Club Scene

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Club-Scene-30285349.html

AFTER DARK

Tapas and beers

Tapas and beers

Find good parties in Bangkok

Samson gets hairy

The Comedy Club Bangkok on Sukhumvit Soi 33/1 is hosting another open-mic joke session tonight with headliner Jonathan Samson from the US and Bangkok’s own Alex Dang. The gags run the gamut between witty and quirky as the local talent pool steadily expands. The yuks start at 8. The Bt350 cover charge buys your first drink and beer costs a mere Bt85.

Rolling on the river

The Royal Orchid Sheraton Hotel Towers’ Riverside Grill keeps the beer, cider and tapas flowing like the neighbouring Chao Phraya River on the first Friday of every month from 6.30 to 8.30pm. The price is only Bt599, or, with premium imported beer and cider, Bt999. Call (02) 266 9214.

D-Goose ready to Glow

Phatfunk’s latest party is at Glow on Sukhumvit Soi 23 tonight with guest DJ D-Goose, co-founder of the Jiving Tribe drum-and-bass collective and resident at the notorious Full Moon Party on Koh Phangan. The beats really bounce, fuelled by jazzy vibes and heavy bass. The thunder starts at 9. Admission and the first drink cost Bt250.

Line link to Vietnam

Hibiya Line, resident DJ and founder of Saigon’s Observatory nightclub, is manning the deck at Studio Lam on Sukhumvit Soi 51 tonight. His mesmerising mixes float through the galaxies of disco, house, techno and more obscure sonic realms, replete with little-heard tracks. You pay Bt200 to get in. Call (02) 261 6661.

Onstage Backstage

The Backstage Cocktail Bar – to be found somewhere on Soi Thong Lor – has Singaporean mixologist Peter Chua cooking up amazing drinks at tomorrow’s “OK Lah!” party. The wizard of 28 Hong Kong Street in Singapore, which is ranked among the world’s 50 best bars, will be shaking cocktails from 9 to 11pm. Call (061) 519 5891.

Refreshed with a Riesling

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Refreshed-with-a-Riesling-30285348.html

AFTER DARK

pic

Bangkok celebrates the famed white wines of Germany and Alsace with a month of tastings and talks

TOAST THE SUMMER with a chilled glass of wine at Thailand’s first “Summer of Riesling” event being held at Riedel Wine Bar and Cellar on Thursday and featuring spectacular wines from various estates from Germany and Alsace in France.

Created by sommelier and restaurant owner Paul Grieco back in 2008, the “Summer of Riesling” aims to introduce wine drinkers to different styles of Rieslings and help them find their own “Riesling style” among the many different varietals on offer.

“Riesling is the ultimate summer wine because it’s refreshing,” says one of the organisers of the Bangkok event.

“This is because it’s delicate, moderate in alcohol, unwooded, with crisp acidity and complex aromas. It can be served very cold, out of the fridge, whereas some white wines such as Chardonnay don’t taste at their best when they are served too cold. Moreover, Riesling suits the hot climate and matches the Thai cuisine very well. Its high acidity can adapt to the powerful Thai flavours. The cool serving temperature of Riesling and its varying sugar levels can soothe the heat found in most Thai dishes.”

The perfumed grape varietal is believed to have originated in Germany’s Rhine region. Used to make dry, semi-sweet, sweet, and sparkling white wines, Riesling is one of the few grapes that can produce wines in the complete sweetness range, from totally dry to extremely sweet, or anything in between, and still maintain its distinctive fruit character and fine structure.

And because of Riesling’s bright, pure fruit and elegantly poised structure, it has no need for the cosmetic enhancements of new oak, malolactic fermentation or high alcohol. The best Rieslings are only pure fruit, vinified as simply as possible to reveal the true character of the vineyard. Typical fruit flavours in a cool-climate Riesling can range from citrus and green apple to peach, apricot, mango and guava. Some Rieslings have a little bit of everything, drenching your palate with layers and layers of fruity delight.

