The upside of being down

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http://www.nationmultimedia.com/life/The-upside-of-being-down-30279752.html

STAGE PREVIEW

The play stars Sumontha Suanpholrat, Konthorn Taecholarn and Panuwat Inthawat. Photo/Nutchanon Kerdumpaeng

The play stars Sumontha Suanpholrat, Konthorn Taecholarn and Panuwat Inthawat. Photo/Nutchanon Kerdumpaeng

Someone's pet beagle also figures into the story somehow. Photo/Nutchanon Kerdumpaeng

Someone’s pet beagle also figures into the story somehow. Photo/Nutchanon Kerdumpaeng

Better living through interactive theatre in the British play “Every Brilliant Thing”, set for this week at Chulalongkorn University

Thanks to the British Council, I watched 24 dance and theatre performances in six days last August in Edinburgh and came back with one firm favourite – “Every Brilliant Thing”.

A life-affirming comedy with plenty of jokes, high-octane energy and connection between the one performer and his audience, what struck me most and stayed in my mind was one line: “If you live a long life and get to the end of it without ever once having felt crushingly depressed, then you probably haven’t been paying attention”.

Now the play – or least its “tradaptation” – is coming to Bangkok and will soon be raising the spirits of local theatregoers.

The synopsis of this “new play about depression and the lengths we will go to for those we love” and based on both true and untrue stories reads, “You’re seven years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy. So you start to make a list of everything that’s brilliant about the world. Everything that’s worth living for: (1) Ice Cream (2) Water Fights (3) Staying up past your bedtime and being allowed to watch TV. (4) The colour yellow. (5) Things with stripes (6) Rollercoasters (7) People falling over. You leave it on her pillow. You know she’s read it because she’s corrected your spelling. Soon, the list will take on a life of its own.”

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Having been staged on both shores of the Atlantic, the play has garnered many favourable reviews.

Critic Lyn Gardner wrote in the Guardian that it’s “Heart-wrenching, hilarious…possibly one of the funniest plays you’ll ever see about depression -and possibly one of the funniest plays you’ll ever see, full stop.”

And for the off-Broadway run in December 2014, New York Times’ Ben Brantley wrote, “Mr MacMillan’s play, though often very funny, is fully aware [that] in the face of great loss and depression, a real effort of will is required to recall why it’s worth continuing with life. That will is the force that animates ‘Every Brilliant Thing’ and keeps it afloat for the captivating hour of its duration.”

While the original cast member and co-writer Jonny Donahoe, performing this play now in Australia, is a man, MacMillan notes, “The narrator can be played by a woman or a man of any age or ethnicity” and “The play should always be set in the country it’s being performed and references should be amended to reflect this.”

With this in mind and again with support from the British Council, Chulalongkorn University’s Department of Dramatic Arts is staging “Chiwit Di Di” with three professional thespians, – a woman, a man and a gay – and from three generations – 24 to 44 years of age. They’ll be taking turns on different nights and at different time to tell their stories.

They are veteran actress Sumontha Suanpholrat, the first recipient of IATC Thailand’s award for best performance by a female artist for her role in “The Chairs”, comedian Konthorn Taecholarn, the co-host of “Proud Night” TV programme, and Panuwat Inthawat, who was seen as an actor in “4 Sisters+1” and staged “Drunk” as part of the first Bangkok Queer Theatre Festival two years ago.

Sumontha says, “My biggest challenge is to forget the familiar mode of performance in which the audience is passive and be ready for the continuous and direct interaction with the active audience, which is always unpredictable from one evening to another.”

Panuwat quotes a few lines from the play he loves: “Things get better. They might not always get brilliant. But they get better.” He adds, “Another fun thing about performing this play -and it’s my first solo performance – is to blend the ‘world’ of the character with mine: my list of ‘brilliant things’, songs that have special meaning in my life and people in my life.”

For his part, Konthorn says, “What I’m telling you in this play are not facts, but truths. Some are true stories of the two British playwrights, others are mine. After the show, I hope you care more for your life, and think of ‘brilliant things’ in your life, no matter whether you’re happy or not. And you know, I really want to read your list of ‘brilliant things’. Show it to me!”

Prepare for another unique theatregoing experience.

