangular room measuring 25m long by 15m wide.

All of them have already spent the entire morning at the gym.

When not duck-walking, they stand in front of the mirror, drawing big circles with their hands, and stretching their limbs. Again, they bend down and swing their hips, left to right, front to back.

Later, there will be more lessons: how to stand and smile; how to look sexy and sweet; how to handle the mishap of tripping on stage; how to quickly answer questions as mundane as, “What makes red better than blue?”

They go through these drills for at least nine hours every day – excluding time spent at the gym – with some weekend breaks, for six months. At the end of it all – the cherry on top – is a three-hour pageant that the women hope will turn them from just another pretty face in a crowd into a local legend.

The man who runs this particular camp in Manila is Rodgil Flores, 49, one of the Philippines’ top “queen-makers”.

Five of his wards have already clinched international titles: Miss International Lara Quigaman (2005) and Bea Rose Santiago (2013); and Miss Earth Karla Henry (2008), Jamie Herrell (2014) and Angelia Ong (2015).

Flores and his team do it pro bono. Instead, they make their living handling events. They do not get a cut from their wards’ prize money, endorsement deals, paid public appearances, or TV and movie contracts. “We work hard to train them. If they win, that’s the bonus we get,” he says.

About 100 women pound their heels on Flores’ studio floor each year, but only 30 will emerge as serious contenders and maybe one will be queen. Most likely, there will be a couple of finalists.

Many of the women start at 18, and then top out and move on to other things when they reach 26. Most are poor or working class.

Janicel Lubina was working as a maid when a talent scout spotted her. She was just 16. She made the rounds at beauty pageants in Palawan province. When she turned 18, she was sent to Flores’ boot camp.

“I remember her well because when she came to me, she didn’t even have a bag. All her clothes were in plastic bags,” he recalls.

A year later, she won Miss Philippines International, which earned her a spot at the Miss International pageant. She was a finalist.

Now 20, Lubina has her pick of modelling and hosting assignments, but she has also gone back to school for a more assured future.

While Flores does not charge for his services, the women have to cover their own expenses such as meals, lodging, transport and make-up. They get free membership at Gold’s Gym, but that is about the only perk they get.

A few are lucky enough to have parents willing to bankroll their dreams. Kiara Giel Gregorio, 19, flew to Manila from London and set aside her studies to be a barrister to chase the crown. Both her parents are nurses who have lived in Britain for over a decade. They are paying for everything. Gregorio’s mum has even taken time off from work to watch over her while in the Philippines.

But most of the other pageant hopefuls have had to rely on others to survive.

For their families, it is a matter of pride. For their scouts, mentors and sponsors, it is an investment. They most likely will get very little for their money. But if their candidates win, the rewards are huge. They will establish their reputation and manage their winning wards’ lucrative careers.

For the women who do make it, the immediate reward is that their names will be recorded for posterity. A gated community in a city south of Manila has been naming its streets after Filipino beauty queens.

“Once you’re a beauty queen, you will always be remembered as a beauty queen here in the Philippines, even when you’re old. You keep the title for life, the prestige for life,” Flores says.

Past winners have managed to parlay their crowns into lucrative careers in entertainment. Others marry well.

Gloria Diaz, who in 1969 became the Philippines’ first Miss Universe, has been in more than 40 movies since she took up acting in 1974. She is now 64.

But perhaps the most well-known beauty queen the Philippines has ever had is someone who did not even make it to the major leagues: Imelda Marcos.

Marcos placed second in the 1953 Miss Manila contest. She fell short in the competition, but caught the attention of a rising political star: Ferdinand Marcos.

He went after her and, after 11 days of courtship, they were married. That began a partnership that would hold sway over the lives of millions of Filipinos for three decades.

Marcos went on to become one of the wealthiest women and most recognisable faces in the world, eclipsing even the brightest of beauty queens.