On Thursday wine lovers will get to taste over 20 labels of Riesling from Germany and Alsace such as Van Volxem, St. Urbanshof, Diel, Donnhoff, Leitz, Dreissigacker, Friedrich Becker, Pauly, Egon Muller and Keller. All served in Riesling-specific Riedel “Veritas” wine glasses, guests can also relish artisan canapes, Riesling blind tasting challenges and enjoy the stunning surroundings of the newly opened Riedel Wine Bar & Cellar.

Three wine talks will be held throughout the month with experienced sommeliers and experts discussing different themes. On May 19, the talk will be about “pradikat levels” – the German wine classification system and is recommended for those with an intermediate level of knowledge about wine. It’s priced at Bt2,000 per person.

On May 23, those with a little more experience can join the advanced level talk on Grand Cru sites and learn more about the regional wine classification and its significance. It costs Bt2,500 a head The last wine talk session is on May 31. The “Treasure Chamber: The Jewels of Germany” session, which is priced at Bt3,000, takes you to Germany’s finest estates to explore some of the best wines of the world.

Not sure if you’ll like Riesling? Head to the cellar and explore the varying world of Riesling with eight different wines served by the glass in three pouring sizes – 30ml, 75ml and 150ml – throughout this month.

Bangkok Summer of Riesling is on Thursday from 6 to 9pm at Riedel Wine Bar and Cellar at the second level of Gaysorn Shopping Centre. It costs Bt1,800 per person. Call (02) 656 1133.

POTENT pairings

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

 

http://www.nationmultimedia.com/life/POTENT-pairings-30285346.html

AFTER DARK

pic

The Mekhong Elite Table campaign returns for a third year of fine dining delights

NOW IN ITS third successful year, Mekhong Elite Table returned recently with the first in its cocktail pairing feasts for 2016 at So ASEAN Cafe on Ratchadapisek Road featuring three stellar dishes from Southeast Asia prepared by Thailand’s renowned chefs.

Sansiri Yodmuangcharoen, senior manager of Thai Beverage Marketing, was obviously delighted that the campaign was back, noting that this year’s edition would be highlighting artistic pairings between Thai cocktails and Asian food.

“This should resonate well with the new generation whose lifestyle revolves around having food and drinks that go together at parties and events. Moreover, the campaign highlights Thainess as well as the drinking and culinary cultures of each of the Asean members.”

Dinner kicked off with the fragrant, nutty and delicious chicken rendang, prepared to perfection by Tanarak Chuto.

“This is a favourite dish in both Indonesia and Malaysia,” the chef said as he prepared to cook the curry dish right in front of the guests.

“This is where we Thais get our recipes of massaman and panang curries, so what you can expect is the combination of both.”

The rendang paste is lightly fried with oil to allow the herbs to release their aromas, and is then joined in the pain by chunky chicken thighs and coconut milk. The dish is served with the Indonesian-style condiment sambal, a mix of chilli, tangy lime and savoury shrimp paste.

Accompanying the creamy, peppery and rich curry was a Mekhong Mantra, a light and cleansing blend of Mekhong, lime juice and ginger ale that refreshed the palate and enhanced the aroma of the dish with ginger.

The next dish, lah pet, prepared by chef Chumpol Jangprai hails straight from the streets of Myanmar. This super healthy, crunchy and tasty snack is a salad of mixed nuts, chilli, pickled tea leaves and seasoning that is well-rounded and appetising. Because it is heavy on herbs and seasoning, the pairing cocktail should not overpower but rather subtly complement the dish. Selected for the job was the delicate and herbaceous Mekhong Thai Sabai – a Thai-style whisky sour drink with Mekhong, simple syrup, lime and sweet basil to garnish.

