Stella keeps it green

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FASHION

British designer McCartney’s Falabella Tote, jazzed up for summer, only looks like deer hide

A LIFELONG vegetarian, British fashion designer Stella McCartney never uses leather or fur in her clothes and accessories. That makes her Falabella tote bag even more amazing.

New in shops is the vibrant Rainbow Pop Falabella Collection, built around a mini-tote in “shaggy deer” fabric (faux deer hide) on a hand-braided ruthenium chain with diamond-cut facets.

The bag feels like real leather, but the fabric is even softer – and not a single deer was injured or lost its life in the making of this charming accessory.

It’s sold in seven colours, each representing a personality trait – Mist (calmness), Bluebird (confidence), Bright Purple (fun), Hot Pink (friendship), Cherry (love), Orange (playfulness) and Golden Syrup (joy).

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The other items in the collection are an iPhone 6 case, a half-flap wallet, a credit-card holder and a key chain.

Russian model Natalia Vodianova, photographed by Harley Weir, stars in a promotional campaign colourful enough to match the rainbow collection.

The cloth lining of the Falabella bag is made of recycled polyester that derives in turn from recycled plastic water bottles.

In the spirit of summer, the bag is easily matched with McCartney’s ready-to-wear clothing, a chic melding of masculine and feminine style and this season carrying cool looks from the 1970s and ’90s.

The inspiration comes from the countryside, with floral and animal prints, especially the designer’s beloved horses.

 

Royal embellishments for Italy

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FASHION

Maison Sirivannavari showcases its new collection at a pop-up store in Milan

THAI HAUTE-COUTURE label Maison Sirivannavari took its elegant designs to Milan for the first time earlier this month, opening a pop-up store that will remain in business until June 14. Located on the fourth floor of La Rinascente department store, which is owned and operated by Thailand’s Central Group, the boutique is offering a selection of pieces from Sirivannavari’s Spring-Summer 2016 collection. This takes its cues from art history, borrowing aesthetics from Romanticism and Impressionism, “with a touch of Versailles”.

Her Royal Highness Princess Sirivannavari Nariratana, the label’s creative director, said she started this collection by sketching a picture at the Chateau de Versailles.

“I sat on the bench and breathed in the ambience including Petite Trianon, les jardins de Versailles and le bassin d’Appllon. This collection is influenced by the art of Romanticism and Impressionism particularly the works of the legendary artists like Monet and Renoir.

“Pattern and silhouettes are crucial. The ‘Tulip’ pattern is the signature of my creations for this collection. Fundamentally, the pattern is the most significant element of dressmaking. That’s why I prioritise pattern making,” the Princess says.

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The collection starts from the stunning structures and silhouettes such as the tulip dress, the rounded-shoulder jacket with the geometric pattern, the tunic dress with asymmetrical drapery at the bodyline and the deconstructed jacket. In addition, the spotlight shines on the magnificent embroidery that includes crystal beads, 3D flowers, gooseberries and a gold-thread embellished peacock crest.

Graphic prints, very much at the heart of the brand’s DNA since its debut in 2005, are once again the highlight.

The Princess created the prints by modernising her own acrylic paintings. The signature print of the season is hummingbirds in a botanical garden.

 

Living it up in woodland hill

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FEATURE

Hollywood’s golden age alive and kicking at retirement home

JOHNNY WEISSMULLER |was said to walk the grounds of this retirement home letting out his trademark Tarzan yell.

Another resident wistfully recalls missing out on a date with Marilyn Monroe, while a third has stories about “Walt” or “Frank” – that is Walt Disney or Frank Sinatra.

Hollywood’s golden age may be long gone but it’s still very much alive and kicking at this retirement community north of Los Angeles, where a who’s who of the industry resides.

Here, you can meet a set director who worked on “Doctor Zhivago” or “Mutiny on the Bounty”, a film researcher who worked on “Star Trek”, “Chinatown” and “Fiddler on the Roof,” or a 103-year old actress who knew Sinatra and recently auditioned for a horror flick.

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“The people here have done every kind of job you can imagine associated with film and television,” says Bob Beitcher, president and CEO of the Motion Picture and Television Fund (MPTF), which runs the home located in Woodland Hills.

“You have everything from publicists, to animators to character actors to directors, writers, wardrobe, costume, hair and makeup.”