At 86, she still wields a big influence on Philippine politics. Her son, Ferdinand Marcos Jr, is now running to become the nation’s next vice-president.

“Filipinos are always searching for somebody to idolise, hero figures. Beauty queens come as an inspiration for everyone,” Flores says.

“No matter what you do, especially if you’re not that rich or you have encountered many hardships, at the end of the day, you will be heralded as someone who will be an inspiration for everyone.”

 

United we do not stand

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http://www.nationmultimedia.com/life/United-we-do-not-stand-30278131.html

STAGE PREVIEW

There’s disunity in Vajji City. Nation/Kawinporn Charoensri

There’s disunity in Vajji City. Nation/Kawinporn Charoensri

Patravadi Mejudhon portrays the exiled Watsakara Brahman. Nation/Kawinporn Charoensri

Patravadi Mejudhon portrays the exiled Watsakara Brahman. Nation/Kawinporn Charoensri

Manop Meejamrat portrays King Litchawi. Nation/Kawinporn Charoensri

Manop Meejamrat portrays King Litchawi. Nation/Kawinporn Charoensri

Patravadi Mejudhon’s new work is another reason to go to Hua Hin on the weekend

With the National Artist herself at the helm of the productions, occasionally performing in them and oftentimes collaborating with other renowned professional artists, the Patravadi School’s annual stage production has given a whole new meaning to the “school play” for the last four years. Unlike most student efforts, the youngsters at this private school work hand-in-hand with teachers on all aspects of the production, both on and off the stage, including designing the poster and programme. And as this is not a performing arts school – though many people think it is – Patravadi “Khru Lek” Mejudhon carefully selects the source material for each year’s production, making sure that her students can apply it to as many classes as possible.

Following contemporary adaptations of Thai literature classics like “Viva Phra Samut”, “Rocking Rama” and last year’s “Vetal”, Khru Lek’s adaptation of Chit Burathat’s “Samakkhi phet khamchan” (“Chant of the Ununited Nation”) opened over the weekend at the Vic Hua Hin.

“Teaching Thai literature to the students these days, I find that they’re not interested in it partly because the language is very difficult, even for me, and partly that they can find little relevance to here and now,” Khru Lek tells XP.

“Then, most exams seem to only test them on basic information like the name of the writer and the synopsis. Literature is also about the beauty of language and those who want to excel in performing arts need to have great language skills. And so in this annual project, I use my performing arts skills in helping them understand Thai literature better – and it helps me as well.

“Chit Burathat’s ‘Samakkhi phet khamchan’ is short and yet it needs careful and deep analysis in order to fully understand it. Its themes are related to Buddhism, which I’m also teaching here.

“We started working in June, rehearsing once a week, all day, and added more rehearsal time in the evenings as the performance time approached. It’s also a good training in discipline and physical exercise for the students, and for me as well – it’s like an indoors PE class,” she laughs.

Based on a story during Lord Buddha’s time, “Samakkhi phet khamchan” tells how King Ajatashatru of Magadha city used trickery to destroy the unity of the people of Vajji city. King Ajatashatru then beat up and exiled Watsakara Brahman – performed by Khru Lek herself – from the city. King Litchawi of Vajji accepted the wounded Brahman with mercy and assigned him to teach the princes and princesses. The break-up of unity started with these young people and then spread far and wide, and in the end Vajji was easily conquered by Magadha.

Back in October, Khru Lek and I were at the Toki Arts Week in Nanjing where we watched – and were enthralled by – a classical Indian dance performance and workshop by Hyderabad-based master Kala Krishna. At Khru Lek’s invitation, Krishna was at her school in December, teaching not only student performers but also Silpathorn artist Manop Meejamrat who’s portraying King Litchawi as well as creating dance choreography for the production.

Given the English title and considering our political turmoil, one wonders if this production is slightly political. To that, the national artist answers, “People are welcome to come up with their own interpretation of course. There is, for example, one scene where students get free tablet computers.”