Chef Parida Teerapong was last to present her creation, Osha Ocean & Floral Salad, a Thai fine dining dish. The visually stunning offering is a deconstructed salad that sees flower petals served with fresh scallops. The highlight is the use of sweet gourd juice. The creamy, orange squeeze from the fruit is high in vitamins and beta carotene and an excellent base for spicy Thai-style dressing with fresh lime, chilli and garlic. The scallops get the sweet gourd treatment too, soaked in the juice until the texture is salmon coloured and guaranteed to melt in the mouth.

Such a flavourful and spicy dish needed something soothing and light and the Mekhong Hanuman proved the perfect match. A simple recipe of Mekhong and fresh coconut juice soothed numb tongues while at the same time lightening the heavy seasoning of the dish. The fragrance of the coconut water helped ease the potent alcohol and made it very easy and pleasant to drink – not a bad choice if you’re not totally into Mekhong’s unique fragrance and mouthfeel.

The specially crafted Mekhong Elite Table menu and the list of Mekhong cocktails are available at So ASEAN Cafe at The Street Ratchada, Vivarium by Chef Ministry on Rama IV Road, OSHA Bar & Restaurant on Wittayu Road and Paste at Gaysorn Plaza.

Check out the next dates for Mekhong Elite Table at http://www.Facebook.com/ MekhongThailand.

How the other half lives

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/How-the-other-half-lives-30285312.html

FASHION

Amid the thaw, communist Cuba’s “Rag-Pickers” get a look at Chanel

FIRST CAME US President Barack Obama and the Rolling Stones. And on Tuesday – yesterday Bangkok time – global fashion’s glitterati, including supermodel Gisele Bundchen, descended on Cuba for Chanel’s runway show extravaganza.

Chanel became the first major fashion house to send models down the catwalk in Cuba, highlighting warming relations with the West. The exclusive show was also a reminder of new inequalities on the communist-ruled island.

Karl Lagerfeld, who has been at Chanel’s creative helm since 1983, said his latest inter-seasonal cruise collection was inspired by the “cultural richness and opening up of Cuba”.

Former Cold War foes, the US and Cuba formally agreed to restore diplomatic relations last July. Cuba has since improved relations with other Western nations.

//

Chanel fashion chief Bruno Pavlovsky said the label was uncertain at first if it could hold the show, but Cuban authorities had been “very welcoming and helpful”.

Some Cubans have been critical. Chanel goods are not sold there and few people could even dream of affording them, given that even a small handbag costs thousands of dollars. About 70 per cent of Cuban workers are in the pay of the state, with an average salary of $25 per month.

Pavlovsky said it was too early for Chanel, which has fewer than 200 boutiques worldwide, to set up shop in Cuba.

“This is an event for very few people,” said university student Heidi Lopez, 23. “We can’t enjoy it, and even less aspire to buy any product.”

Others say the show is giving their dreams wings to fly. “Chanel is very good quality and also very expensive,” said Marilia Veliz, 44, an accountant and fashion lover who had sewn details like a satin bow onto her brown and cream work uniform.

“Just because I can’t afford it doesn’t mean I want to deny others that luxury. And who knows, maybe one day. It’s important to dream!”

Cuba is fast becoming one of the world’s most fashionable destinations, as tourists and the style-elite seek to savour faded glamour and Caribbean flair before it changes too much.

“Hola Cuba!” Bundchen posted Instagram on Monday, posting a photo of a Havana park that received around 110,000 “likes”.

By showcasing its cruise collection in Cuba, Chanel said it was harking back to the roots of the line originally designed for wealthy Americans holidaying on yachts and cruises in the Caribbean to escape the winter grey.

US cruises to Cuba were forbidden during the country’s stand-off with the United States. On Monday the first US cruise ship to sail to the island since Fidel Castro’s revolution was greeted by cheering local residents.

Lagerfeld, 82, is known for his lavish show sets and in the past has created a mock casino, supermarket and brasserie.