Founded in 1921 by cinema pioneers Charlie Chaplin, Douglas Fairbanks, DW Griffith and Mary Pickford, the MPTF’s mission was initially focused on helping stars unable to make the transition from silent film to “talkies”.

The charitable organisation began with coin boxes that were placed at the studios, where actors could drop spare change to help industry professionals who often worked as freelancers and had no job protection.

Nearly a century later, the MPTF continues to take care of its own through donations, albeit on a much bigger scale, with the likes of George Clooney, Kirk Douglas and Steven Spielberg lending their support.

“No other industry in the world has done something like this and this is what makes it so remarkable,” Beitcher says.

“People who work in the industry are like gypsies,” he adds. “They move from place to place, uproot their families to move to Louisiana, to New York or to Europe … and many do physical labour on a film or TV set that is hard on them.”

About half of the 165 residents at the retirement home pay for their room and board, which ranges from $3,400 to $6,100 (Bt121,500 to Bt218,000) a month, and the Fund pays for the other half unable to afford the cost.

Though a few of the retirees on the sprawling 40-acre campus are well-known in the industry, the majority are cast and crew members who spent their careers working quietly behind the scenes and never got on-screen billing.

Steven Kohler, 87, can make your head spin as he ticks off the names of some of the greats he rubbed shoulders with during his long career as a set dresser.

“Oh yeah, the crew would all sit together for lunch sometimes during filming,” he says, recalling his time on the set of the 1965 epic drama “Doctor Zhivago”, starring Omar Sharif and Julie Christie.

Marlon Brando, whom Kohler got to know during filming of the 1962 historical drama “Mutiny on the Bounty,” was nothing more than a kind-hearted gentleman, he says.

“The bigger they were, the more friendly they were,” says Kohler, sitting in his impeccably decorated cottage at the retirement home, where he moved nearly five years ago.

“Brando was very generous. He helped people without anybody knowing.”

Fellow resident Robert Mirisch, 77, whose family ran the Mirisch Company, one of Hollywood’s top independent production companies in the 1960s, for his part likes to recall his missed date with Marilyn Monroe.

He had met Monroe during filming of the romantic comedy “Some Like it Hot,” produced by his family’s company, and ended up being invited to accompany the sultry star to the movie’s premiere in New York.

Only problem was that he had plans to visit his ailing father at the time and politely said ‘no.’

“So I’m the guy who turned down a date with Marilyn Monroe and my father had the gall to live numbers of years after that,” jokes Mirisch, who was an entertainment industry attorney and who bears an uncanny resemblance to Bob Hope.

But living at the retirement home is not all about showbiz memories, playing poker or doing laps at the pool donated by Jodie Foster.

A number of the retirees put their creative talents to use at the community’s in-house TV station where they produce original programming – including a comedy called “Law and Disorder,” documentaries and game shows – that is mixed with Hollywood movies and sitcom reruns.

“Channel 22 proves creativity doesn’t end when you are 65,” Beitcher says.

Some of the residents, such as 103-year-old Connie Sawyer, also still work professionally and are not ready to call it quits.

Sawyer, whose filmography includes a role in “A Hole in the Head,” starring Frank Sinatra, as well as dozens of other movies and television series, last year appeared in a Super Bowl commercial and just recently auditioned for a horror movie.

“I’m still waiting to hear from them if I got the role,” she says.

 

Dr Lalana needs a cure for those incessant tom-tom drums

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SOOPSIP

pic

Back in 2006, Miss Thailand Lalana Kongtoranin was actually criticised because some people thought her profile as a medical student outshone her good looks and helped her win the crown.

BACK IN 2006, Miss Thailand Lalana Kongtoranin was actually criticised because some people thought her profile as a medical student outshone her good looks and helped her win the crown.

A few years ago she changed her look, cutting her hair short and dressing like a man. Fans loved the new Lalana, but ever since she’s constantly been asked in interviews about her “tomboy” appearance and her love life.

It’s still going on, with Lalana – now at the ripe old age of 28 – showing up on the cover of GM magazine, with another interview inside. It’s the usual stuff: are you a tomboy, do you like women?

“People keep asking me what I am,” she replies, “and I always tell them I don’t know, because I still love being beautiful, like any other woman. I still have breasts and I don’t bind them to flatten my chest like tomboys do.” She’s never considered having her breasts removed or reduced. “I like having breasts like a woman!”

