NYC art auction season to kick off, break a taboo

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/NYC-art-auction-season-to-kick-off-break-a-taboo-30285270.html

CONTEMPORARY ART

The artwork 'Him' made by artist Maurizio Cattelan is viewed during a press preview on April 29, 2016, in New York. Sotheby's auctions of Impressionist, Modern Art and Contemporary Art will take place on May 9 and 10 in New York. Photo/AFP

The artwork ‘Him’ made by artist Maurizio Cattelan is viewed during a press preview on April 29, 2016, in New York. Sotheby’s auctions of Impressionist, Modern Art and Contemporary Art will take place on May 9 and 10 in New York. Photo/AFP

Loic Gouzer Deputy Chairman, Post-War and Contemporary at Christie's stands next to the artwork 'Untitled' made by artist Jean-Michel Basquiat on April 29, 2016 during a press preview of Christie's forthcoming evening auctions of the Contemporary, Imp

Loic Gouzer Deputy Chairman, Post-War and Contemporary at Christie’s stands next to the artwork ‘Untitled’ made by artist Jean-Michel Basquiat on April 29, 2016 during a press preview of Christie’s forthcoming evening auctions of the Contemporary, Imp

An employee of Sotheby talks about the artwork entitled 'Untitled' by US artist CY Twombly, during a press preview on April 29, 2016. Photo/AFP

An employee of Sotheby talks about the artwork entitled ‘Untitled’ by US artist CY Twombly, during a press preview on April 29, 2016. Photo/AFP

The spring art auction season kicks off Sunday in New York with paintings by Jean-Michel Basquiat and Cy Twombly and a taboo-smashing statue of Hitler.

Some 1,500 artworks are to go under the gavel over the course of five days of auctions expected to fetch more than a billion dollars.

The most important ones will be held in the evening, three hosted by Christie’s and two by Sotheby’s.

First comes the Christie’s thematic evening “Bound to Fail,” with a selection of 39 works of Modern and Contemporary art exploring the idea of commercial failure, and that of taking risks to expand the boundaries of art.

The most troubling piece is a wax and resin statue by Italy’s Maurizio Cattelan, entitled simply “Lui”.

//

From behind, it looks like a boy on his knees, wearing a gray woolen suit. But walk around front and you see it is Hitler, his hands clasped together in front of him as he gazes upward.

Completed in 2001, it is expected to go for 10-15 million dollars.

“I wanted to destroy it myself. I changed my mind a thousand times, every day,” said Cattelan.

He added: “Hitler is pure fear. It’s an image of terrible pain. It even hurts to pronounce his name. And yet that name has conquered my memory. It lives in my head, even if it remains taboo.”

Loic Gouzer, deputy chairman of post-war and contemporary art with Christie’s who created the theme-oriented auction evenings, called the work “extremely powerful, extremely disconcerting.”

Unlike in the movies, Gouzer said, “artists have hardly ever touched on the issue of Hitler.”

Even some years ago the statue would have been a tough piece to sell, but now the market seems ready, he said. The piece might break the previous eight million dollar record for a Cattelan piece.

Another important work in this particular auction is “One Ball Total Equilibrium Tank” by the American Jeff Koons, who is known for toying with objects from popular culture. This one has a water-filled basketball suspended in the centre of a tank of saline solution. It is expected to lure as much as 12 million dollars.

On May 9, French artists Maurice de Vlaminck and Andre Derain will be the main features of an auction of Impressionist and Modern art by Sotheby’s.

Derain’s “Les voiles rouges”, completed in 1906, is thought to be worth 15-20 million dollars, and “Sous-bois” (1905) by Vlaminck some 12-18 million.

These two painters represented Fauvism, a short-lived movement from the early 20th century that broke with Impressionism and used bold brush strokes and bright colours. These two paintings have never been auctioned before.

Also available at this auction is an exceptionally rare Rodin marble sculpture of embracing lovers, valued at 8 million to 12 million dollars.

Conceived in 1884 and carved in 1901-02 from one block, Sotheby’s has said it expected “Eternel Printemps” to set a new record for a Rodin sculpture in marble.

It also said it was the first time that a sculpture in this medium and of this subject – for which the French artist is perhaps most famous – comes under the hammer in more than two decades.

On May 10 a large painting by Basquiat will be the highlight of Christie’s auction of post-war and Contemporary art. The price estimate is 40 million dollars, not far from the record for a Basquiat piece, which is 48.8 million for “Dustheads” en 2013.

Standing 2.30 metres tall and 5 metres wide (seven-and-a-half-feet by 16 feet), the untitled painting’s centre depicts a sort of self-portrait in the form of a mask, showing the late Haitian-born artist’s fascination with funerary art.

Sotheby’s will serve up two paintings by the Expressionist Twombly on May 11. The first of them, from 1968, is part of his “Tableaux” series depicting curvy, squiggly lines on a drab background. It is valued at more than 40 million dollars.

Another painting from the same series went for 70.5 million dollars last autumn at a Sotheby’s auction. That was a record for works by Twombly, who died in 2011.