Secrecy shrouded the preparations for his runway in the Paseo del Prado, a leafy promenade. Built in Cuba’s golden era, when it was a wealthy port, colonial colonnades and elegant Art Deco buildings on either side of the boulevard are now in various states of disrepair, although some are being renovated.

The Rolling Stones played a concert in Havana last month following President Obama’s visit. A Hollywood film crew has meanwhile been shooting the latest “Fast and Furious” action movie in the city.

“I think that catwalk is going to be more for Chanel than for Cuba,” said local clothing designer Idania del Rio, 33. “I don’t know whether the people here in Cuba are ready for this type of product.”

Nevertheless she’s curious. “I want to see what $40,000 clothing looks like!”

Cuba’s best-known living designer, Raul Castillo, is also excited about the Chanel event. “It’s a dream to see the work of a designer like Lagerfeld here in socialist Cuba,” he said.

Foreign brands were not available in Cuba until the 1990s, when the market started to open up gradually. “There is nothing uglier than standardisation,” Cuban author Arturo Arango wrote online. “With standardisation comes apathy and alienation. All that leads fatally to ugliness.”

Cubans had to wear imported second-hand clothes purchased at state-run stores. Authorities called it “recycled clothing”, but ordinary Cubans referred to their trips to the official shops as “rag-shopping”.

With its cabarets and casinos frequented by US film stars and gangsters, pre-revolution Cuba had a thriving fashion scene. Then the end of the Soviet era encouraged a rebirth.

“People here know how to sew. There are lots of good designers and people are looking for ways to buy the clothes they want,” said del Rio. But it’s “a very slow recovery”.

For the older designer, Raul Castillo, Cuban fashion “is going through a good moment”. “We are opening to the world,” he said. “It’s very important that Chanel is coming.”

The future of fashion will depend on if and when US lawmakers end the 54-year trade embargo on Cuba – still in place despite the diplomatic thaw.

“When we become a normal country, without the embargo, we will be leaders of fashion,” Castillo predicted.

 

Peter finally shows up, promptly leaves again

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Peter-finally-shows-up-promptly-leaves-again-30285311.html

SOOPSIP

Amazingly, in the year since we last listened in (feeling just a little bit guilty), Ploypan “Ploy” Dyrendal never heard what she wanted to hear from her estranged husband, the actor-singer Peter Corp Dyrendal.

AMAZINGLY, IN THE year since we last listened in (feeling just a little bit guilty), Ploypan “Ploy” Dyrendal never heard what she wanted to hear from her estranged husband, the actor-singer Peter Corp Dyrendal.

It’s been almost a year since Peter failed to return home from a day on the movie set, leaving Ploy and their two young sons wondering what was happening. In the interim he was often spotted riding in motorcycle caravans and attending parties.

Ploy dearly wanted to get on with her life, but Peter kept avoiding her, so there could be no discussion about separation or divorce. Finally, though, Ploy told the press this week, their parents and other respected seniors arranged a meeting, at which the couple agreed to end their marriage, though no documents have been signed as yet.

As to the reasons behind their split, Ploy said she’d prefer that Peter explain the situation to the public himself. Meanwhile she’ll keep the boys and Peter is always welcome to visit them. Their youngest was just a few months old when Peter turned into a no-show dad.

//

Ploy has just returned to her job as a Thai Airways flight attendant, leaving the kids in the care of her family, and has been delighted with the words of encouragement coming from passengers.

Ann’s back on screen

Actress Ann Sirium Pukdeedumrongrit, long absent from the spotlight after marrying Briton Justin Tate and moving to England, is back in Thailand and generating fresh wattage producing a drama series for Channel 7.

Ann is both making her debut as a producer and starring in the soap opera “Saneh Ha Maya”.

Asked if the scene has changed much in the five years she’s been gone, she says there have been a lot of changes in the industry and she’s been busy trying to catch up.

Ann is confident in her abilities as a producer, but she admits to being a little worried about getting back to acting after being gone so long. Before moving to England she’d mainly hosted TV shows while also running a spa.