Lalana says she prefers dressing like a man because it’s more comfortable. She feels ill at ease wearing skirts and putting on makeup. And, anyway, her boyish look today is just the way it was when she was a little girl.

The interviewer for GM being the persistent type (or perhaps just hard of hearing), Lalana is asked more than once if she “wants to be a man”.

“No!” she says, “and if you want to know the reason I don’t tell people I’m a tomboy, it’s because I’m not!”

Lalana explains with what we would characterise as superhuman patience that some people struggle to categorise themselves as tomboys, gay or anything else for that matter. And she doesn’t want to limit herself or her sexual orientation to being “just” a tomboy or “just” anything else.

Nor in her relationships does she restrict herself to either gender, she says. She gets involved with people based on how she feels about them and if they’re good-hearted, and it can be a man or a woman. Lalana’s dated a man, though she allows that she feels more comfortable being close to women.

Finally off the topic, Lalana gets to talk about her work as a resident in emergency medicine at Ramathibodi Hospital.

“I want to work on as many different kinds of cases as possible, so ER is the right place to be,” she says, adding that her ultimate aim is to run a free clinic for underprivileged people.

People these days view doctors in a different way, Lalana says. “They regard a doctor as someone who provides only the service, but for me the most important thing is being able to communicate with the patients properly. The better the communication, the less misunderstanding.”

Out of her doctor’s gown, Lalana is still working in show business, appearing on one television soap, hosting another TV show and modelling for magazines.

A designer for all seasons

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http://www.nationmultimedia.com/life/A-designer-for-all-seasons-30287161.html

FASHION

Australian Dion Lee talks the catwalks by storm

FASHION RETAIL is experiencing a seismic shift: the audience is global, seasons are increasingly irrelevant and the rise of social media means consumers don’t want to wait for runway styles.

Designer Dion Lee, the breakthrough star of Australian fashion who has worked with Kanye West and whose clothes are worn by the likes of Jennifer Lawrence and Cate Blanchett, understands such challenges better than most.

Lee launched his brand in Sydney – which has opposing seasons to the fashion capitals of Europe and North America.

“We’re obviously very conscious of the seasonality differences between Australia and the northern hemisphere so that’s something that… we design into,” the 30-year-old says.

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“I think the geography is a challenge. It is not a challenge that is insurmountable,” adds Lee.

One of his solutions is to ensure his collections – known for their precision lines, fine tailoring and sculptural forms – have a core that does not change regardless of the time of year.

He is not alone – British design house Burberry recently announced it will switch to ‘seasonless’ collections, with items suitable for wear year-round available at its outlets worldwide soon after they appear on the fashion week runways.

The rise of online shopping and social media has meant fashion is having to adapt away from the traditional seasonal approach, where consumers wait months to buy trends from the catwalk.

Lee says: “There’s been a global conversation I suppose about the relevance of seasons and how the model has really changed and is starting to evolve with the rise of online being so prevalent and e-commerce being a large part of our business.”

“I think that it does break down that notion of seasonality because it’s always one season somewhere in the world. You have designers that are selling swimwear 12 months of the year,” he adds.

This approach – and the fact his clothes are available on internationally lauded fashion sites such as net-a-porter.com has boosted his global profile.

Sales in North America – Lee’s biggest foreign market accounting for 35 per cent of wholesale – are expected to be up 90 per cent in the year to June 30. Asia is also a growing market although currently only accounts for 16 per cent of total wholesale sales.

Lee is fresh from Fashion Week Australia, a showcase of the country’s best designers which this year centred on ‘resort’ wear – a focus that saw bikinis and bright, billowing prints hit the runways at events attended by local retailers and international buyers.

Held on a rooftop overlooking Sydney, Lee’s collection showed another side of fashion and featured sharp-edged suit jackets and full, structured skirts, prompting Vogue Australia to praise his “urban inflected shapes and sharps and those clever twists and turns in his tailoring”.

The magazine’s editor-in-chief Edwina McCann, says Lee’s aesthetic appeals to young, urban customers the world over.

“I think in the modern world it doesn’t really matter as much where a designer actually comes from,” she says.

“And Dion – and I think many of our designers are benefitting from that now – that their clothes are appealing to a certain customer who is global rather than national.”