The second, “Untitled (Bacchus 1st Version V)”, is valued at more than 20 million dollars.

That same evening Sotheby’s will auction off “deux Etudes pour un auto-portrait” by Francis Bacon (1970). It has only been exhibited twice, in 1971 and 1993, and its estimated value is 22-30 million dollars.

The last evening of Christie’s auctions on May 12 will be dedicated to Impressionist and Modern art and feature some 50 works including a Modigliani valued at 12-18 million dollars.

 

Further adventures of the mango girl

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Further-adventures-of-the-mango-girl-30285112.html

photo courtesy of Instagram (@wisut)

photo courtesy of Instagram (@wisut)

There appears to be no stopping Mamuang Chan, the cartoon “mango girl” dreamed up and drawn by manga artist Wisut “Tum” Pornnimit.

She’s everywhere these days, and not just in Thailand – although Thailand is the only place you can buy a bra and panties with Mamuang Chan patterns on them.

That’s another reason why this is Amazing Thailand!

Not content to exist merely in 2D comics and animations, Mamuang Chan and her little pooch Manao can also be found on Tshirts, Line stickers, cartons of milk, Japanese Docomo smartphones, and collectible merchandise that AirAsia offers its passengers. They’ve also teamed up with the Double A Paper Man in some catchy advertising bits.

Mamuang Chan and Manao are in fact readily available in convenience stores and shopping malls here, and their fans in Tokyo can find them at a place called Shibuya Loft.

And, now that mango’s in season, every 7Eleven is selling mango flavoured Meiji milk with Mamuang Chan on the outside. Judging by the buzz on the social networks, it’s a hit, with some consumers insisting the milk somehow tastes better when she’s on the box.

Meanwhile the ladies – mostly very young ladies, we presume – are buying Mamuang Chan undies that Tum recently designed for Sabina. Meanwhile, again, there are two versions of the Mamuang Chan Line stickers, both commissioned by Japan’s Amuse Inc. Tum collaborated with Japanese actor Takeru Sato in creating a “Takeru and Cat” sticker set, sold online in Thailand for Bt100.

It’s the social networks that have really made Tum one of the country’s highest paid cartoonists. Not that his original artworks are given away for nothing, mind you.

There was a good crowd out for the opening last year of the Bangkok CityCity Gallery on Sathorn Road, which had as its centrepiece Tum’s sprawling interactive installation “Melo House”. It was set up as a maze through which visitors tracked Mamuang through 135 watercolours lining the black walls.

The same show had hilarious Mamuang and Manao ice cream bars available in the gallery cafe, enjoyed among the 16 limited edition prints of the characters on display, all of which sold for Bt50,000 each. Another unlimited edition, unsigned, was commanding Bt1,100 per print. Anyone short on satang could settle for a poster or a keychain.

What makes the Mamuang comics so appealing – apart from how adorably the characters are drawn – are the straightforฌward storytelling involved and the frequent allusions to Buddhist philosophy. Tum gets his ideas from everyday life, and our own lives are instantly recognisable in the comic books that have sold the best, like “Hesheit” (Hesheit) and “everybodyevฌerything”.

Keep up to date on what Mamuang Chan’s doing at “WisutPornnimit” on Facebook and @wisut at Instagram.

The hero wants to be the bad guy

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/The-hero-wants-to-be-the-bad-guy-30285110.html

DESCENDANTS OF THE SUN

Song Joong-ki/The Korea Herald

Song Joong-ki/The Korea Herald

“Descendants of the Sun” leading man Song Joong-ki hopes to break the mould

Though most TV viewers have only come to know him as the dashing army captain Yoo Shi-jin in the hit South Korean series “Descendants of the Sun”, Song Joong-ki has steadily built up a diverse filmography since his debut in 2008.

When it comes to his acting career, the 30-year-old Song isn’t shy about his ambitions. “There are so many characters I want to play – I’m greedy about acting!”

Song has primarily been in the spotlight for his pretty-boy image, pale complexion and elite educational background, having majored in business administration at the prestigious Sungkyunkwan University. However, his past works hint at an actor who’s willing to take on substantial challenges.

In his first film, “A Frozen Flower”, he starred as a military commander’s bodyguard, a role that initially had no lines. Song was injured falling off a horse during the shoot but continued filming despite the pain. Director Yoo Ha, impressed by his tenacity, decided to give him a short scene with dialogue.

In “A Werewolf Boy” (2012), Song played a half-wolf creature, a man raised among wolves who becomes devoted to a girl who cares for him and teaches him the ways of humans. Song received positive reviews for his skilful blend of wolfish habits, innocent boyhood and the unconditional devotion animals show towards humans.

The versatile actor also made his mark in television through his roles in the dramas “Sungkyunkwan Scandal” (2010), as cocky playboy Goo Yong-ha, and in “Deep Rooted Tree” (2011), as a young prince.

Jo Sung-hee, who directed “A Werewolf Boy”, says Song was as fastidious in his acting process as he was gregarious with the filming crew. “He prepares a lot and practises his scenes extensively. He trains very hard. He’s also very talkative and energetic on the set.”