Ann still looks beautiful at age 45, though. She’d started out as a teenage model before getting into film in the 1980s and finally making it big on TV. She was married to singer Billy Ogan and they had a daughter, then married Rajit Sangchuto, who owns a production firm and directs commercials.

Her third marriage, to Tate, has fared better chiefly because they’ve been able to maintain their privacy. The wedding itself took place in England about two years ago.

With her daughter now attending college in the UK, Ann felt the timing was right to return to work in Thailand, which she’s missed. Her husband has come with her and will stay for a few months. Naturally the press wants to get pictures of them together, so Ann says she’ll bring him to the set of her show – maybe once the weather cools down a bit.

 

Nothing fishy |about these shoes

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Nothing-fishy-about-these-shoes-30285310.html

FASHION

A French footwear band launches trout skin sandals

LET THE scales fall from your eyes…

A French shoe manufacturer is urging fashionistas to take the plunge with what he claims is the world’s first range of trout skin espadrille shoes.

Jean-Jacques Houyou has set out to persuade his compatriots that they should be wearing trout rather than merely eating them with a caper and black butter sauce.

The stack-heeled women’s sandals in seven colours will go on sale in France this summer, selling for around 120 euros (Bt6,000) a pair.

//

Houyou has sourced salmon trout for the shoes – whose skins he claims are particularly beautiful – from the cold mountain streams of the renowned Banca valley in the foothills of the Pyrenees in the French Basque country.

All come the Goicoechea family’s fish farm, whose trout are prized by gourmets. And although his company is called Don Quichosse – a play on Don Quixote – Houyou insisted he was not tilting at watermills.

He admitted however that making the espadrilles was an “extremely exacting process, the most difficult thing is to find two skins with the same marks which makes each pair so original,” he told AFP.

“Every pair is different because of the material itself,” he said of the handmade shoes which are lined with goat skin.

Houyou has previously made Japanese-style sandals with salmon skin at his small factory in Mauleon, the centre of France’s espadrille industry.

Most of his 10 shoemakers work in their homes turning out 20,000 pairs of espadrilles a year, which traditionally have soles made of jute.

But he has used cork to sole the trout skin shoes, which come with heels in two heights.

Espadrilles, often made of canvas, can trace their lineage back 4,000 years, and are still hugely popular summer shoes.

They are also much more eco-friendly than mass-market footwear, which is difficult, and sometimes almost impossible to recycle.

Several luxury shoe brands have also embraced what they term “fish leather” for their shoes, with the Spanish designer Manolo Blahnik once creating 800-euros-a-pair sandals for an “eco shoes” range.

The Brazilian label Osklen has also had great success with it salmon skin Arpoador sneakers, which sell for $580. It has previously made shoes from the skin of the Amazonian arapaima fish.

Fish skin boots have been worn for thousands of years by Inuit peoples, and fish skin shoes and handbags were common in Germany during World War II when cow leather ran out.

Environmentalists say that that countless tonnes of tannable fish skins are discarded every year because the public still worries wrongly that they might smell fishy.

 

Shakespeare hits the beach

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Shakespeare-hits-the-beach-30285305.html

FASHION

AB by Angelys Balek New York taps the bard and glass animals for sizzling summer prints

SOONTAREE “Angie” Balek has returned from New York fashion society with her famous brand AB by Angelys Balek New York and last week unveiled her spring-summer collection, “A Midsummer Night’s Dream”, full of winning outfits for the holidays.

The brand – acclaimed for its stunning painted graphics and distinctive modern designs – earned even more fans with the show at Vivarium by Chef Ministry, where the runway took on the lively rhythms of a beach party.

Among the celebrities sharing gasps of appreciation were Pimpisa Jirathiwat, Pava Nakasai, Raswadee Kuansongtum and Pitcha Thanalongkorn.