WHAT’S WITH

THE DOG?

n “Every Brilliant Thing” runs from Thursday to Saturday at Chulalongkorn University’s Sodsai Pantoomkomol Centre for Dramatic Arts, a 10-minute walk from BTS Siam exit 6. It’s in Thai with English surtitles.

n Shows are at 7.30 nightly plus 2pm and 5.30pm on Saturday.

n Tickets are Bt 600 (Bt 300 for students). For more details, call (081) 559 7152. For more details, http://www.Facebook.com/dramaartschula.

 

On the edge of the world

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/On-the-edge-of-the-world-30279749.html

CONTEMPORARY ART

A rooftopper dangles his feet over Times Square in New York City. Photo/DPA

A rooftopper dangles his feet over Times Square in New York City. Photo/DPA

A rooftopper stands on a skyscraper roof corner, high above the Causeway Bay district of Hong Kong. Photo/DPA

A rooftopper stands on a skyscraper roof corner, high above the Causeway Bay district of Hong Kong. Photo/DPA

It offers spectacular views but rooftopping is undoubtedly dangerous and not for the faint hearted

His legs dangle at a dizzying height from the roof’s edge, the lights of New York’s Times Square spread out below him.

Edward R, alias “Wanted Visual”, is a “rooftopper”; a person who illegally climbs to the top of tall buildings to take spectacular photographs they then share on the Internet.

It’s a dangerous trend and one that has already ended in death for some.

But it’s spread around the world, from New York to Hong Kong, from Toronto to London and Moscow.

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What attracts most is the adrenaline rush and a love of photography, says Edward.

“It’s dangerous and completely illegal,” he says.

Because of that, he, like most rooftoppers, uses a pseudonym.

“You can get caught by the police. You can be seriously injured or even die if you don’t know what you’re doing or you’re not careful enough,” he says.

Websites like Instagram and YouTube have fed the trend in recent years.

The most well-known rooftoppers have tens of thousands of followers in social media.

They travel around the world, always on the look-out for new skyscrapers, challenges and thrills.

Many see themselves as extreme athletes as well as photographers.

“Not everybody can do it,” says Edward. “A lot of people are afraid of heights and others aren’t fit enough to climb dozens of staircases. Others are too scared of being caught.”

James McNally, alias Jamakiss, is also always on the look out for new ways to access New York’s highest buildings.

In Midtown Manhattan he dresses up like a banker, in other skyscrapers he puts on a helmet to try and blend in with other workers as a builder.

“I always want to try things that I’m afraid of or that I have respect for,” says the 34-year-old.

With its many skyscrapers and varied architecture, New York, he says, is the perfect place for his “sport”.

He estimates he’s climbed around 80 of the city’s buildings, including some of its most iconic, the Woolworth Building for example and One57.

Because rooftoppers mostly access the buildings at night, they often have to take the stairs, slipping past guards unnoticed.

McNally was arrested in Hong Kong when he tried to climb a skyscraper. He spent four days in jail.

Not that it put him off: “As soon as I’m allowed back into Hong Kong, I’m going to climb more skyscrapers there.”

The Ukrainian Vitaliy Raskalov and the Russian Vadim Makhorov are regarded as pioneers of the trend. The two have already climbed to the tops of the Shanghai Towers, the Great Pyramid of Giza in Egypt and Cologne Cathedral in Germany.

Critics of the trend include Neil Ta, a photographer from Toronto, who was himself a rooftoppers for years.

“Danger sells,” he wrote on a recent blog. “Feet dangling and ‘I’m in danger!’ photos are nothing but a cry for attention.”

The photos are “devoid of real emotion”, he adds, superficial and unoriginal.

Because of the competition, most rooftoppers are now just looking to find who can take the most dangerous photos, and few appreciate the real beauty of the images.

And of course, some pay the highest price for their art. One 20-year-old fell 52 storeys from a hotel in New York on New Year’s Eve.

He had climbed up to the roof with a friend to take night time panoramas of the city.

On the Web:

http://www.youtube.com/watch?v=CpPWtoCdnKY

instagram.com/wantedvisual

 

Joey Boy ventures outside, gets a ‘Tan’

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Joey-Boy-ventures-outside-gets-a-Tan-30279610.html

SOOPSIP

Joey Boy

Joey Boy

AFTER YEARS OF spreading mostly urban “fun, fun, fun” through his rap music, Apisit “Joey Boy” Opasaimlikit is now pointing out the fun available in the great outdoors.