That’s another reason I’m planning a quick weekend getaway to Hua Hin.

TWO MORE WEEKENDS

– “Chant of the Ununited Nation” continues on Saturday and Sunday and February 13 and 14 at the Vic Hua Hin. Shows are at 7.30pm on Saturdays and 2pm on Sundays. It’s in Thai with some English translation.

– Tickets are Bt400 (Bt200 for students). Call (089) 255 0002 or visit http://www.PatravadiSchool.com.

 

Projected visions

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CONTEMPORARY ART

Media art runs on the screen installed at the Sejong Centre for the Performing Arts facade in Gwanghwamun, Seoul. Photo courtesy of SCPA

Media art runs on the screen installed at the Sejong Centre for the Performing Arts facade in Gwanghwamun, Seoul. Photo courtesy of SCPA

Impressionist masterpieces made into media art play inside Cultural Station Seoul 284 for the exhibition 'Van Gogh Inside: Festival of Light and Music'. Photo courtesy of Media N Art

Impressionist masterpieces made into media art play inside Cultural Station Seoul 284 for the exhibition ‘Van Gogh Inside: Festival of Light and Music’. Photo courtesy of Media N Art

Impressionist masterpieces made into media art play inside Cultural Station Seoul 284 for the exhibition 'Van Gogh Inside: Festival of Light and Music'. Photo courtesy of Media N Art

Impressionist masterpieces made into media art play inside Cultural Station Seoul 284 for the exhibition ‘Van Gogh Inside: Festival of Light and Music’. Photo courtesy of Media N Art

Media art and masterpieces brighten Seoul landmarks

It has been more than a month since Christmas lights were stripped-down from buildings, reducing the city blocks once again to their default cold, bleak and grey.

In Seoul, however, media art installations and exhibitions have replaced the sparkling Christmas decorations, illuminating the city’s bleak midwinter and offering people the opportunity to enjoy some contemporary art.

At the grand front entrance of the Sejong Centre for the Performing Arts in Gwanghwamun, a huge screen has been set up to run media art pieces by Lee Yong-baek, whose works were featured in the Korean Pavilion exhibition at the 2011 Venice Biennale, and Matt Pyke, founder of the art studio Universal Everything.

Dynamic images of “The Collection for I” by Lee and “We Are All Unique,” “Running Man,” “Made by Humans” series by Pyke are playing on the 23-metre-wide screen for about four hours at night. The show begins 30 minutes after sunset and runs through 11pm nightly.

Hyundai, which is sponsoring the outdoor media art show, plans to showcase these works at Times Square in New York and Piccadilly Circus in London.

The former Seoul Station, which now houses the Culture Station Seoul 284, has been transformed into a giant canvas for some 400 masterpieces by impressionist masters such as Vincent Van Gogh, Claude Monet and Pierre-Auguste Renoir.

The paintings have been transformed into moving images and are projected through full HD projectors onto the dome, ceilings, floors and walls of the historic train station that was built in 1925.

“This is the biggest media art exhibition in Korea that covers the entire space of the 1,652-square-metre former train station,” says Ji Seong-wook, head of Media N Art, the exhibition organiser.

The four main zones follow the artistic footsteps of Van Gogh, displaying images of paintings made during his critical artistic periods in Paris, Arles, Saint-Remy, Auvers-sur-Oise and other places. Works of other impressionist painters are displayed in the lobby.

The viewing experience is intensified with instrumental background music that is composed for the show to enhance the soothing and calming mood of impressionist landscape paintings. Each show lasts for about eight to 12 minutes.

The exhibition also offers an immersive experience for visitors. They can revisit Van Gogh’s “The Night Cafe” through virtual reality. Wearing virtual reality gear, they enter a space with tables and chairs and walk around, travelling back in time to the 19th century French cafe.