The collection’s triple concept – Playful, Smart and Artistic – was reflected in the charming and harmonious combination of art and design. These are definitely clothes that women can wear every day in the confident knowledge that they look modern, hip and fashion-savvy.

//

The usual trends and rules are ignored in a refreshing use of minimalist patterns. As the name of the collection indicates, the chief inspiration comes straight from Shakespeare’s riveting tale of love and magic afoot in the world. Ideas are also suggested by the animated music video “Pools” by indie rock band Glass Animals, which teeters between the dark and light sides of romance.

Soontaree acknowledged that her intent was to share Shakespeare’s eternal love story through elaborate prints and draw on Glass Animals’ complex retelling of the tale to remind everyone that summer is made for hot passion and warm affection.

The patterns are created in watercolours and collage, lush images of the season when nature teems with bright life and hot and bold colours.

Her bikinis and beach wraps are revealing, the better to glimpse sun-kissed skin, and yet are as elegant as they are comfortable in materials imported from America and Japan.

The fabrics are light and often sheer. Knit forms a stylish crop-top with fine cutting, ideal for mixing and matching. The invitation is to think beyond the boundaries of fashion trends to create your own independent and playful style.

Hats and shoes remain must-have items with that same virtue of mingling |well with other |pieces and styles. Iconic art is recreated in a meticulous |printing process.

AB by Angelys Balek New York is available on the second floor of CentralWorld and in the Qurator Zone on the second floor of the EmQuartier.

 

No easy way out

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/No-easy-way-out-30285309.html

STAGE REVIEW

pic

An absurdist Japanese performance is both enjoyable and comprehensible

THANKS TO ITS welcome diversity in programming, Thong Lor Art Space is a great place to visit on a regular basis. Just like the vibe from the restaurants, bars and nightspots for which this neighbourhood is famous, TLAS keeps its lights on, its curtains up and its vibrancy throbbing all year round.

Last month, Thong Lor Art Space hosted “Suk-ka-sak-ka-raj”, an interdisciplinary performance in which cellist Yui Cello shared the stage with an actress/illustration drawer, a ghost writer, a physical theatre artist, a contemporary dancer, independent musicians, a sound designer and a documentary filmmaker. Although they didn’t have time to work across fields, the fact that artists from so many disciplines could be seen in one work was a rare treat in this country.

Now, it’s the contemporary Japanese performance “1969: A Space Odyssey? Oddity!” by Kaimaku Pennant Race (KPR), making its Southeast Asian premiere. From the title, which was drawn from Stanley Kubrick’s masterpiece “2001: A Space Odyssey” and David Bowie’s song “Space Oddity” released in 1969, and the fact that the show was at Avignon OFF Festival, audience members were expecting either a dance performance or non-verbal comedy with plenty of music. We were all caught by surprise.

Three performers in white unitards, namely Takuro Takasaki, GK Masayuki and Yuri Morita occupied the stage while playwright and director Yu Murai, in street clothes and with a globe attached to his hat, remained downstage watching in front of his sound effects control board. Occasionally during the show, Murai poured milk from a jar and drank it from his glass. Towards the end we could see a spaceman miniature at the bottom of the jar.

Among many scenes dwelling on absurd situations, there was one in which two performers argued about a new pair and a worn-out pair of white shoes. In another – compulsory audience participation is enforced by keeping the full house lights on – all three of them, wanting to cross the border, walked into the audience stand and asked us, in Thai and English, which direction was south. We pointed them in various directions.

The show was heavily text-based and yet, thanks to the English and Thai surtitles on the four monitors placed on four corners of the stage and visible to all in the audience stand at all times, we could all understand what they were talking about. I noticed that Japanese audience members or Japanese-speaking Thais laughed more than us, so this was perhaps another case of slightly lost in translation.

The whole experience brought back a fond memory of watching Samuel Beckett’s absurdist drama masterpiece “Waiting for Godot”, which, brought me many more smiles and laughter when I was in my early 30s than it did when I was in my late teens.