At the grand old age of 41, Joey Boy has signed on as chief creative director of Tan Thailand, the country’s first magazine devoted to “outdoor culture”. It’s been a going concern since December, but waited for its third issue to stage an official launch, a star-studded affair held on Tuesday at CentralWorld.

“Tan is a fashion-and-travel magazine with a fresh format for working people who enjoy a hedonistic lifestyle,” Joey Boy said. The hedonism part no doubt explains his involvement.

“It not only offers guidelines about beautiful tourist attractions and extravagant journeys but also inspires travellers to find meaning in their journeys – whatever that may be. Tan will be the bible everyone will grab when they’re on their way somewhere.

“Thailand is one of the world’s top travel destinations, so it’s a great opportunity to promote tourism among Thais as well,” he rattled on. “And there’s an English-language edition available about interesting excursions in Thailand.”

So why is it called Tan? “The word ‘tan’ by my definition doesn’t refer to tanned skin, but rather inspires people to enjoy outdoor activities together.”

That explains nothing, but then Joey did say readers should expect “the unpredictable” in the magazine, because “it’s not just another lifestyle magazine”.

“Life isn’t about being rich or earning money,” he said, setting off on another tangential voyage. “It’s also about living your own way. If you’re young at heart you’ll stay young and be able to embrace the unpredictable in life.”

Easy for him to say – he raps for a living.

Por’s fame carries on

It looks like Tridsadee “Por” Sahawong’s daughter Nong Mali, who won the public’s attention while reporters were waiting out her dad’s long stay in hospital, is likely to step into the limelight and become a star in her own right.

She’s all of two years old, but she’s already made a couple of “public appearances” (beyond the hospital coverage), raising concerns about whether she’s too young to handle stardom.

Vanda “Bow” Muttasuwan, widow of the popular actor who died last month after a long battle with complications arising from dengue, reckons the family has everything under control. She tells Thai Rath that Mali has the perfect manager – Por’s uncle Sornmontra “Nam Oy” Pichaisornphlaeng, who’d handled Por’s show-business career.

“I don’t want to rush Mali into showbiz,” Bow says. “She’s still very young and there are more important things to think about, like growing up and getting an education. I just want it to progress naturally so that Mali can adjust, and we’ll see if she’s really up for it.”

Mali was among the celebrity guests at a press conference last week promoting the upcoming environmental-art show “1600 Pandas World Tour”, and Nam Oy assured reporters he’s being cautious.

“I carefully select the events where Mali appears, and most of them involve children, education or animals. Her father was into these same causes and I’d like Mali to continue that.”

In fact Mali has been approached to star in several TV series, though nothing’s been finalised. “Mali’s starting school in a few months,” Nam Oy says, “so we’ll have to work around her school schedule.”

All in a roe

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/All-in-a-roe-30279578.html

AFTER DARK

pic

Thai-Russian concern the Caviar House is farming sturgeon in Hua Hin

ONCE AN ALL-TO-RARE delicacy found only in top hotels |and on the most elite dinner tables, caviar will soon be much more widely available thanks to Thai-Russian firm, Caviar House, whose efforts to raise the sturgeon which produce the coveted roe are starting to pay off.

The Thai Sturgeon Farm, which was set up in Hua Hin back in 2014 to raise sturgeon fish both for their eggs and meat, is currently acquiring fingerlings or baby fish for the farm and once they reach their full potential, some 2,000 kilograms of black caviar will be produced every year and distributed on the Thai market.

“It takes a long time to get caviar, especially good quality caviar,” says the Bangkok-based Russian co-founder of Caviar House, Alexey Tyutin, during a recent intimate tasting session.

“It takes about two years to determine the sex of the fish. The male will be grown for meat, which is very delicious and rare, while the female will be kept for caviar. As they breed naturally in a cold climate, much care is needed to maintain the right environment, feeding content and conditions so the fish grow up to be strong and healthy and we can harvest the eggs.”

According to Tyutin, the fish are being kept at between 22 to 25 Celsius degrees to slow down their puberty and prevent them from growing too fast and accumulating too much fat. No hormones or chemicals are involved in the farming and the firm uses only 3.5 per cent of salt to preserve the caviar, considerably lower than other brands where up to five per cent is the norm.

“We want to showcase the freshness and the true tastes of caviar.” Tyutin explains. “Most brands use more salt so the caviar will keep for longer, probably a year in a fridge, but ours will keep only six months. Caviar has lots of health benefits. It can stop cancer at the very early stage, boosts the immune system and is excellent for the skin. So why spoil it with too much salt?”