He launched his brand of wearable womenswear in 2008 soon after leaving design school, a move he now jokes was “slightly naive, slightly stupid”.

“Some of my early shows in Sydney were really impactful in terms of establishing the international profile for the brand,” he says.

He has a fiercely loyal following in Australia and has built up a reputation in New York and London – even attracting the attention of Kanye West. The singer reportedly went on to design some shoes for Lee’s UK runway show in 2012.

Lee says seeing stars such as Blanchett, Lawrence, and singer Selena Gomez wearing his clothes is “surreal… especially when it’s people that you really respect”.

“But it’s also seeing people that aren’t famous wear your clothes that you have respect for,” he adds. “I think there’s something really nice about seeing women feel empowered when wearing your clothes.”

American Vogue said he had “come of age as a New York fashion designer” in a review of his February show during the city’s prestigious fashion week. He will return there this week for another showcase and spends much of his time in the city, but Lee still sees himself as an Australian designer.

“Growing up here, going to college here and spending the first years of my career here, I think that has definitely had an influence on how I’ve developed the aesthetic for the brand.”

 

All about chocolate

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SOCIAL SCENE

Tripple Marketing recently hosted the “Chocoholic’s Party 2016”

Triple I Marketing recently hosted the “Chocoholic’s Party 2016” together with world

renowned brands Lindt, Ferrero Rocher, Ritter Sport, Made in Candy, Duc De Praslin and Le

Plaisir. The event also featured the “Thailand Chocolate Contest 2016”, which was won by

Eagle By Predators. Photo shows Belgium ambassador Marc Michelsen,centre, Sornvirat Akeviratdechaม Worarat Meesattham, and colonel Titawat Satiantip

 

Unearthing history’s secrets

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CULTURE ALIVE

Two archaeologists clean a bronze vessel unearthed from the excavation of the Marquis Haihun’s tomb in Nanchang, Jiangxi province. Photo/ China Daily

Two archaeologists clean a bronze vessel unearthed from the excavation of the Marquis Haihun’s tomb in Nanchang, Jiangxi province. Photo/ China Daily

Archaeological finds come to the public’s attention thanks to an annual list |of the most important discoveries

The list of the annual “academy awards” of Chinese archaeology was released in Beijing earlier this month with the top 10 archaeological discoveries in China for 2015 covering a time span that ranges from the Palaeolithic period to the First Sino-Japanese War in the 19th century.

The final list was picked from 25 candidates, and includes such finds such as a Western Han Dynasty (206 BC-AD 24) tomb identified as the burial site of dethroned emperor Liu He in Jiangxi province and a vessel identified as the famous warship Zhiyuan from the Beiyang Fleet, which sank in 1894 in Liaoning province.

The list also recognised older projects that achieved breakthroughs last year.

Among them was a mining and smelting site in Hubei province. Excavations at the site have been ongoing since 1970, but last year archaeologists found a tomb cluster of labourers.

Also recognised were the Liangzhu cultural sites in Zhejiang province, which were discovered in 1936.

While finds from the Liangzhu sites have made the top 10 lists many times before, their latest claim to fame is the discovery of a hydraulic project.

The annual listing was launched in 1990 by the Beijing-based newspaper China Cultural Relics News, and the jury brings together archaeological authorities and scholars from leading museums and universities, such as the Palace Museum and Peking University, to make its final selection.

An analysis of the 260 finds that have made the lists since it was launched in 1990 shows that finds from Henan, Jiangsu, Shandong and Shaanxi – all provinces boasting rich historical and cultural legacies – dominate the honour boards.

Interestingly, finds from the well-known Sanxingdui site in Sichuan province, which covers a period from the late Neolithic Age to the Bronze Age, have never made the list.

Many remarkable artefacts unearthed there in 1986 surprised the world, and a museum has even been built at the site.

Among the finds in contention for this year’s list were several building foundations and city walls, but they failed to make the cut.

Gao Dalun, who heads the research institute that made the finds there, says he is not surprised that the site lost out, because in recent years there has been a big jump in major archaeological discoveries in the country, making the competition to get on the list even fiercer.

He adds that, when it comes to Sanxingdui, people have much higher expectations for it.

Giving reasons for this, he says: “The site covers about 25 square kilometres and we’ve only excavated fewer than 10,000 square metres.

“I believe Sanxingdui has great potential to make it to the list.”