 

Love for the Princess goes online

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LIFESTYLE

The lively website Wisith Silapin stakes a place in cyberspace for homage to HRH Princess Sirindhorn

A WEBSITE DEVOTED to Her Royal Highness Princess Maha Chakri Sirindhorn has just been launched. A year in the making, Wisith Silapin is lively with Flash animation in its graphics and photos, the pages cleverly linking and sporting hidden jumps to puzzles and other amusements.

The text is almost entirely in Thai, since it’s designed primarily for domestic enjoyment.

“Wisith Silapin was conceived to celebrate the Princess’ fifth-cycle birthday last year,” says MR Pridiyathorn Devakula of the Rama IX Art Museum Foundation. “We spent a year collecting information about every aspect of her life. Her biography is interesting enough, but there is much more, such as the poems she’s written that have been turned into well-known songs, like ‘Somtam’ and ‘Duj Bida Marndorn’.

“So the site can help people learn more about the Princess and it’s really worthwhile exploring. We want everyone to be curious about the Princess, and they will come to admire her and love her more for what she’s done.”

The foundation’s MR Chakrarot Chitrabongs, Khunying Kasama Varavarn Na Ayuddhaya, Sivaporn Dardarananda and Sermkhun Kunawong were also on hand for the press conference unveiling the site.

WisithSilapin.org – the title alludes to virtuosity in art and culture – has five sections.

“Visual Arts” covers the Princess’ artistic endeavours and showcases 43 pieces of pottery, 178 paintings and 72 photographs. Professor Sermsak Nakbua pointed out how the Princess’ art is “livelier” than what’s normally produced by professional sculptors or painters.

“In her work the focus is on the creative idea – the thought and the understanding,” added painter Panya Vijinthanasarn, a National Artist. “The composition in her paintings is simple, with individuality in the colours and harmony in the lines. They’re full of peaceful feelings, of freedom and joyfulness.”

Nitikorn Kraivixien, president of the Royal Photographic Society of Thailand, explained that the Princess initially became interested in taking pictures because she needed reference images of places for paintings she planned to do, and of course also wanted to record events as mementoes. “Everywhere she goes she has a notebook and a camera,” Nitikorn noted.

The website’s “Literature” section lists 116 books that Princess Sirindhorn has written or contributed to, as compiled by Pranee Prapripu, vice president of the Thai Language Teachers’ Association of Thailand.

“She’s had a genius for writing since she was young,” Pranee said. “She often translates Chinese literary works into Thai so that Thai people can read the valuable literature of East Asia.”

For the “Music” segment, Dr Poonpit Amatyakul has detailed the 45 songs for which the Princess composed lyrics. “Her interest to music doesn’t follow trends or any ‘requisite’ school subjects, but it demonstrates the deep faith she places in music.”

Under “Royal Duties”, the projects to which the Princess has so devoted herself are examined, such as the Chaipattana, Mae Fah Luang, Sai Jai and Ananda Mahidol foundations and the Thai Red Cross |Society.

The “Biography” section confirms MR Pridiyathorn’s comment that the Princess has lived a fascinating life. A series of events important to the country as a whole are highlighted through the course of her 60 years.

The Wisith Silapin website pays further tribute by assigning virtues to each letter in her surname. “S” is for artist, “I” for musician, “R” for explorer, the next “I” for historian, “N” for linguist, “D” for developer, “H” for author, “O” photographer, another “R” for conservative, and the final “N” for patron.

Intended as more than a mere overview of Princess Sirindhorn’s interests and accomplishments, the site is also meant to be a learning centre and will be, more likely than not, a source of inspiration.

Peter and Ploy play the “Who’s Your Daddy” game

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http://www.nationmultimedia.com/life/Peter-and-Ploy-play-the-Whos-Your-Daddy-game-30277969.html

SOOPSIP

The latest celebrity DNA test (this should be a game show) confirms that Peter Corp Dyrendal, the Thai-Danish actor and notorious laggard, is indeed the father of Ploypan “Ploy” Corp Dyrendal’s baby boy Puma.