“1969: A Space Odyssey? Oddity!” pleasantly reminded me that I was born and raised in the space exploration era, when there was neither Internet nor smartphones. I recalled how excited I was to watch “Star Wars” and “Star Trek” at the cinema. I also remember how my Grade 7 classmates were impressed with my class presentation on the space shuttle, using a toy my cousin brother brought for me from the US.

But I don’t think the purpose of this show was to remind me that I am now middle-aged.

In fact, while in no way political, it made me realise that in much the same way as space exploration during the past half century hasn’t progressed very much and man’s landing on the moon remains the most exciting moment, our country has been led by one military prime minister after another, with several coups in-between. Of course, we have Internet and smartphones now, but our democracy hasn’t progressed that much. Could the new constitution be a way out or would it be 1932 eternally?

MORE SHOWS

– “1969: A Space Odyssey? Oddity!” by Kaimaku Pennant Race runs until Sunday at Thong Lor Art Space, a five-minute walk from BTS: Thong Lor. Shows are at 7.30 nightly with a 3pm matinee on Sunday. It’s in Japanese with Thai and English surtitles. Tickets are Bt500 (Bt450 in advance, Bt350 for students). Call (095) 924 4555 or go to Line ID “@lvj7157z”.

– June will have Pattarasuda Anuman Rajadhon’s staging of Josh Ginsburg’s “Stick Figures”, with Thai- and English-speaking casts alternating. For more details, Facebook.com/ThongLorArtSpace.

Farewell to Plateau

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Farewell-to-Plateau-30285307.html

ART

Exhibition by Chinese artist Liu Wei brings the curtain down on Seoul’s 17 year-old museum

CHINESE ARTIST Liu Wei has been at the centre of controversy in the Chinese contemporary art world.

In 1999, he and fellow artists put up a radical exhibition that displayed a dead foetus on an ice bed, with human and animal parts hanging from the ceiling. Liu also presented a video installation showing naked people crawling on the floor like bugs.

The exhibition prompted authorities to enforce a legal ban on “bloody, brutal displays and obscenity in art” a few years later.

The radical imagery that made him the talk of the town is not seen in his solo exhibition at Plateau, Samsung Museum of Art, in Seoul. Rather, the works that span the 17 years of his career are moderate in expression, but complex in thought.

//

Installations that consist of building debris and old textbooks that criticise the competitive urban development in China and other cities in Asia are being exhibited at the 17-year-old Plateau, which closes its doors in August.

“Borders and geographical boundaries have become meaningless. Whether it’s Korea or China, I don’t think there is much difference in people’s criticism of reality,” said Liu at last week’s press preview.

Titled “Panorama”, the show sheds light on the fast-changing landscapes in cities like Shanghai, Beijing and Seoul and the complexities of modern urban life. Liu presents large Gothic-style wooden installations that are assembled with wooden door frames, panels, metal pipes and other architectural detritus from an old Chinese hospital and government buildings.

“We grew up when things were constantly changing and nothing seemed stable. There was a turnaround in values every couple of years. Today you’d believe in one thing and tomorrow you’d believe in something completely different,” he said.

Liu, who was born in 1972 as the Cultural Revolution was coming to an end, has been categorised as being part of a group of artists who were not as political as their predecessors. But they experienced firsthand the pro-democracy protests and the subsequent Tiananmen Square Massacre of 1989, and they left a “profound influence” on his future art activities, as well as on his contemporaries, Liu said.

Although political messages don’t show up explicitly in his works, resistance to the existing system has been an underlying theme in Liu’s works.

For the 2004 Shanghai Biennale, Liu presented photographs that looked like old Chinese landscape paintings, which in fact, captured the naked buttocks of people. The photo series “Looks Like a Landscape” was made in resistance to the biennale organisers, who had rejected Liu’s earlier proposal of a large-scale installation that he had wanted to make with artists who had not been invited to participate in the biennale exhibition.

