Caught up in Charlotte Olympia’s web

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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FASHION

The British designer pops into the city of angels to present her new collection

SHOE AND LEATHER goods designer Charlotte Olympia Dellal is a very busy lady. In Bangkok recently for the very first time, the founder of the luxury brand Charlotte Olympia, made the first of her pit stops at the Emporium Shopping Complex where she introduced her spring and summer 2016 collection over afternoon tea.

Dubbed “I Married Adventure”, the collection shares its title with a memoir written by Osa Johnson, recounting the expeditions she shared with her husband in the early part of the twentieth century.

The result is a collection bursting with animal prints, exotic textures and rustic materials offset by watercolour maps and broguing detail.

A golden tan insole and contrasting leopard print lining feature throughout offering wearers a walk on the eccentric side.

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You can journey back to adventurous times with the nappa “Bon Voyage” passport pouch and travel “Around the World” with a perspex inspired suitcase. Pair them with “Destination” printed wedges showcasing a design of vintage travel stickers. Decorative rattan heels and platforms adorn classic silhouettes for the glamorous first-class globe trotter.

Or escape into the wild with zebra-print block heels accented with silver piping and Ferocious sandals in aristocratic red raffia embellished with gold sequins. The Fierce Handbag, in ostrich-effect stamped leather, is embroidered with a leopard rug design, which also lays across the African Queen T-bar sandals.

Leopard-skin peep-toe platforms and Snappy crocodile cut-outs will arouse your animal instinct while Panthera sandals, featuring a hand-painted enamel leopard-shaped wedge, will keep you fiercely feline.

Make like an explorer with leather accessories embossed in animal prints and Expedition sling-backs folded in crisp ivory and khaki linens. The perspex Columbus globe clutch bag pairs with Well Travelled flats mapped out in suede applique.

Dellal’s passion for design was sparked by her love of fashion and nostalgia for the bygone era of old Hollywood glamour.

She took that passion to Cordwainers, the world-renowned college for footwear and accessories in London where she explored her interests alongside technical training in the craftsmanship of beautiful shoes.

Soon after graduating, she launched her London- based brand. That was in January 2008 and she’s never looked back.

During her short stay in Bangkok, Dellal met with her official distributor; Duangkaew Bhakdibhumi and Nalinee Worawongwasu of 24 Luxury, as well as several of her A-list fans including ML Piyapas Bhirombhakdi, Poruethai Narongdej, Orawan Ingkhasit and Rawiwan Tanaka.

Duangkaew and Nalinee also hosted a small soiree from the designer at The Siam Hotel, which was attended by several big names from the fashion and art world including Intira Thanavisuth, Vatanika Patamasigh na Ayudhya, Kornvipa Jotikasathira, Alisa Asavabhokhin, the Sretsis siblings Klyduan, Pimdao and Matina Sukhahuta, and actress Araya Alberta Hargate.

Dellal is also collaborating |with MAC cosmetics on a line of makeup that features three |different red lipsticks to match different skin tones, an almost-black, deep-brown liquid liner |and nail polish.

 

Simply wonderful

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http://www.nationmultimedia.com/life/Simply-wonderful-30283447.html

ART EXHIBITION

100 photos of the beauty of Indonesia are on show until Sunday in Bangkok

BEAUTIFUL PHOTOS of cultural destinations in Indonesia, such as the ancient Prambanan and Borobudur temples, as well as the sights of Toraja and Bali, are among the highlights of the “Wonderful Indonesia” photo exhibition, which opened on Monday at Siam Paragon.

The exhibition has 100 photos by nine Indonesian photographers along with Bangkok-based Hong Kong businessman and photographer Chi Wai David Lau, who mounted the show.

A travelling show, the Bangkok exhibition follows stops around Indonesia since 2014. The photos were also shown in February in Istanbul, where Art Photography of Indonesia was supported by the Tourism Ministry of Indonesia.

Lau, who was ranked seventh in the world in 1981 in the colour-print section of the Photographic Society of America, took around 70 photos of scenes around Indonesia.

For the show, he selected 64 of his photos in addition to 36 more images by members of Art Photography of Indonesia. The purpose of the show is promote the tourism in Indonesia and further boost the cultural ties between Thailand and itsAsean Economic Community neighbour.

Scenes covering the beauty and uniqueness of Indonesia include mountains, lakes, sunrises, sunsets and volcanoes. There are also beauty queens, oxen racing, tribal rites and riders galloping their horses along the beach. Locations covered the breadth of the archipelago nation and include Banyuwangi, Mount Bromo, Probolinggo, West Sumatra, Bali, Lombok, Komodo, Sumba, Toraja, Lampung, Central Java, West Java and Papua.

In addition to Lau, the photographers are Agatha Anne Bunanta, Edwin Djuanda, Vincent Kohar, Edwind Benjamin, Rudy Sunandar, Elyana Dasuki, Qwadru Putro Wicaksono, John Hantoro and Arya Dwita Dedok.

They are part of Art Photography of Indonesia, a non-profit organisation with the slogan “Friendship through Photography. The group’s mission is “to build awareness and appreciation of the community to care and be proactive to the art of photography”.

VISUAL IMPACT

– “Wonderful Indonesia” runs until Sunday in the Lifestyle Hall on the second floor of Siam Paragon in Bangkok.

– For more details, check ArtPhotoIndo.com.