Though the farm has not yet produced any caviar, the firm has already introduced four varieties of roe sourced from their partners’ farms in Russia and China that use the same breeding methods and farming know-how.

Tyutin recommends we start the tasting with the house’s entry level Classic Sturgeon Caviar, which is sourced from young fish of five to seven years old and has a mild and delicate taste.

Older fish produce better quality and stronger-tasting caviar and are used in the Premium Sturgeon Caviar, sourced from fish aged 12 years and older. The dark hazel-coloured roes have a nuttier and more prominent caviar taste.

“We use gold-plated tin boxes to prevent oxidation that would spoil the caviar.” Tyutin says. “The tin is designed in such a way so that when you close the lid, the air will be pushed out, keeping the caviar fresh. That said, once the tin is opened you should finish it within two days and keep it very cool or frozen at all times.”

Caviar is an acquired taste and choosing one is no easy task. The Royal Oscietra Caviar, which is made from the roe of the sturgeon-beluga hybrid fish, is heartier but soft. Firmer, slightly bigger roes have pearly grey and dark hazel colours. They are lush, buttery and crisp with a lingering aftertaste, making them a perfect suitor for champagne.

The ultimate treat is Beluga Caviar, which has the largest caviar berries and the most distinctive flavours. The medium- to dark-brown roes have an earthy saltiness that’s not unlike seawater and a buttery overtone that makes them very pleasing and addictive.

Prices range from Bt1,500 to Bt15,000 depending on sizes, from 30 grams to 200 grams, and grades. The products are currently available from the company’s website only.

More about Caviar House at http://www.CaviarHouse.co.th.

Call (082) 525 8887 and |(090) 7900997.

Club Scene

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Club-Scene-30279577.html

AFTER DARK

Ekali spins on Sunday at Grease

Ekali spins on Sunday at Grease

Find good parties in Bangkok

Bleeping and beeping

The Evolver crews return to Jam near Surasak BTS tonight for another dose of low-pitched frequencies and complementary bleeps and beeps. The special guest is DJ Dragon of Dubway Session, one of Thailand’s most prolific bass-heavy DJs. Resident spinners Jodie Foster and Vincent Smith lend support. Entry is free. Call (089) 889 8059.

Deep and the Dark

Kontraband is hosting a party with left-of-centre bass music regardless of genre tomorrow at Dark Bar on Ekamai Soi 10. The night promises a deep, dark and eclectic combo of hip-hop, dubstep, dub techno, UK garage, footwork, jungle and drum and bass. DJs Sir Walt, Stuart Nombluez, DeLorean, Azek and Wil man the decks. Entry with an Absolut vodka shot is Bt200.

Girls with the get-go

Go Grrrls gets 2016 off to their personal start with a “Girl Power” party tomorrow night at Tapas on Silom Soi 4. Designed as a tribute to cool and fierce girls and boys, the party will be filled with powerful sounds by artists like Blondie, Charli XCX, Bikini Kill, Grimes, TLC and Beyonce. DJs Maehappyair, Dookie and Tantani are the curators. Entry is Bt200. Call (02) 656 4249.

Ergo Ekali

Party with Canadian spinner Ekali on Sunday at Grease on Sukhumvit Soi 49. A Red Bull Music Academy participant back in 2014, Ekali rode the wave to success with massive remixes for Denzel Curry and What So Not. The party starts from 9pm. Entry is Bt400 at the door. Call (02) 662 6120.

A night on Broadway

The Broadway Musicals Night |hosted by Maggie Choo’s last month was such a success that the club is holding a second edition on Thursday. The Fascinating Four return to pay |tribute to New York’s most famous avenue with a brand new playlist of Broadway hit shows scores and |medleys. Entry is Bt300. Call (091) 772 2144.

A look back in anguish

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/A-look-back-in-anguish-30279534.html

BOOK

North Korean defector Hyeonseo Lee’s account of her risky flight and its consequences has now been published in Thai

IN BANGKOK last week for a press conference ahead of the release of a Thai version of her autobiography, North Korean defector Hyeonseo Lee shared the one thing that was, for many long years, wrong with her new life in the South of the divided peninsula.

She said that, at the moment she escaped from the North, she didn’t realise it would be the last time she’d ever see her homeland – or her family still living there.