For his next project, Song has chosen the film “Battleship Island”, set during the Japanese occupation of Korea. Song is to play Park Moo-young, an independence fighter who sneaks onto a Japanese island to rescue captured countryman. The role is a dream come true for him, Song says.

“I really wanted to do a period piece set in the Japanese occupation era. With this film I’ve cleared one long-term goal.”

After that, Song wants to steer away from the “chivalrous boyfriend” role that’s earned him massive popularity. “I want to play a character who’s cold,” he says. “I think there are sides of me that are like that. I’m a fan of [US actor] Edward Norton, and if you see his early work he plays a lot of those roles. A thriller could be fun, too.”

On his approach to acting, Song says he likes to “go by the book” – he prioritises the script over anything else. “I read the script very carefully and I try to imagine from the writer’s point of view why a certain line of dialogue was placed in a certain scene.”

At the same time, he says it’s inevitable that his own personality comes through in the characters he plays. “I’m not a fan of gushing emotions. I think that probably shows in all of the characters I play. I try to reinterpret the characters in my style.”

For his role as Yoo in “Descendants”, for example, Song has been lauded for convincingly delivering romantic dialogue that could otherwise have been cringe-inducing, striking just the right balance between the cool and the emotional.

His time in the military was a significant turning point in his life, Song says. “I was told I would never get another chance to rub shoulders with ordinary soldiers and live a normal life. I felt I’d be able to learn a lot not only as an actor, but also as a young man.”

By meeting people who had come together for South Korea’s mandatory military service, Song realised he shouldn’t complain about his own hardships.

“There were people from all different backgrounds. I thought to myself, ‘Things that I consider stressful aren’t anything to some people.’ I felt so many things in the military. I think that shows in my acting now.”

Having achieved superstardom – at least for the moment in Korea’s ever-churning celebrity scene – Song says he feels burdened with responsibility.

“I have to work hard at my job so that my company employees can take home their pay,” he says. “And I’ve gained overseas fans who are supporting me. I think I absolutely shouldn’t disappoint them.”

The best way to live up to the expectations, Song says, is to focus on his craft. “I’m an actor, so the best thing I can do is to show myself through a good project.”

Asked if he wants to abandon his pretty-boy image, as most “serious” actors try to do, Song replies unexpectedly with a resolute “no”.

“Realistically, looks offer an advantage to an actor,” he says. “I’m going to work hard to maintain my skin. I’m going to prevent ageing as much as possible. And I will keep trying to become a better person on the inside as much as I spruce up the outside.”

SUN UP

  • “Descendants of the Sun” starts broadcasting in Thailand on Saturday on Channel 7. It airs at 9.45am on Saturdays and Sundays.
  • Song Joon-ki’s Asian Tour Fan Meeting comes to the Thunder Dome at Impact, Muang Thong Thani, at 5pm on Saturday. Tickets are sold out.

The art of animation

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/The-art-of-animation-30285060.html

ART

Approximately 500 works from Pixar.  Animation, including images from the film “Toy Story” are on show. Photo/The Japan News

Approximately 500 works from Pixar. Animation, including images from the film “Toy Story” are on show. Photo/The Japan News

Pixar’s touring retrospective comes to Tokyo

An exhibition marking the 30th anniversary of Pixar Animation Studios, underway at the Museum of Contemporary Art Tokyo until May 29, offers a unique opportunity to see how the studio’s films are conceptualised, planned and produced.

California-based Pixar Animation Studios is known worldwide for its cutting edge technology and computer graphics art, as represented in such works as the 81-minute-long “Toy Story” (1995, directed by John Lasseter), the world’s first fully computer-generated animated feature film. But little is known about how the individual elements of the studio’s animation are planned and formed.

The three essential aspects of Pixar films – “story”, “character” and “world” – are sketched, moulded and completed through numerous hand-drawings, paintings and sculptures created by Pixar’s artists.

The exhibition, “Pixar: 30 Years of Animation”, is the latest presentation of a serial show that first opened at the Museum of Modern Art in New York in 2005.

Then called “Pixar: 20 Years of Animation,” the exhibition first came to Japan the following year. Its aim is to highlight the artists and present their behind-the-scenes work. The exhibition has travelled to more than 25 cities around the world, adding content as new films are produced.

The greatest appeal of the exhibition is how the show itself transforms, says Chika Mori, curator of the Museum of Contemporary Art Tokyo.

“The exhibition is continually revised and updated,” she says. “This is interesting to see.”

The present show includes the artwork for the studio’s latest film – “The Good Dinosaur” (2015, directed by Peter Sohn).”

A wide variety of media are shown through approximately 500 artworks. They employ both old and new techniques, such as marker and pencil drawings, sketches in pastel, paintings in watercolour and digital painting.

Mori points out that while innumerable artworks are created for each film, very few survive in their original form.

“You will definitely understand that what you’ve seen at theatres is only the tip of the iceberg,” she says. “Out of sight, artists expended an enormous amount of energy and work to create the films.”