You’d think that, since they’re married and have another child, this wouldn’t require science, but they haven’t been an actual couple in a long time. They had their separate spin-off scandals when a gossip website that’s since mysteriously shut down claimed Peter had found a fresh love interest and Ploy was spending a lot of cosy time with another guy, and that this guy was the father of Puma, born last April.

People who probably watch too many soap operas jumped to conclusion that Ploy wanted to get back at Peter for his infidelity by having a child with another man. Well, Ploy prefers her soapsuds in the bathtub, just like you do, so she ran the DNA test. And, as to that male pal of hers, she tells the occasionally serious Sanook.com, “He’s gay. He can’t possibly be the father, and I am not having an affair with anyone.

“I’m not demanding anything from Peter because I know he no longer cares,” Ploy says, sparking a hanky alert. “The DNA test is only to reclaim my honour. I’m preparing to file a defamation suit against the owners of that gossip site, and I’m not looking for compensation – I want them in jail!”

Always looking for the fun angle, Sanook asks Ploy what she’s planning to do in her personal life. She’s thinking about going back to work as a flight attendant, probably in March, once she secures a divorce from Peter. “I only care about the happiness and the future of my children,” she says.

He ain’t heavy

Being a big brother is a lifetime job, a responsibility stretching way beyond walking your younger sibling to school. Just ask actor Pakorn “Boy” Chatborirak, who knows that a segment of every media interview will be devoted to his kid brother Thana, who’s conveniently nicknamed Nong.

Specifically, he’s always pestered with questions about Nong’s love life.

The brothers did some modelling and made personal appearances together before Nong officially became a celebrity in his own right a couple of years ago. The reception from the fans was inevitably warm, and the fact that he’s good-looking made some of the fans even warmer. Nong always seems to be dating someone new, and it’s Boy who has to keep the press up to date.

Most recently, Dara Daily wanted to know if Nong was getting serious with starlet Wannarot “View” Sonthichai. They’d been spotted shopping hand in hand at a department store and having dinner together.

Boy rolled his eyes and replied, “They may be dating. I don’t really know for sure.

“We’re very close, but in personal matters like this I don’t interfere. He’s a grown man and he can make decisions for himself. And it’s not right for me to speak about his personal life on his behalf.”

Hardly the stuff that makes a juicy gossip column, so Dara squeezed with the “but what if” question. Boy said he wouldn’t object if they did get serious. “View’s a nice girl. I was in an acting class with her once and she seems very nice. If they’re getting serious, then I’m happy for them both.”

Boy might be a great brother in Nong’s eyes but, for the press, he’s way too protective.

Club Scene

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http://www.nationmultimedia.com/life/Club-Scene-30277964.html

AFTER DARK

FJK

FJK

Find good parties in Bangkok

Bon Jovi R not us

Jam near the Surasak BTS station is hosting a showdown tonight with “real music and no silly Bon Jovi covers”. The “Straight Outta Bangkok” party features punk rock and hardcore bands like Cana, Deadtown Trash and Spring Fall Sea, all original material shorn |of pop. Get there by 8. Admission is Bt100. Call (089) 889 8059.

Material Mama

Trasher has a pre-Madonna-concert bash tonight at Studio Live Hall on RCA. “Mother Worship” promises all the queen of pop’s hits from past till present and others by |artists she’s influenced. Entry is Bt300.

Num on the drum

Join the mighty pair Num T-Bone and Alex Fischer for their monthly gig at Oskar Bistro on Sukhumvit Soi 11 tonight. House music just seems to sound better with percussion added. |There’s no cover charge. Call (02) 255 3377.

It’s raining at Glow

Polish spinning duo Catz ‘n Dogz make their Bangkok debut tomorrow at Glow on Sukhumvit Soi 23. Since 2003 the owners of the Pets Recordings label have staked out a rep for electrifying performances and catchy cuts, rising stratospherically through the DJ ranks. Brace for a cover charge. Call (086) 614 3355.