Lee is now 34 and vividly remembers watching a public execution when she was seven. The victim was killed as a lesson to other citizens who might consider stepping out of line, she said. Nevertheless, she and every other North Korean grew up convinced – by state propaganda – that they were living in a “paradise”.

By the time she was 17, though, Lee had seen enough, and surreptitiously walked across the frozen Yalu River that forms the border with China. There she lived for 10 years, in constant fear of being caught and repatriated, before finally being granted asylum in South Korea.

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Feeling safe and having lived there for years, Lee mustered the courage to face the North Koreans again, this time in a bid to help her mother, brother and other compatriots defect.

All of this is recounted in her book “The Girl with Seven Names”, published by William Collins last year and coming out in Thai through Sanskrit Ltd at next month’s National Book Fair. It is carrying Lee’s story to countries around the world, a tale already told in a video of her TED talk that’s drawn more than five million views online.

Lee has testified before a UN Security Council panel about rights infractions in North Korean and written dozens of articles for leading journals. She recently graduated from a Seoul university with degrees in Chinese and English and plans to start a support group for fellow North Korean expatriates.

Her drive is remarkable, equal to the determination she summoned to cross that river into China.

“I was very naive, only 17 years old,” she said in Bangkok. “I’ve never realised that that moment would be my last time in my country or that I might be separated from my family maybe forever.

“I didn’t know. I just wanted to find out if China or mine was the best country, because China was the only country I could compare with my own. We were taught that America was evil, not a place where humans could live, and Thailand was given very low status.”

After a decade on the outside, Lee was indeed caught in China.

“I was interrogated by 20 or 30 police, but I was lucky because my Chinese was good enough that I could convince them I was Korean-Chinese. After testing me, they believed me. That was the first miracle in my life. But then I couldn’t stay in one place because it wasn’t safe and I had to keep changing cities and workplaces and taking different names.”

Hence the title of her autobiography. Hyeonseo Lee is the seventh name she adopted.

Lee noted that, while most defectors are clearly malnourished, “we have rich people and poor people in North Korea. You’re born into the upper, middle or lower class. My father was an air force officer,” she says of the parent arrested and beaten so badly he had to be hospitalised, only to die soon after from his injuries. Prior to his fall from grace, though, thanks to his higher social status, “I was lucky. I was never hungry,” Lee said.

Lee was able to help her mother and brother escape the North, but then they were discovered in Laos, which routinely sends defectors back. “For nearly 50 days I negotiated with the Lao government, pretending to be just a volunteer from South Korea, and they were finally released.”

Thailand, in contrast, will not repatriate North Korean defectors and in fact facilitates their resettlement in South Korea, and for this Lee said she was grateful. “Coming to this country for the first time is very special to me. Thailand is the most important country in the world for North Korean defectors. That’s why I’m so emotional.”

The Thai government doesn’t recognise the defectors as refugees, but does permit their entry as illegal immigrants until Seoul accepts them. South Korea readily grants citizenship to northerners.

The situation in Thailand is in flux, however, Lee pointed out. “These things might change slightly. The Thai government tries to prevent defectors coming here and cooperates with Laos in blocking them, heeding what the Chinese government says.

“So right now it’s risky, yet I insist that Thailand is the only land of hope for North Korean defectors who have nowhere else to go. But please send them only to South Korea.”

Lee said the number of people defecting has actually decreased. “During the Kim Jong-il period, up until 2011, there were 300 refugees flowing into Thailand every month and being held in detention centres in Bangkok. Now Kim Jong-un is doing his best to stop would-be defectors at the border. He even built a high concrete barrier, and the guards are very tough.

“In the past they never actually shut the people in. So now everyone’s very scared because the consequences are so severe, and escapes have declined by more than 50 per cent. I’m happy, though, that there are still many people trying to escape when they have chance, proving that the regime can’t prevent it entirely.”

Readers of Lee’s book have been amazed to learn that she in fact wants to return to the North.

“They ask how I could miss a place that’s so horrible. But it’s where I was born and where I have more than 100 relatives and many friends. They’re not living in a paradise – they’re suffering.

“North Korea isn’t the land of the Kim family. It’s the land of the Korean people, and we are suffering under a dictator. Outsiders focus on the regime and the nuclear arms and forget about all the people suffering. I want to go back to help them, and do my best to fight against the regime.