The current exhibition also marks the 20th anniversary of the release of “Toy Story” in Japan. It displays artworks related to the first film as well as its two sequels, including models of its main characters Woody and Buzz and the colour-script for “Toy Story 3” (2010, directed by Lee Unkrich).

A colour-script depicts the whole story in a chronological format that allows one to see the basic colour structure applied to the entire film. Daisuke “Dice” Tsutsumi, an animation artist who worked with Pixar at the time, produced the colour-script.

Also on display are two installations – “Toy Story” Zoetrope and Artscape – that were created for the exhibition at MoMA and continue to tour with the show.

The “Toy Story” Zoetrope allows viewers to see how animation works by placing figures in successive poses on a disc that rapidly rotates under a strobe light.

Artscape is a wide-screen media installation using digital technology that offers viewers a behind-the-scenes look at the details of pre-production artwork.

There are also short films by Pixar as well as video interviews on the production process.

After Tokyo the exhibition moves to the Nagasaki Prefectural Art Museum from July 27 to September 8.

Sloughing off the skin

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Sloughing-off-the-skin-30285059.html

STAGE

SLOUGHING OFF THE SKIN: A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art. Photo/Wattawut Ponmanee

SLOUGHING OFF THE SKIN: A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art. Photo/Wattawut Ponmanee

SLOUGHING OFF THE SKIN: A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art. Photo/Wattawut Ponmanee

SLOUGHING OFF THE SKIN: A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art. Photo/Wattawut Ponmanee

SLOUGHING OFF THE SKIN: A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art. Photo/Wattawut Ponmanee

SLOUGHING OFF THE SKIN: A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art. Photo/Wattawut Ponmanee

A gay version of popular Chinese folk tale “Madame White Snake” graces the rooftop of Tadu Contemporary Art

Before Democrazy Studio and Thong Lor Art Space, theatre fans will no doubt recall attending many dance and theatre performances at Tadu Contemporary Art, originally at its RCA premises and then later on Thiam Ruam Mit Road.

I still have fond memories of 8X8 Theatre’s “Krungthep Narak Nachang” and B-Floor’s “GODa Gardener”, two works, which I listed among the top 10 of the 2000s.

The idea of a visual arts venue providing space and time for performing arts, which is rare in this country, can be credited to Tadu’s first director, Luckana Kunavichayanont, who continues this concept now as the director of Bangkok Art and Culture Centre (BACC).

Actor, dancer and artistic director of Sun Dance Theatre, Sun “King” Tawalwongsri, who recently had to bring the curtain down on his venue in Silom, tells XP: “Tadu moved to this new location in the On Nut area several years ago.

//

“Kuck [award-winning veteran gay performance artist Wannasak Sirilar] and I watched a concert on the rooftop here a few years ago and had a good time. We wondered if it would be possible to stage a theatre performance here.

“Tadu’s exhibition space is full almost all year and recently Crescent Moon Theatre staged a performance there. Tadu’s director Apisak “Jim” Sonjod proposed the idea of staging it on the rooftop in a more informal atmosphere with a mini concert by two indie bands before the play, and so here we are with ‘Asoraphit’ [‘Snakes’].”

Kuck has adapted the Chinese folk tale “Madame White Snake”, with which most Thai people are familiar, into a gay version in which all the performers are male.

“Kuck has been working on this project for a few years now and we’ve been postponing it due to other work commitments. With this deconstruction approach, the relationship between human and non-human characters has become that between straight and gay men, the latter group being frequently considered as monsters.”

The play’s tagline is “If I’m not actually who you think I am, will you still love me?”, and the play itself asks the audience to reconsider Lord Buddha’s teaching “Certainty is never certain” as well as to look at contemporary society and its diversity in terms of race, rank and gender.

Apart from King and Kuck, performers include Kittisak Kerd-arunsuksri and Sanchai Uaesilapa and newcomers like Kittitouch Kaew-outhai and Weerabhat Boonma.

With the high temperatures we’ve been experiencing over the last month, some potential audience members might be turned off by the idea of attending an outdoors performance, but King says, “It’s actually very pleasant and breezy on the ninth floor rooftop: no one complained of the heat last Thursday at our preview. Before the play, you get to eat, drink, listen to music, talk to fellow audience members, musicians and performers and watch the sun go down. It’s a unique theatre-going experience.”

3 NIGHTS ONLY

<“Snakes” will be performed at 7pm from Friday to Sunday at Tadu Contemporary Art, Sukhumvit Soi 87 (BTS: On Nut). Arrive as early as 5.30pm for refreshments and live music. The performance is in Thai.