It’s the Kiwi killer

The dance floor at Live RCA is apt to be left in ruins after French spinner FKJ gets through with it on Sunday. FKJ stretches out to French Kiwi Juice for this rising star of the Parisian electronic scene, a flag-bearer for the new wave of French house. Find out more at http://www.LiveRCABangkok.com.

Asia’s best NOSH

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http://www.nationmultimedia.com/life/Asias-best-NOSH-30277963.html

AFTER DARK

Progressive Indian cuisine by Gaggan

Progressive Indian cuisine by Gaggan

Food industry insiders and diners will soon find out who made it big over the last 12 months

IT MIGHT SEEM that the beginning of the year is all about movies with various guilds lining up to reward their favourite films and actors but it’s also the time when the food industry celebrates its own by announcing “The World’s 50 Best Restaurants”.

Launched in 2002 by William Reed Media Group, the list quickly became the jet-setting foodie’s bible, and four years ago expanded to cover Asian eateries. Next month, just 24 hours after the Academy Awards are announced in Los Angeles, the “Oscars of the food world”, will be handed out in Bangkok to winning Asian chefs and restaurateurs.

Categories include the S. Pellegrino Best Restaurant in Asia, The Diners Club Lifetime Achievement Award, the Highest New Entry Award, sponsored by LesConcierges, the One To Watch Award, sponsored by Peroni Nastro Azzurro, Asia’s Best Pastry Chef Award, sponsored by Cacao Barry , the Chefs’ Choice Award, Asia’s Best Female Chef Award, the Highest Climber Award and individual “Best in Country” awards.

Results are secured from more than 300 leaders in the restaurant industry across Asia, each selected for his or her expert opinion of Asia’s restaurant scene. For the 2016 edition, Asia’s 50 Best Restaurants has retained the services of professional services consultancy Deloitte as its official independent adjudication partner.

“The voting panel comprises chefs and restaurateurs, food writers and critics and well-travelled gourmets, all of whom vote for their seven best restaurant experiences over the 18-month voting period,” explains William Drew, group editor of The World’s 50 Best Restaurants and Restaurant magazine.

“They must, however, remain anonymous, aside from the Academy Chairs who head up each voting region. At least 30 per cent of the voters are new each year.”

The Academy is divided into six voting regions: India and Subcontinent; Southeast Asia – South; Southeast Asia – North; Hong Kong, Taiwan and Macau; mainland China and Korea; and Japan. The divisions are designed to represent the Asian restaurant scene as fairly as possible at the current time and are agreed with the Academy chairs.

“The list provides diners with the only pan-Asian list of high-quality restaurants where they are almost guaranteed not to have an ordinary meal.” Drew enthuses.

“It also serves to bring the restaurant sector together, not just chefs, restaurateurs and the media, but food-lovers too, to celebrate great restaurants and each other’s achievements. Finally, it inspires both chefs and diners to reach for the top.

“The Asian dining scene is hugely rich and immensely diverse. I think the list increasingly reflects that diversity with more countries represented each year. Interestingly, there are quite a number of restaurant serving versions, or reinterpretations, of street food, which I think reflects the huge importance and influence of such food in Asian dining culture.”

Progressive Indian restaurant Gaggan, by chef Gaggan Anand from Bangkok, was crowned Best Restaurant in Asia and Best Restaurant in Thailand in 2015. And like any other prestigious accolade, the title sent him to stardom on the regional culinary scene.

“One thing I see is that Indian food is now accepted as fine dining cuisine,” the chef told XP. “My focus [after the award] hasn’t changed: to me, food remains the hero. |We are always under pressure to deliver better and better food so that people love the whole experience. We maintain the quality and standards of our restaurant but we are evolving faster than we thought.”