“I’m happier than I ever expected to be in my life,” Lee said. “In North Korea that’s impossible because the dictator is a hero. And, even though I grew up in a place where people disappear in the night, where even folding a newspaper is illegal because it has a picture of the dictator’s face, I’m not afraid to go back.

“Because I’m not the only one fighting – there are many defectors trying their best to expose what’s happening the country. With the help of pressure from the international community, we are winning. North Korea isn’t a normal country – they don’t pay attention to what the rest of the world says – but who knows? Right to the end, I won’t give up hope.”

 

Surachai, 60, ready for his second childhood

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Surachai-60-ready-for-his-second-childhood-30279533.html

SOOPSIP

Singer-actor Surachai “Add” Sombatcharoen, who’s 60, shocked everyone just before Valentine’s Day with the announcement that he was about to have plastic surgery.

SINGER-ACTOR Surachai “Add” Sombatcharoen, who’s 60, shocked everyone just before Valentine’s Day with the announcement that he was about to have plastic surgery.

In this day and age, when you can get a nip-and-tuck in about the same time it takes to make a caramel macchiato, that’s no big deal, of course. But Add said he was going to get a nip, a tuck, a hairline pull and a hair implant, plus sundry liposuction work. The surgery ended up taking nearly nine hours.

He said he wanted to turn back the clock so he’d look 20 years old again. “I have no confidence – I look so old!” the smooth-voiced luk thung crooner told our sister newspaper, Kom Chad Luek, just before going under the knife. “I hope to look younger so I can feel good about myself and get more work in show business,” he declared, not beating about the bush.

Add’s daughter Kamolchanok was by his side after the operation and says he kept asking, “Am I handsome now?” “He was worried he wouldn’t look too good and the media would make fun of him.”

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We won’t get a chance to see him for at least two weeks, but once the sutures heal and the hair implant takes root, we can start making fun of him. That is, of course, unless he comes out looking like George Clooney, in which case we’ll want the surgeon’s name and number.

But Kamolchanok says the effort does seem to have been a success. “So far it’s very satisfactory. Even with bruises and scars, Dad looks much younger and wrinkle-free. Now my mum’s worried that she’ll look like a grandma next to him!”

Feathers but no tethers on Bird

Superstar Thongchai “Bird” McIntyre is certainly in no need of improving his looks, even at age 57. He’s probably one the few men of that age in Thailand who youngsters still called pi (big brother) rather than loong (ancient uncle). And he’s as busy as ever, too. He’s just shot a TV commercial for a coffee brand that was supposed to have put Bt100 million in his bank account.

“Are you crazy?” he objects strenuously when asked to confirm the figure by Siam Dara. “I never get paid that much!” Though unwilling to reveal the true amount, Bird says it was “very fulfilling work”.

There’s no word yet when we’ll see the ad, but of course Bird’s got a pair of big shows lined up for Impact Arena on February 27 and 28, his “Ruam Wong Thongchai Concert”.

“We’ve been rehearsing very hard, even during the commercial shoot, because everything has to be perfect for the fans,” he says. “I’ve been wearing a headset every free moment to help me prepare and I’m 120 per cent ready. I could put on the show right now!”

And then there’s the possibility that Bird might get back to acting, as he hinted late last year, mentioning a sensational drama series. “I’ve been thinking about that seriously,” he reaffirms. “I’m waiting for the right time and the right role to come along, but you’ll definitely see me in an exciting role this year.”

 

The Chinese spirit

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http://www.nationmultimedia.com/life/The-Chinese-spirit-30279532.html

STAGE REVIEW

Beyond Time

Beyond Time

Kuka

Kuka

Brilliant performances at Singapore’s Huayi Fest ring in the year of the monkey

HAVING WATCHED and worked on a few android theatre projects by Japan’s Seinendan Theatre Company, I’ve become a fan of robots in performance, though that’s probably in part due to my frequent childhood playtime with Gundum. At the Esplanade Theatre Studio last Saturday evening, the audience attending “Huang Yi and Kuka” witnessed how the Germany-born and Taiwan-bred robot Kuka worked with human dancers from Huang Yi Studio. Much to everyone’s amazement and notwithstanding its industrial look, the droid moved in such a precise way that it seemed it too had been trained in classical ballet. Bending, twisting and even picking up extra equipment in different scenes to play with the dancers and the audience, it added many surprises to the 70-minute performance and reminded us of the credit due to the human artists and technicians who created this happy marriage of art and technology.