 

A tale of two countries

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/A-tale-of-two-countries-30285056.html

ART AND CULTURE

Park Kwang-hoon shows her beautiful needlework on a royal hanbok. Her works highlight at 'Korean Treasures from Seoul: The New Path of Korean-Thai Arts and Crafts Destination' exhibition at the Korean Cultural Centre in Bangkok. Nation/Thanis Sudto

Park Kwang-hoon shows her beautiful needlework on a royal hanbok. Her works highlight at ‘Korean Treasures from Seoul: The New Path of Korean-Thai Arts and Crafts Destination’ exhibition at the Korean Cultural Centre in Bangkok. Nation/Thanis Sudto

Korean carpenter Sim Yongsik demonstrates how to make a somok at the Korean Cultural Centre in Bangkok on Thursday. His works are among the highlight at 'Korean Treasures from Seoul: The New Path of Korean-Thai Arts and Crafts Destination' exhibition. N

Korean carpenter Sim Yongsik demonstrates how to make a somok at the Korean Cultural Centre in Bangkok on Thursday. His works are among the highlight at ‘Korean Treasures from Seoul: The New Path of Korean-Thai Arts and Crafts Destination’ exhibition. N

Sanae Jamjirarak shows his beautiful Phan Waen Fah, a lacquered work decorated with mother-of-pearl. Nation/Thanis Sudto

Sanae Jamjirarak shows his beautiful Phan Waen Fah, a lacquered work decorated with mother-of-pearl. Nation/Thanis Sudto

A Thai exhibition-goer visits the gallery on the second floor where Park Kwang-hoon’s yellow hanbok, a wooden cabinet by Kim Chang-sik and a green mat by Patchara Hnanpiwong are among the items on display. Nation/Thanis

A Thai exhibition-goer visits the gallery on the second floor where Park Kwang-hoon’s yellow hanbok, a wooden cabinet by Kim Chang-sik and a green mat by Patchara Hnanpiwong are among the items on display. Nation/Thanis

SiA TALE OF TWO COUNTRIES: Traditional arts and crafts from South Korea and Thailand share space at the Korean Cultural Centre in Bangkok

SiA TALE OF TWO COUNTRIES: Traditional arts and crafts from South Korea and Thailand share space at the Korean Cultural Centre in Bangkok

A TALE OF TWO COUNTRIES: Traditional arts and crafts from South Korea and Thailand share space at the Korean Cultural Centre in Bangkok

A TALE OF TWO COUNTRIES: Traditional arts and crafts from South Korea and Thailand share space at the Korean Cultural Centre in Bangkok

Musical instruments by Kim Bogon are on the second floor. Nation/Thanis Sudto

Musical instruments by Kim Bogon are on the second floor. Nation/Thanis Sudto

Traditional arts and crafts from South Korea and Thailand share space at the Korean Cultural Centre in Bangkok

Art lovers look on in silent wonder as Korean carpenter Sim Yong-sik painstakingly assembles the wooden sticks of a window partition. An expert in somok, as the Korean traditional joinery of doors and windows is known, he carefully puts the pieces together, knocks tiny triangular woodpins into the holes, then cuts their tails, sharpening the surfaces with his personal plane. He coats the window with a glue made from rice, places it in the frame, then slowly places saa paper on the motifs. The process ends with a light spray of water and the smoothing of the paper.

Sim Yong-sik smiles up at his audience as he shows them the miniature wooden window he has delicately crafted without a single nail.

“I’d like to preserve the Korean treasures for the next generation,” says the 64-year-old artist who has almost five decades of experience to his credit and is responsible for much of the wooden preservation work at South Korea’s temples and palaces including popular Seoul tourist attractions Gyong Bok Gung and Chang Deok Gung palaces.

The master carpenter is in town as part of the “Korean Treasures from Seoul: The New Path of Korean-Thai Arts and Crafts Destination” exhibition, which opened on Thursday evening at the Korean Cultural Centre on Sukhumvit Road.

//

Sim Yong-sik’s door and window partitions are on display along with another 150 handicrafts created by 23 masters from Society of Seoul Intangible Asset of Seoul Metropolitan. Alongside are more than 60 crafts by nine artisans from the Support Arts and Crafts International Centre of Thailand (Sacict), which serve to underline the common culture of traditional craftsmanship between the two countries.

“While we are delighted that K-pop and hit TV series like ‘Descendants of the Sun’ are very popular in Thailand, we would like to present Korean history, traditional culture and our excellent craftsmanship through ‘Korean Treasures from Seoul’. We hope this exhibition will be the first step in our collaboration to exchange knowledge on traditional crafts,” South Korea’s ambassador Noh Kwang-il, said at the opening.

Those traditional crafts include Korea’s royal hanbok (the Korean traditional costume for the Queen) and Thailand’s phan waen fah (a wooden pedestal tray used in the royal court) along with everyday life household items like lacquered wooden lunch boxes, baskets and matches. The pieces are cleverly arranged, with similar items displayed next to each other while more distinct works are showcased in separate corners.

The highlights of the exhibition are the treasures from Korea, 23 of which feature on the Seoul Intangible Cultural Heritage lists. In addition to Sim Yong-sik’s somok (doors and window), visitors can admire Park Kwang-hoon’s delicate needlework (chimseon) in the hanbok hanging on the wall. Chimseon refers to the needlework produced by the seamstress – a chimseonjang. The specific technique and delicate patterns she used reflect the class and usage in the hanbok for the queen.