Meanwhile, the list has begun to garner growing public attention in recent years.

This is partly because of increasing media coverage of excavation sites.

The underwater archaeological excavation of the warship Zhiyuan was broadcast live on television.

Also, carefully curated |exhibitions of unearthed |objects boost public interest |in the finds.

The Capital Museum is currently holding two exhibitions dedicated to the finds from the tombs of “Haihunhou” Liu He and Fu Hao at the Yin Xu relic site in Henan.

Speaking of what could appear on next year’s list, Li Shuicheng, a professor of archaeology from Peking University, says it’s difficult to predict what will happen because, besides ongoing excavations, accidental finds can always change the scene.

“But above all, the list aims to raise public awareness of cultural legacies and conservation work,” he says.

Top 10 finds in 2015

1. Gantangqing Paleolithic sites, Jiangchuan county, Yunnan province

2. Jiangzhuang relic sites of Liangzhu culture, border of Xinghua and Dongtai cities, Jiangsu province

3. Liangzhu hydraulic project site, Hangzhou, Zhejiang province

4. Neolithic Age site, coastal area of Hainan province

5. Zhouyuan site, Baoji, Shaanxi province

6. Sifangtang site, Daye, Hubei province

7. Tomb of Marquis Haihun, Nanchang, Jiangxi province

8. Taiji Palace site, Luoyang, Henan province

9. Liao Dynasty imperial concubine tomb, Duolun county, Inner Mongolia autonomous region

10. Warship Zhiyuan, waters off Dandong, Liaoning province

Not just for kids

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STAGE PREVIEW

Alibabach by Companhia de Musica Teatral (Portugal)

Alibabach by Companhia de Musica Teatral (Portugal)

Papermoon Puppet Theatre (Indonesia)

Papermoon Puppet Theatre (Indonesia)

Recycled Rubbish by Theatre Rites (UK)

Recycled Rubbish by Theatre Rites (UK)

The Yellow O by Wandering Moon Theatre (Thailand)

The Yellow O by Wandering Moon Theatre (Thailand)

When All Was Green by The Key Theatre (Israel)

When All Was Green by The Key Theatre (Israel)

Yoo Dee by B-Floor Theatre (Thailand)

Yoo Dee by B-Floor Theatre (Thailand)

Parents and toddlers will also enjoy Bangkok’s first full-scale theatre festival for young audiences

Friends who have young children often ask me if there are more international stage performances for their kids to enjoy here other than “Disney on Ice”, which their kids not only look forward to but also dress up for in cartoon character costumes. Now, thanks to Arts on Location and Democrazy Studio who are joining forces in organising the first Bangkok International Children’s Theatre Festival – BICT Fest for short – I can give them a positive answer.

“We’re not saying that what’s available now is neither good nor insufficient; we’re simply offering more alternatives, the contents and creation process of which differ from the mainstream,” says Adjjima Na Patalung, founder and artistic director of Arts on Location and the brains behind the BICT Fest.

“Apart from having an impact on the audience, both children and adults, we’d also like to boost and expand relationships between foreign artists working in children’s theatre and their Thai counterparts. As a result, we hope that their works will reach a wider public and prove that there’s also art in the masses.”

For many years, Adjjima has been dividing her time and creative efforts between Bangkok and London and it was with Theatre Rites in the English capital that her perspectives on children’s theatre underwent a complete change.

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“I’d always believed that children’s theatre was only about storytelling and for young audiences only. Then I saw how Theatre Rites would spend two years researching and creating to develop one work and how their adult audiences were affected by the performance as well. And so, Theatre Rites was the first company I put on the programme for BICT Fest and their leader Sue Buckmaster will also conduct a workshop on object-led theatre,” she says.

“I also knew the Portuguese company Companhia de Musica Teatral, which specialises in working for toddlers and their parents. And so, BICT Fest started with two professional companies of high standard from two countries. I then pitched the idea of a BICT Fest to Democrazy Studio’s Pavinee Samakkabutr who instantly jumped on board.”

The festival then asked for and received support from the British Council and the Embassy of Portugal. Meanwhile, the search for other companies from other countries who would match the standard of their curation continued and they found Israel’s Key Theatre.

“We are very grateful to the Embassy of Israel, who originally introduced us to another group, for listening to our proposal and pledging their kind support to bring Key Theatre to the BICT Fest.”