So far, two awards in the 2016 edition have been announced. Margarita Fores, respected chef and owner of an acclaimed group of restaurants in Manila, has been named Asia’s Best Female Chef 2016, while Tokyo’s French restaurant Florilege is the recipient of the 2016 One To Watch Award. For the first time in the four-year history of Asia’s 50 Best Restaurants, the One To Watch Award honours a restaurant that is outside the 50 Best list but is identified as the rising star of the region.

Expect a full list of Asia’s 50 Best Restaurants on the official website after the award presentation on February 29.

Check out Facebook.com/Asias50BestRestaurants and http://www.TheWorlds50Best.com/Asia

Bubbles in the air

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Bubbles-in-the-air-30277962.html

AFTER DARK

Luxury French champagne Perrier Jouet is now being served in the sky

ONE OF FRANCE’S finest champagnes Perrier Jouet can now be enjoyed in Bangkok thanks to a partnership with lebua Hotels & Resorts in introducing Flute a Perrier Jouet, an al fresco champagne bar. Suspended 250 metres up in the air, the bar is understandably being billed as the world’s loftiest and offers a magnificent view over the Thai capital’s cityscape.

Established in 1811 in the Epernay region of Champagne, Perrier Jouet is one of the best-selling brands in the world.

The recent launch showcased the delicate tastes of the bubbly paired with chef Ryuki Kawasaki of Mezzaluna The Dome’s fine cuisine.

The Champagne tasting dinner commenced with the house’s signature Belle Epoque Grand Brut, which is considered one of the most accomplished examples of the Perrier Jouet style. It was paired with langoustine ceviche, pomme souffle, osetra caviar, fried oyster with kataifi pastry, iberico ham and smoked salmon mousse and lemon macaron.

The Belle Epoque’s light and silky taste was also a perfect match for the crispy salmon, basil, ikura salmon caviar, Wagyu beef tartar and croque madame, cheese and quail egg while the Blason Rose added pizazz to the savoury and herbaceous smoked duck, beetroot and raspberry meringue, foie gras terrine, passion fruit puree and dark chocolate.

Cool jazz added to the ambience of the sky-high surroundings, which are also home to the art nouveau-inspired Enchanting Tree designed by Tord Boontje. Adorned with champagne glasses, this unique golden tree, signifying the delicately sweet taste of Perrier Jouet, has been travelling throughout the globe. Previously displayed at the Art Basel in Miami, one of the leading galleries in America, Enchanted Tree is in Bangkok until the end of March.

Perrier Jouet is a champagne house that has been a part of the French culture for more than two centuries. It is also the first champagne brand in the world to offer personalised bottles. With its fine quality and meticulous preparations, from growing grapes up until the bottling process, the mastery has been passed on through different generations.

Placed amongst the top 10 best selling champagnes in the world in 2012, its outstanding quality and lavishness have also contributed to a place in the Colbert Committee in 2007.

Apart from its attentiveness in quality, the artistic penchant of Perrier Jouet has also been the inspiration in creating the brand’s unique character. Emile Galle, an important pioneer of Art Nouveau who emphasised the beauty of nature, designed the champagne bottle with deep-sea flowers, making it the symbol of the brand today. The natural hues of flowers suggest the delicate tastes and scent of the luxurious champagne that fills every bottle of Perrier Jouet.

Flute a Perrier Jouet bar is at The Dome at lebua on Silom Road. It is open everyday from 6pm till 1am.

Call (02) 624 9555.

Can the Hon Hai deal resurrect Sharp Corp?

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/business/Can-the-Hon-Hai-deal-resurrect-Sharp-Corp-30278769.html

IT HAS become likely that Sharp Corp will be placed under the umbrella of Taiwan’s Hon Hai Precision Industry Co.

Hon Hai apparently aims to launch its own original-brand products by absorbing Sharp’s technology, even if it has to invest a vast sum of money. Sharp also has high hopes for turning around its performance.