Kim Eun-young turns the Korean tradition of decorative knots into an art form. A craft that dates back to the Joseon Dynasty, knot production was originally divided into three processes: dyeing, weaving and applying tassels. Today, they are all handled by one master, of which Kim is among the best known.

Another highlight is Jung Myung-chae’s lacquered mother-of-pearl plate inlaid with clouds and cranes. During the Goryeo and Joseon periods, the art was shared between two craftsmen with the najeonjang responsible for the pearl decoration and the chiljang for the lacquer finishing. However, the demand for lacquered works decreased after the Korean War, and the work of the najeonjang was absorbed into the work of the chiljang.

“The exhibition reflects the common culture of craftsmanship that uses natural material like wood, rattan, straw and lacquer while also preserving traditional techniques,” explained Amparwan Pichalai, Sacict director.

Alongside Jung Myung-chae’s magnificent piece is a beautiful lacquer work decorated with mother-of-pearl by Sanae Jamjirarak, named Master of the Arts of the Kingdom by Sacict in 2009.

Once used at the court but now a collector’s item, his phan waen fah has two tiers made from crafted rattan that are coated with chad (red-coloured wood) and covered with another coat of rak (lacquer). Sanae spent five months completing masterpiece.

“The most difficult process is in fitting the 16-angledcorners together,” Sanae told XP.

Other Thai treasures include silver nielloware by Nikhom Nokauksorn and double ikat phrae wa silk by master Kamsorn Srathong from Kalasin while Korea offers musical instruments by Kim Bok-gon, bows by Kwon Mu-seok, Kim Man-hee’s folk paintings and Eom Ik-pyeong’s jade.

Hanging together on the wall are mattresses by both Korean and Thai artisans: Choi Hun-yul’s rush deung-me and Jurairat Sappasook’s Chanthaboon reed mat. While the natural materials used are similar, the finished products are very different with Jurairat’s work depicting a unique Thai motif and Choi Hun-yul’ covered in Korean calligraphy.

In a video presentation screened at Thursday night’s opening, Seoul’s mayor, Park Won-soon, said that the show not only aims to promote the rich craftsmanship of both countries but tourism too.

“More than 1.5 millions tourists from Thailand and Korea visit each other’s country every year. We are confident that this kind of cultural cooperation will see an increase on both sides.”

Amparwan echoed his hopes, saying that she believes that this international arts and crafts network will be another important factor in encouraging artistic exchanges and will lead to sustainable joint development in the near future.

“Coincidentally, Sacict is planing to invite Korea’s silversmiths to join the workshop in Thailand this June. I think we will learn more about the uniqueness of each countries while reinforcing what we have in common,” she said.

Soul of Seoul

 

Magacide: Internet accused of slaughtering magazines

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Magacide-Internet-accused-of-slaughtering-magazine-30284890.html

SOOPSIP

Cosmopolitan Thailand will release its last issue in May

Cosmopolitan Thailand will release its last issue in May

When your phone’s chirping away all day about stuff to read on Facebook, Twitter, Line and Instagram, who’s got time for magazines?

Magazines are dying off like the proverbial flies on the windowsill. (Promise you’ll keep reading The Nation, though, okay? You swear?)

Thailand said goodbye last year to lifestyle-fashion magazine Priew after 35 years of fine service and right now both Image and the local edition of Cosmopolitan are preparing their final issues.

ML Pee Malakul Na Ayudhya, managing director of Advance Publishing, has decided not to renew his contract with Cosmo in the US to keep the Thai version going, so the ladies will have to look elsewhere for advice on managing their wardrobes and their men. Pee says the May issue will be the last.

Advance now has just one magazine left, the similarly venerable Dichan, and even it went through major changes late last year to cut production costs.

Meanwhile Image, which also covered the clothing-and-lifestyle beat and was a going concern for 27 years, is also feeling unwanted and closing up shop – though hopes linger that it will return someday.

“We’ve been discussing this for a long time,” Viroj Wachiradechkul at ThreeSixtyFive, a major shareholder in Image Publishing, tells Matichon Online. “We acquired Image from GMM Grammy last June knowing the print-media industry in Thailand was in trouble. We only hoped to stem the loss of income, but it’s been much worse than we expected. We did all we could, but decided it’s best to just stop before anything else happens.”

Image Publishing also puts out In Magazine, Maxim, Madam Figaro, Her World and Attitude and they too are struggling, but they’re hanging tough thanks to adaptive marketing strategies that counter losses with income from other projects.

“This is not the end of Image, more like a pause to catch our breath,” Viroj says. “We need to stop the bleeding, patch up the wounds and regain our strength. We still hold the rights, and when we’re ready we’ll be back for sure.”

James conquers Asia

TV superstar Jirayu “James” Tangsrisuk has demonstrated that you don’t actually have to land a role in a Hollywood film to “go inter”. A turn on a foreign red carpet will do the trick, especially if you’ve got a handsome face on the front of your head like he does.

All James had to do was put in a brief appearance at the opening of an MCM Haus store in Seoul last week and his Korean fan-count skyrocketed. And at the same time he’s scored a music deal in Japan.