Talking about the BICT Fest’s curatorial scheme, Adjjima says: “Instead of works that directly teach the children the 1-2-3 of how to do things – and our main target is from toddlers to 13 years old – we prefer performances that arouse their curiosity and spark their creativity. We believe that children have high levels of imagination and they can enjoy both complex and abstract works.”

With the Japan Foundation the most active cultural organisation here for many decades, no theatre festival in Thailand would be complete without a work from Japan.

“We were also looking for other genres that audiences here don’t usually associate with children’s theatre and the Japan Foundation Bangkok kindly introduced us to a truly unique performance artist Kaiji Moriyama who works for both children and adult audiences. His solo work ‘Live Bone’ shows the importance as well as the wonder of the human body, and is very different from others in the programme,” she says.

Adjjima and Pavinee have also invited the Indonesian puppet theatre company Paper Moon to perform at the fest. Although better known for their political puppet theatre works for adults, the company recently conducted a workshop with families in Japan and for Bangkok will be holding a five-day ‘Pop-Up Puppet’ workshop with families here. Paper Moon will later perform in the showcase.

“Here too, we’re receiving the support of the Japan Foundation,” she says.

The BICT Fest will also present works by Thai companies, namely Kid Jam, Wandering Moon and B-Floor.

Adjjima explains, “Wandering Moon’s ‘The Yellow O’ is a special performance which Monthatip Suksopha and Sujittra Prasert co-created with deaf and autistic children as the shadow puppet artists tried to find best ways to communicate with them. On a related note, British dramatherapist Sue Jennings will hold a workshop which autistic children can also attend.”

And of course the choice of B-Floor, who’s more renowned for their physical and political theatre works, may raise many eyebrows.

Adjjima says, “They presented this object theatre work ‘Yoo Dee’ in Japan last year and so they’ll present it here at the BACC Library.”

In addition to the performances, almost all of which have no spoken dialogue, BICT Fest aims to do much more than entertain as they’re organising workshops, for parents and children and even toddlers, teachers and professional artists. There’s also an academic forum, exploring how arts and theatre can regain leading roles in Thai educational institutes, led by leading children’s theatre scholar and practitioner Panida Thapanangkoon from Knowledge Network Institute of Thailand.

Most events will take place at Bangkok Art and Culture Centre, which is fully supporting this festival.

Unfortunately, like a number of projects initiated by contemporary theatre artists and not by government agencies here, BICT Fest’s request for funding has been turned down by the Culture Ministry’s Office of Contemporary Arts and Culture and therefore needs public support through the IndieGoGo crowdfunding website.

“Despite the immense support from foreign cultural institutions and embassies, we are still waiting for answers from many corporations. Anyhow, we have to go forward full-throttle even if we don’t reach our target in IndieGoGo. We strongly believe that BICT Fest is important and that our society needs it,” Adjjima says.

Indeed we do.

DONATE ANDPARTICIPATE

 

From hilltop to tabletop

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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FEATURE

Sturgeon raised in the mountains of Chiang Mai produce their first batches of caviar

THE SUPPORT FOUNDATION has been busy recently celebrating yet another triumph – the production of its very own Siberian sturgeon caviar. More commonly associated with waters in colder climes, the fish are being raised as part of Her Majesty the Queen’s Baan Lek Nai Pa Yai (Little House in the Big Forest) project high in the mountains of Chiang Mai‘s Wiang Haeng district.

“The water temperature on Doi Dam drops as low as minus two degrees Celsius,” Dr Somchai Thoranisorn, director of the Model Farm Projects, told guests at last week’s “A Spoonful of Love” launch event at Cafe Parisien in the Glasshouse@Sindhorn on Wireless Road.

“In January 2002, Her Majesty came to Doi Dam for the first time to witness the ongoing projects of Baan Lek Nai Pa Yai,” recalls Dr Jaranthada Karnasuta, an ichthyologist and adviser to the Office of His Majesty’s Principal Private Secretary.

“The Queen was deeply concerned about conditions in the border area around Doi Dam, which was said to be rampant with drugs. On a positive side though, the area was still untouched. The watershed forests were abundant and the streams had plenty of clean, clear water. Her Majesty asked the hilltribe people what kind of fish lived in the stream, and whether they managed to eat them and earn a living from them. They replied that the stream was at such a high altitude and so cold that the fish from downstream could not make it that far.