Having watched and been astounded by U-Theatre’s performances in Lyon and Bangkok, I was also looking forward to their new work “Beyond Time” at the Esplanade Theatre, which explores the relationship between man and universe. With training in traditional drumming and martial arts, U-Theatre performers are both musicians and dancers and in comparison to the other two works of theirs I watched, the production design of “Beyond Time” with reflecting stage floor and video images not only filled up space and added excitement but also drew the audience into the performance. The 75-minute experience was a little like meditating and with my eyes and ears focused on such an aural and visual treat, I was transported to share the space and time with U-Theatre’s performers. It was only when I came back to the real world that I realised that mystery as well as philosophy remained to be studied and I was glad that I was only middle-aged.

What’s fun about going to a festival is you can try watching a performance by an artist you’ve never heard of, in a language you do not understand, and become a new fan. Such was the case for me at the Esplanade Concert Hall where I enjoyed a late afternoon musical treat by Chinese singing sensation Gong Linna. Thanks in part to her partner-in-crime and in-life, German composer Robert Zollitsch, this collaboration not only showcased a wide range of vocal and singing skills but also brought traditional poems and folk songs to new life on a contemporary, and international, stage. My favourite was her rendition of “The Golden Cudgel”. This not only allowed classical Chinese opera singing techniques to come to the fore but the monkey god Sun Wukong, and his adventures involving several transformations, to come alive in the audience’s imagination. We returned after the intermission with high expectations for the second half of the concert and were not disappointed.

Like Huang Yi, this is an artist not strictly confined to her background but one who keeps experimenting and exploring new possibilities. And that’s why their works can be universally understood and appreciated.

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And so I watched three Huayi performances in the space of 23 hours – with enough sleep and good food in-between. Back in my car driving into the city of Bangkok, I put on Gong’s double-CD album to relive my fond memories of her performance.

While Chinese New Year means little to me, the Huayi experience gave me enough joy and inspiration for this year of the monkey.

The writer thanks the Esplanade’s See Ling Ling for all assistance.

MORE THIS WEEKEND

– Huayi – Chinese Festival of Arts runs until Sunday at the Esplanade – Theatres on the Bay in Singapore. A highlight this weekend is the Cantonese version of Yasmina Reza’s “God of Carnage” by Dionysus Contemporary Theatre from Hong Kong.

– Many programmes are free. For tickets, check http://www.Sistic.com.sg. For more details, visit http://www.HuayiFestival.com.

– Coming up at the Esplanade is the Super Japan – Japanese Festival of Arts from May 13 to 22. Performers include Butoh company Sankai Juku and J-pop singer Kyary Pamyu Pamyu. For details, check http://www.Esplanade.com.

 

All that glitters

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/All-that-glitters-30279531.html

FASHION

You don’t have to dazzle the symbol of your affection with diamonds, experts say. There are several gems that sparkle with the colour of love

“A GOOD GEM does not have to be big. If it comes with a tasteful design and the stone is of good quality, that piece of jewellery can be passed down from generation to generation,” says Polpat Asavaprapha, designer of Asava.

Polpat recently teamed up with diamond expert Pitchaya Lopiti, a member of the Gemological Institute of America (GIA), and Sethawut Naruemityarn, a tastemaker at Siam Paragon, to offer tips on mixing and matching outfits as well as jewellery pieces.

Part of Siam Paragon’s “Colour of Love” promotion to mark the month of love, fine jewellery from leading boutiques is being offered as part of a special promotional campaign at the Hall of Mirrors through Monday.

Twenty leading jewellery boutiques at the shopping centre are taking part in the promotion, namely Bijoux de Louise, Blue River, DER MOND, Gems Pavilion, Karat, Le Beau, Mikimoto, P&P Jewelry, Pannarai Jewellers, Premiera, Prima Gems, Sette, Siam Tiara, Sirinapa Diamond, Sirus Tanya, ST Diamond Design, Tang’s by Chua Lee, Trez Jewellery, Xavier by Uthai Jewellery, and Charms Fine Jewellery.

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During the talk, Pitchaya spoke at length about how to choose diamonds and the trends for 2016.