“It was a lot of fun,” James tells Dara Daily. “The Korean team took great care of me and I felt very welcome. All the fans were great and supportive.”

Evidently the Koreans find him adorably friendly and funny and, yes, drop-dead gorgeous – attributes that have drawn comparisons with their own superstar, Soon Joong-ki of “Descendants of the Sun” fame.

“Well, I would definitely take that as a compliment!” James replies with all due modesty. “But Soon Joong-ki is much better-looking than I am and I certainly wouldn’t compare myself to him.”

Meanwhile James’ 2013 series “Rak Sood Rit” recently aired in Japan and he’s become a massive star there too. They want to hear him sing, so a recording contract was swiftly signed.

Club Scene

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Club-Scene-30284883.html

AFTER DARK

Krono

Krono

Find good parties in Bangkok

Comfortably Num

Renowned percussionist Num T-Bone and DJ Alex Fishcher will be cranking it up tonight at Oskar Bistro on Sukhumvit Soi 11 – terrific samba and other dance vibes plus cool cocktails, tasty food and a carnival ambience. There’s no cover charge. Call (02) 255 3377

Hip-hop invasion

The Bangkok Invaders are commandeering Maggie Choo’s on Silom Road tonight for a bash fuelled by Moet & Chandon. It’s a perfect Friday storm of hip-hop and EDM with the bubbly discounted by 25 per cent. The fun starts at 9 and it costs nothing to get in. You might want to reserve a table at book@maggiechoos.com.

Wardrobe challenge

Bar21 (formerly Fish) on RCA is treating lovers of trap music to some of Bangkok’s most talented DJs tomorrow. Feet will refuse to stop moving. It’s a free night, but dress up in “ghetto prom” if you’re really into it. |Call (080) 302 9752

Krono be “Dancin'”

French brothers Michael and David Couderc, together known as Krono, will be at Live RCA tomorrow with their Daft Punk-inspired tracks including the soulful 2014 remix of “Dancin'” that came out on Ultra Music and Sony Music. Admission is Bt800. Call (098) 974 6974.

Tell us a joke

Learn how to kill people with humour in a pair of improvisational workshops at the Comedy Club Bangkok next weekend. Award-winning comic Drew McCreadie will show you how to set ’em up and knock ’em dead – no experience required. Get the details at Drew@ComedyClubBangkok.com

Kid thung, GREEN LABEL

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Kid-thung-GREEN-LABEL-30284882.html

AFTER DARK

pic

Johnnie Walker responds to thirsty command and puts its popular blend of malt whiskies back on shelves

TAKE A BOW if you were part of the “popular demand” that’s prompted Johnnie Walker to reintroduce its Green Label blended malt Scotch whisky to Thailand.

First available here in 2005, Green Label is crafted in venerable distilleries across Scotland. It’s malt whisky that’s matured for at least 15 years.

Johnnie Walker revised its range in 2012 with the launch of Gold Label Reserve and Platinum Label, and Green Label vanished from the market everywhere except in Taiwan, where the fans must be particularly tenacious.

Now the Green is back, though, rejoining the global line. To celebrate, Attico at the Radisson Blu Plaza hosted a launch party last week at which Green Label was paired with a multiple-course feast.

The place was decked out in green for the occasion, suave jazz music played and the Italian cuisine was impeccable.

Green Label blends only malt whiskies – there’s no grain whisky in it. Speyside, highland, lowland and island malts from the distilleries Talisker, Linkwood, Cragganmore and Caol Ila share their virtues in a tipple of greater depth and broader flavour.

Talisker malt whisky from the Isle of Skye has a woody, smoky tang and tastes of pepper, oak and rich fruit, giving the blend power and character. Linkwood from Speyside adds finesse with its flavours of light garden fruit, flowers and cedar.

Cragganmore, a sweet and fragrant Speyside malt, gives the blend its heart along with sweet wood smoke and sandalwood. And Caol Ila from the Isle of Islay offers an element of maritime mystery with notes of rich fruit, drying sea salt and peat smoke.

“Johnnie Walker Green Label is an exceptional whisky that’s a tribute to the craftsmanship of our blenders and their great skill in selecting and blending malt whiskies to deliver a rich, multi-dimensional and balanced flavour profile,” says global brand director Guy Escolme.

“We’ve listened to our consumers and we are responding to popular demand and reintroducing it. Green Label has always had a following, and releasing limited volumes in the US and Australia this year to mark its 10th anniversary revealed how much consumers missed it and wanted to see it back.”

Master blender Jim Beveridge says the challenge in making Green Label is capturing the broad flavour spectrum from malts matured for at least 15 years in American and European oak.

“You have to ensure that those flavours really complement each other and work in harmony to create a blend of great complexity, which, at its heart, is true to the Johnnie Walker style of big and bold flavours with a signature smokiness.

“Crafting this blend is all about making the aromas more pronounced and vibrant,” Beveridge says, “allowing us to shape a blend that has the depth of character which just isn’t possible from one malt whisky alone.”