However, Sharp – which has faced financial crises twice since 2012 – failed to reconstruct its management even after receiving a large amount of financial support. It is unclear whether Sharp will be revived with a Japan-Taiwan alliance.

“Unless we have confidence, we cannot invest such a vast sum of money,” said Hon Hai chairman Terry Gou, smiling as he spoke to reporters in front of Sharp’s head office in Osaka during a visit to Japan.

Through its high-value capital investment, Hon Hai intends to expand its businesses further by obtaining technology from Sharp, a world leader in liquid crystal panels, observers said.

In the field of home electronic appliances, Hon Hai expects to use Sharp’s planning and developing abilities to produce unique products. Gou stressed the merits of acquiring Sharp, saying, “If products are developed to be ‘smart’ [devices], we will be able to expand [our market] share.”

Hon Hai’s scenario for reviving Sharp is to restore investment for growth, which has virtually suspended due to financial difficulties. By utilizing its ample funds and substantial worldwide customer base, Hon Hai aims to boost Sharp.

Hon Hai has achieved rapid growth by manufacturing products for firms around the world, including Apple Inc of the United States. However, there are some signs of decline in its business. It is believed that it has been Gou’s long-cherished wish to produce products labelled with its own original brand. Obtaining the Sharp brand will be a big advantage for Hon Hai.

Meanwhile, Hon Hai is also appealing for Sharp. Not only is Hon Hai’s investment large, but the Taiwan firm’s proposal does not involve dividing Sharp’s businesses. By utilising Hon Hai’s customer base, Sharp can expect expanding sales of liquid crystal panels and other products.

However, some observers think it will not be easy to rebuild Sharp.

True ‘payment ready’ for licence but awaits NBTC confirmation

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/business/True-payment-ready-for-licence-but-awaits-NBTC-con-30278767.html

TRUE CORP is ready to pay for the first instalment of the 900MHz licence upfront and place a bank guarantee for the remaining value after receiving a letter of confirmation from the telecom regulator recently on what the watchdog would do if the other licence winner fails to pay the first instalment for the other licence and place a bank guarantee for remaining value within the deadline.

“Cash and letter of bank |guarantee (L/G) are ready, waiting for a signal from the boss to submit them to [the National Broadcasting and Telecom-munications Commission] NTBC,” True chief financial officer Noppadol Dej-udom said.

True sent a letter last Friday to ask the NBTC to clarify what the regulator would do to prevent possible damage to True in the event that True fulfils its initial payment and bank guarantee but the other licence winner, Jasmine International, fails to do so by the deadline of March 21.

The NBTC replied to True last Friday that the 900MHz licences will be put up for re-auction three months after March 21 if True or JAS fails to pay the first instalment of the licence fee and provide a bank guarantee by that date. The licences will be re-auctioned at the final prices offered by the winners.

If only one winner of the December auction fails to meet the deadline, the other one that honours the agreement will be able to take part in the re-auction. If no one takes part in the re-auction, the bid will be postponed for one year.

The NBTC will also consider claiming damage from a winner that fails to pay the first instalment.

The NBTC telecom committee resolved all these measures last week in response to market speculation that JAS will fail to pay the first instalment by the deadline.

True Move H Universal Communication, a subsidiary of True, and Jasmine Mobile Broadband, subsidiary of JAS, won telecom licences on the 900-megahertz spectrum at an auction in December by quoting Bt76.298 billion and Bt75.654 billion respectively. Each will get a licence once it pays the first instalment and places a bank guarantee.

A source from True said that True is ready to install 900MHz cellular network equipment at 300 sites per day once the company obtains the licence.

“It will install the equipment on its existing 850MHz telecom towers. Of the total of 10MHz of 900MHz towers, half will be for providing 2G service and the other half for 4G service,” the source added.

Earlier True announced to launch the 900MHz service next month and the service will be nationwide in May.