“It was a rebellion against the system. The butt was a replacement for swearing,” said Liu.

Ironically, the photo series “Looks Like a Landscape” made Liu a star in the international art world. The work was sold to Swiss collector Uli Sigg, one of the most influential art collectors today with the largest collection of Chinese contemporary art. Since then, Liu has participated in numerous biennales around the world and has held solo exhibitions at major museums and galleries.

 

A big bang for the Bay

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/A-big-bang-for-the-Bay-30285308.html

ART

San Francisco’s revamped modern art museum eyes making a global splash

THE SAN FRANCISCO Museum of Modern Art reopens in the middle of this month after an ambitious $305 million (Bt1.06 billion) expansion and facelift that aims to rival the world-class art spaces of New York, Paris or London.

The revamped museum will be unveiled May 14 following a three-year upgrade entrusted to the Norwegian architecture firm Snohetta – best known for the dramatic new Alexandria Library in Egypt – that included more than doubling the exhibition space.

The brick structure that has housed the SFMoMA since 1995 in downtown San Francisco is now attached to a huge 10-floor “annex”. Outside, a wavy white facade made of more than 700 fibreglass-reinforced polymer panels seems to come alive as the light bounces off at different angles.

Snohetta says the facade is meant to represent the waves in the San Francisco Bay and the city’s iconic fog banks.

//

At ground level, large glass windows invite pedestrians to enter and visit the massive steel artwork by Richard Serra titled “Sequence”, or the “Untitled” eight-metre-wide white mobile that hangs in the atrium above the central staircase.

“The signature material in this building is glass,” says museum director Neal Benezra.

“You know right away that we want you to come in. We’re transparent, we’re open, and we’re free at the first floor level.”

When SFMoMA opened its doors in the 1990s, the neighbourhood was shabby and affordable. Today the area has dramatically gentrified and become a symbol of the vast income disparity caused by the high-tech boom that began in nearby Silicon Valley.

The new museum, Benezra stresses, “embraces the community” it is rooted in.

The SFMoMA expansion more than doubles its galleries to 16,000 square metres and creates one of the largest modern art spaces in the United States.

There is extraordinary work by key 20th-century artists, from Diego Rivera to Henri Matisse, Alfred Stieglitz to Andy Warhol, and career surveys of individual artists, including what is touted as a one-of-a-kind collection by the painter and abstract sculptor Ellsworth Kelly.

Its new Pritzker Centre for Photography, which takes up almost an entire floor, is billed as the largest in the country.

The expansion was primarily designed to accommodate the huge private art collection of Doris and Donald Fisher, founders of the Gap clothing store chain.

Their son Robert Fisher describes their parent’s art collection as “a hobby turned into obsession”.

He says his parents had two simple rules in acquiring works of art: “they had to both love the work, and they had to be able to afford it.”

Starting in the 1970s the Fishers collected 1,100 works by 185 artists, first quietly and then on display in two galleries at the Gap headquarters in San Francisco.

After looking into building a private museum, the Fishers decided in 2009 to hand their collection over to the SFMoMA in a 100-year trust.

The museum will display part of the collection on several floors, with several thematic exhibits focused on pop art icons such as Warhol and Roy Lichtenstein, as well as artists who emerged in post-war Germany like Anselm Kiefer and Gerhard Richter.

Robert Fisher believes that a Richter painting, “Zwei Kerzen” (“Two Candles”) best symbolises the love of his parents. “It usually hung over the fireplace in our home in San Francisco,” he explains.

Each summer “they would take the painting with them” wrapped in a blanket in the family station wagon to their summer home, where Fisher’s father would hang it “up over the television set”.

Aside from the Fisher collection, the museum has enriched its own reserves thanks to a campaign starting in 2009 to convince wealthy collectors to entrust them with some of their art work. More than 3,000 pieces have been promised, including works of Francis Bacon, Alberto Giacometti, Yves Klein and Jackson Pollock.