Green Label has won several international awards, including Double Gold and Best Blended Scotch at the San Francisco World Spirits Competition, both in 2006 and 2007.

Johnnie Walker Green Label will be available again in Thailand any day now.

Shaping Children into Leaders

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Shaping-Children-into-Leaders-30284824.html

Hundreds of Thailanguage storybooks will soon bear EF stickers showing how they can be used to bolster a child’s like skills.

Hundreds of Thailanguage storybooks will soon bear EF stickers showing how they can be used to bolster a child’s like skills.

Tida Pitaksantisuk of the Preschool Education Association of Thailand

Tida Pitaksantisuk of the Preschool Education Association of Thailand

Educators and book publishers focus on the executive function regimen to instill decision-making skills at an early age

Ways to teach children how to make the right decisions in an increasingly complex world have been the subject of numerous studies in recent years. The focus tends to revolve around Executive Function (EF) skills that, learned early enough in life, can be pillars of support throughout life, from school to the workplace.

The Publishers and Booksellers Association of Thailand, the Research Centre for Neuroscience, the Institute of Molecular Biosciences at Mahidol University, the RLG Institute (Rakluke Learning Group), the Preschool Education Association of Thailand, Class Publishing House and Prapakarn Education pooled ideas about EF learning in a recent panel discussion.

Interest in developing EF skills has led to children’s storybooks taking on fresh perspectives, a representative of the Publishers and Booksellers Association noted.

The association has initially identified 139 of 400 children’s books as ideal for building EF skills and plans to encourage publishers to produce more. Another round of selections begins in June.

//

Harvard University’s Centre on the Developing Child has characterised EF skills as the ability to retain and work with information, concentrate and switch between focuses with ease, much as an air-traffic controller manages the arrivals and departures of dozens of planes on multiple runways.

Executive Function – entails self-regulation based on working memory, mental flexibility and self-control. We aren’t born with these skills, but everyone has the potential to develop them.

“EF involves higher-level cognitive functions, the mental process that can be divided into three sets of skills,” RLG Institute president Subhawadee Harnmethee said. “The foundation skills are working memory, inhibitory control, and shift, or cognitive flexibility.

“The self-control skills are emotional control, focus or attention, and self-monitoring. And the practical skills are initiating, planning or organising, and goal-directed persistence. With continuous development of these skills, children will learn positive behaviour and good decision-making that will benefit them, their families and society.”

Chulalongkorn University Book Centre manager Songyos Samkasat stressed how “crucial” this skill set is in life.

“We focus on developing intelligent people and children receive all sorts of gold medals. Society also needs good, moral people. But it’s well known now that successful people aren’t necessarily happy people.

“These days we worry about the world we find at our fingertips on the touch screen,” Songyos pointed out. “With such an excess of information at hand, some people might read just the first few sentences of an article or someone else’s post and then share it on the social networks without even knowing if the information is correct or not.

“So how can we prevent our children from becoming victims of these false messages? EF skills provide a scientific answer. Parents, teachers and society share a duty to give children the opportunities to develop executive-function skills successfully.”

Tida Pitaksantisuk of the Preschool Education Association said “active learning” should be the goal in every home and school. “It offers hope for individuals and society. The outcome would be a better-educated population capable of meeting the challenges of the future.

“Studies of brain function indicate that EF skills begin to develop shortly after birth in the frontal lobe, which grows fastest during the first seven years of life,” she said. “It’s the golden time when adults and caregivers can get the children looking through the ‘magnifying glass’ of storybooks.

“Education should not only instil daily life lessons but also an overall process for thinking that includes working towards goals, adapting, and resisting peer pressure to take risks, such as trying illegal drugs. Children need be more conscious about their personal safety. The world is getting more complicated, and just teaching them to brush their teeth regularly is no longer enough.”

Citing the popular story “Mae Kai Daeng” (“Red Chicken”), Tida said it typically teaches that the chicken’s hard work at growing rice allows it to succeed over the grasshopper.

“Instead we should teaching children that the chicken is determined and focused on her goal and not distracted by the grasshopper’s invitation to play. That way, if a stranger offered sweets, the child would be better able to resist.”

The story “Klom Klom Kling Kling” (“Round and Roll”) is about a bear cub searching for its lost eye. “In terms of executive-function skills, it’s about solving a problem through careful attention, good planning and dedication to the task,” Tida said.

“At the front of these books is an EF sticker containing the committee’s suggestions for how parents, teachers and other caregivers can highlight these skills for the young readers to enhance their development.”

Imparting executive-function skills shouldn’t stop at the pre-school level, Tida emphasised.

“Kindergarten pupils can also be taught these skills through the love of reading and primary-school pupils should be shown how to put the skills to good use through simple assignments. And then secondary-school students should be able to harvest the skills and use them in their daily lives.

“With the teaching of executive-function skills forming an overall umbrella for IQ and EQ [emotional quotient] development, we’ll be able to improve the overall quality of education in Thailand.”

On the Web:

http://www.Facebook.com/RLGEF

http://www.DevelopingChild.harvard.edu