“The rule of thumb for inspecting diamonds and precious stones is the 4 Cs: Cut, Colour, Clarity, and Carat Weight. The trend for this year is for light colours, such as pale pink and blue, which give a feeling of relaxation, reduce stress, and look modern. You can also choose jewellery based on the month of birth to bring luck, love, and wealth. Garnet and rose quartz are January stones. Amethyst is for February; aquamarine for March; diamond for April; emerald for May; pearl for June; ruby for July; peridot for August; sapphire for September; opal for October; topaz for November; and turquoise for December.

While agreeing with his colleague about the trends for this year, Polpat points out that picking a jewellery item is really more about personal taste and style.

“Personally, I recommend jewellery that has a classic design because it is timeless and can be easily matched with clothes. The quality of the jewellery is also more important than its size.”

For those looking to buy diamonds and precious stones as gifts, Sethawut stresses this doesn’t have to be a ring. “There are other attractive pieces that also say ‘I love you’, such as coloured gemstone bracelets and bangles. If children are buying a gift for their mother, a coloured gemstone pin or a pin that can be turned into a pendant are an interesting choice,” he says.

 

The bold, the beautiful and the just plain silly

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/The-bold-the-beautiful-and-the-just-plain-silly-30279530.html

FASHION

Stars grace the Grammy’s red carpet in an assortment of eveningwear

THE MUSIC WORLD’S top stars rocked the Grammys red carpet Monday in Los Angeles, oozing sex appeal on the industry’s biggest night.

Here are a few key takeaways from the A-list fashion parade:

Girls’ night out

Taylor Swift and Selena Gomez have had their share of high-profile romances gone bad. So for the 58th Grammys ceremony at the Staples Centre, they made it a girls’ night out – and arrived together on the red carpet.

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T-Swizzle, already a double winner on seven nominations, earned quick rave reviews on Twitter for her fierce two-piece Versace ensemble – a red bandeau top and a bright pink full ball skirt, slit all the way up the front to her waist.

Gomez, her long brown hair curly and loose down her back, looked sultry in a sleek sparkly sapphire blue Calvin Klein gown with a plunging neckline, side cut-outs and spaghetti straps.

The pair posed together for pictures – more proof that Swift’s “girl squad” is as strong as ever.

Lady Gaga meanwhile is a squad all her own.

She stunned in a long royal blue coat from Marc Jacobs embellished with silvery swirls – a Ziggy Stardust get-up that was clearly part of the build-up to her tribute to late rock legend David Bowie. She even went for the fiery red hair and heavy blue eye shadow.

British singer Ellie Goulding, a nominee in the best pop solo performance category for her “Love Me Like You Do,” looked sweet in a simple pink Stella McCartney slip gown with a train.

But who says girls should have all the fun?

Sam Hunt, a onetime American football player turned songwriter who is taking country music by storm, also showed up in head-to-toe pink – a blush-coloured Dolce and Gabbana suit.

The 31-year-old Hunt, who is nominated for the coveted best |new artist award as well as best country album, performed |with another country star, |Carrie Underwood.

British superstar Adele wore perhaps the most demure gown of the night – a romantic long-sleeved black Givenchy gown with crystal accents and the slimmest of cutouts at the shoulders. It earned mixed reviews from the Twitter fashionistas.

Underwood was a vision of old-school glamour in a strapless black Nicolas Jebran gown tied in a knot at the waist, creating a sexy thigh-high slit.

Shock rocker Alice Cooper – one-third of the band Hollywood Vampires with Aerosmith’s Joe Perry and triple Oscar nominee Johnny Depp – brought the most interesting accessory to the Grammys: a riding crop.

He even used it to smack Depp on the red carpet where the trio – dressed all in black, of course – talked about their evening tribute to late Motorhead frontman Lemmy, real name Ian Kilmister, who died of cancer in December.

The Grammys red carpet has often been a place to make a statement – and show off as much skin as possible. Jennifer Lopez’s plunging barely-there green Versace gown in 2000 is still a fierce benchmark.

R&B singer Ciara smouldered in a backless gown with one black panel and another encrusted with silver accents – all of it tied in a bow at the waist, showing off some serious leg. But sometimes, the skin sweepstakes can go wrong. Very wrong.

Singer Joy Villa arrived on the red carpet wearing what could hardly be described as a dress – strips of metallic material that looked like dinosaur bones and revealed most of her assets… and all that with a giant train and a headdress.

Manika looked more like a burlesque dancer than a singer, in a see-through gown with silver beading to cover the most private parts.