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“Her Majesty then instructed her assistants to find fish species that could survive in cold water. She turned to me – I was at that time Deputy Director General of the Department of Fisheries – and asked, ‘Shall we try and raise imported cold-water fish? Will it have a negative impact on the environment?’ From this royal initiative, the working committee conducted studies, and decided on rainbow trout, which can withstand very cold temperatures. With the support of the Canadian government, we experimented with this species at the Baan LekNai Pa Yai project in Doi Dam and it proved successful,” Dr Jaranthada says.

“However, the production costs were so high that we had to change our initial plan and let the villagers raise the fish for sale only and use the proceeds to buy cheaper and more accessible sources of protein for themselves. Rainbow trout is a delicious fish with firm succulent flesh, and not many bones. Thanks to the high market demand, rainbow trout from Doi Dam provides a good income for the villagers.”

Eight years ago, the project decided to spread its wings.

Dr Jaranthada again takes up the tale: “Through its cordial bilateral relations with Thailand, Russia presented Her Majesty the Queen with Siberian sturgeon roe, which she gave to the Department of Fisheries to put in nurseries on Doi Inthanon. They were then sent to the Baan Lek Nai Pa Yai project at Doi Dam. Thanks to a climate that’s cool all year round, the sturgeon successfully hatched for the first time in Southeast Asia. The fish does not hatch fast so only after nurturing them for eight years were we able to harvest the first batch of sturgeon caviar. Training was given by a specialist from Russia and we presented the caviar to Their Majesties and Her Royal Highness Princess Maha Chakri Sirindhorn to taste. They were delighted, sturgeon meat is also tasty and nutritious so now we are planning to raise sturgeons in different ponds to ensure a good supply,” he explains.

The Modern Thai Farms projects, of which Baan Lek Nai Pa Yai is one, have also enjoyed several other successes in bringing a wider variety of agricultural produce to the Thai plate.

“Some years ago. China presented Her Majesty with 100 Shitou goose eggs for her projects. Her Majesty gave them to the Livestock Department to hatch, and they were raised at the Model Farm project in Ban Yang Klang, Angthong province. Since then Shitou geese have been raised in every province. It is one of the world’s heaviest geese, with the male weighing up to 10 to 12 kilograms, and the female weighing eight to nine kg,” Somchai says.

“Shitou meat fits well in both eastern and western cuisine too, which has made it popular with restaurants.

“One more product that we are proudly presenting today is Dok Kleu, a fleur de sel and sea salt. It is produced in Phetchaburi’s Baan Laem district on a coastal plot that was presented to Her Majesty some years ago. It used to be a salt farm and the Queen thought it could be suitable as a farm for sea animals. This was at a time when shrimp farming was all the rage and was causing severe damage to the environment. We wanted to turn it into a zero waste farm but after testing the salinity of the land and finding it very high, we decided to continue with high quality sea salt farming and breed brine shrimp for aquatic animals. The outcome has been excellent,” he says.

The Support Foundation is also behind several other products, among them Arabica coffee from the Highland Agricultural Development projects in Ban Pang Khon and Doi Mon Lan, Chiang Rai, and organic, temperate-climate vegetables from various projects in the north.

“In addition to promoting handicrafts for which the foundation is best known, Her Majesty the Queen has always worked to further the royal initiatives of His Majesty the King in improving the well-being of all his people in every region,” says Thanpuying Charungjit Teekara, Deputy Private Secretary to Her Majesty the Queen.

“I remember accompanying Her Majesty the Queen on her trips to the highlands and her insistence that we refer to the ethnic peoples as ‘Thai hill people’ to stress they too are part of this country. During every visit, Her Majesty would spend a lot of time asking people about their well-being and looking at ways to help them earn sufficient income without practising the shifting cultivation that was no longer sustainable and was harming the forests and environment. Her Majesty found substitute work for them, not too onerous or difficult, but tasks they were already accustomed to. The women would do embroidery in their own traditions, while the men would do basketry. The Support Foundation would then buy all these products.

“The Baan Lek Nai Pa Yai project was a way of providing sources of income and occupations as well as new agricultural skills for the villagers. The projects help provide them with sources of food, rice, vegetables, herbs, as well as livestock, all benefiting the communities and their environment.”

And those projects have paid off handsomely both for the beneficiaries and those who buy their product. With 56 agricultural training centres and 18 development stations across the country, the foundation can be proud of its 40 years of hard work.

And now there’s caviar too.

Cafe Parisien’s chef Herve Frerard did the products proud last week introducing a menu that featured baked sturgeon fillet, Mediterranean style vegetable and saffron Beurre Blanc, mushroom feuillete, caviar Malossol, fresh sea urchin and yazu cream, marinated rainbow trout fillet with blood orange and watercress cream, roasted Shitou goose fillet with ratte potatoes and lemon thyme jus, and finishing up with chocolate finger, vanilla espuma and pang khon coffee sable”.

“I love the title of today’s event ‘A Spoonful of Love’ illustrates exactly what the foundation is all about. The love of Her Majesty for Her people,” Thanpuying Charungjit says with a smile.

TASTY TREATS

– Products from projects initiated by Her Majesty the Queen and sold under the brand Silpacheep are available at its store in the Or Tor Kor fresh market in Bangkok.

– For more information, check out Facebook.com/SupportFoundationOfHmq.

 

Our health our future

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Our-health-our-future-30287036.html

HEALTH

Philips sets out to help medicine transition from hospital care to home care with a new centre in Singapore

WITH THE percentage of Asia’s ageing population growing at a dramatic rate and set to triple by the year 2050, there is a pressing need to explore ways and means of dealing with the concomitant social and medical problems such an increase will inevitably bring.

Health authorities and hospitals are already changing their approaches to providing services to meet the needs of this greying population at an affordable price and they’ve now been joined by Philips, which recently opened a brand new Asia Pacific Centre in Singapore. The centre, which will manage Philips’ business throughout the APAC region, will also serve as a showcase of innovations and a research and training venue.

“Not only in Singapore but also in the region at large, this APAC Centre will be the powerhouse in the field of healthcare technologies. Our aim is to research and co-create with partners in the region,” says Ronal de Jong, vice-president & chief market leader for the Dutch company.

He adds that the world faces significant challenges with an ageing population, particularly with respect to the increase in chronic diseases and global resource constraints that limit the access to quality healthcare. The new and more highly integrated care delivery models enabled by health technologies and new business models will be vital in responding to this trend.

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“The way we have delivered healthcare in the past no longer applies. We need innovations in products, technology and in the way we work with partners and customers, with hospitals, doctors and nurses, while making sure that we don’t spend 80 per cent of the global healthcare budget on diagnosis and treatment on people who are already sick as we do today. If we are to be effective, we must shift our resources to prevention and early detection,” he says.

Philips notes with satisfaction the increasing interest consumers are showing in engaging in their own health and well being and the rise in home rather than hospital care.

Digitisation technology, de Jong notes, makes it possible to apply solutions as society makes the switch from hospital to home care.

Philips first established a presence in Singapore in 1951 and started its business operations there in 1972 before naming the city state as its Asia-Pacific headquarters overseeing business from Japan, South Korea to Australia and New Zealand but excluding China.

The new APAC Centre follows the Royal Philips’ decision earlier this year to splits its major businesses into two companies, Philips Lighting Solutions and Philips HealthTech.

The six-storey building, one of the three Philips learning centres, is located in Toa Payoh and is spread over 38,000 square metres, thus providing ample space to house the 600 staff behind Philips’ innovation and design expertise and business-creation capabilities.

The original Singapore centre was set up in 2006 and has so far trained more than 5,000 professionals from across the region. It offers extensive theoretical and hands-on training for doctors, nurses, medical engineers and service providers through the use of expensive high-end machines.

The APAC centre also houses a co-creator lab where Philips will work with partners to create viable, leading-edge solutions that address today’s and tomorrow’s healthcare challenges.

The Health Continuum Space, which has yet to be finished, will allow researchers to simulate the healthcare scenario from a mock hospital, all the way to patient’s home.

The centre also has a Continuous Care Monitoring Room where healthcare professionals remotely monitor the health of home-based patients through integrated technologies that support communications between patients and professionals, and a sleep and respiratory care area fitted with a sleep monitoring room simulator.

“The Pulse”, as Philips Unified Landscape for Social Engagement is known for short, is also housed here and allows Philips to monitor what is going on in each country by observing, via online users statistics, the most popular word Googled each day as well as how often the word Philips is mentioned online.