Something from nothing

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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DESIGN

Young designers show their creativity in turning other people’s rubbish into fashionable accessories in this year’s Reco Competition

YOUNG THAI designers once again showed their passion for recycled materials, with 200 entries from all around the country pouring in for the 2016 edition of the Reco Young Designer Competition. Organised by Indorama Ventures, the annual contest has as its concept “Reduce, Reuse and Recycle”, and this year was held on the theme ‘Life is Play, Show Your Passion’.

After much soul-searching by a panel of judges who included Jarupatara Archawasmith, a lecturer at the Faculty of Architecture, King Mongkut’s Institute of Technology Ladkrabang; Asst Prof Singh Intrachooto, head of the Building Innovation and Technology Programme at Kasetsart University’s Faculty of Architecture; Apiwat Yosprapan, Praew magazine’s style editor Chaiyong Ratana-angkura, of Wallpaper Magazine; and freelance artist Narita Lert-utsahakul, the 200 entries were whittled down to 30.

These selected candidates were then invited to attend an exclusive eco-design workshop led by professionals in the design industry, along with a successful brand manager who gave practical business advice. A final 20 were selected to work more closely with project mentors and these advised the finalists throughout the project to maximise design potential and teach production techniques.

The winning prize in the fashion design category went to Wannakorn Oonvised, a freelance designer who was inspired by pyrotechnics. His “Fire Power” dress, made using recycled x-ray film, displayed vivid colours on a dark background depicting fireworks sparkling in the sky.

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Suphavinee Jaikwang, a sophomore student at Suan Sunandha Rajabhat University, picked up the top prize in the product design category for her Jewellery Hot Stone collection made from recycled PET bottles. Based on the principle of Zen, her jewellery portrayed a sense of calm but with an underlying toughness.

All designs for the Reco competition were made using at least 60-per-cent recycled PET and polyester. Each offered an example of the potential for waste to be used in creating sophisticated items that also serve a practical purpose, surpassing normal expectations.

“This project aims to raise awareness on how we can use PET and polyester waste to create wonderful designs. For this, our fifth competition, we were delighted to see such good feedback from aspiring designers who are keen to know more about recycling and making designs to save the environment,” said Richard Jones, vice president of Indorama Ventures.

The winners of the two categories took home Bt100,000 each, while the first and second runners up received Bt30,000 and Bt20,000 respectively. This year, a new reward for young fashion designers called “Indorama Ventures’ Favourite” was introduced to recognise outstanding design for practical everyday clothing.

– The works of all the Reco finalists are on show at the Hof Art Gallery, 2nd floor, W District (BTS Prakanong) through Monday.

– Find out more at http://www.IndoramaVentures.com and Facebook.com/recoyoungdesigner.

 

Cashing in on K-drama

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KOREAN CULTURE

Set in a fictional war-torn country, 'Descendants of the Sun' deals with the romance between a solider (Song Joong-ki) and a surgeon (Song Hye-kyo). Photo courtesy of KBS

Set in a fictional war-torn country, ‘Descendants of the Sun’ deals with the romance between a solider (Song Joong-ki) and a surgeon (Song Hye-kyo). Photo courtesy of KBS

Products featured in 'Descendants of the Sun', such as Laneige's Two-tone Lip Bar have seen increased sales. Photo courtesy of Amore Pacific

Products featured in ‘Descendants of the Sun’, such as Laneige’s Two-tone Lip Bar have seen increased sales. Photo courtesy of Amore Pacific

Products featured in 'Descendants of the Sun” such as Cheong Kwan Jang Red Ginseng Everytime, have seen increased sales. Photo courtesy of Korea Ginseng Corp.

Products featured in ‘Descendants of the Sun” such as Cheong Kwan Jang Red Ginseng Everytime, have seen increased sales. Photo courtesy of Korea Ginseng Corp.

A scene from 'Descendants of the Sun'. The location in Taebaek, Gangwon Province, no longer looks the same but a South Korean tourism organisation has rebuilt the set elsewhere as a theme park that's expected to attract many,many fans. Photo courtesy o

A scene from ‘Descendants of the Sun’. The location in Taebaek, Gangwon Province, no longer looks the same but a South Korean tourism organisation has rebuilt the set elsewhere as a theme park that’s expected to attract many,many fans. Photo courtesy o

The popular TV series “Descendants of the Sun” is a boost to the economy and South Korean brands

Although South Korea has been rolling out stimulus measures in recent months to boost sluggish exports and tourism, not many have had as immediate and strong an impact as K-drama.

The sweeping popularity of the television drama “Descendants of the Sun” has become “an unexpected blue chip” for South Korea’s slowing economy.

Market observers say that the 16-episode series will generate more than 3 trillion won (Bt91.7 billion) worth of economic effects for the nation that heavily relies on exports.

The figure is not big enough to have a drastic impact on the world’s 11th largest economy with a gross domestic product of $1.43 trillion. But it is still significant that a mere 13-billion-won production can generate this much effects, say market observers.

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The rough estimate of 3 trillion won is based on the amount believed to have been generated by another hit drama series “My Love from Another Star” in 2014.

Some Korean economists believe that consumers, particularly in certain parts of Asia, desire to buy South Korean products after seeing K-dramas.

Growing demand for South Korean products fuels the nation’s exports and eventually stimulates the growth of manufacturing industry, according the Hyundai Economic Research Institute.

“Descendants of the Sun” is expected to have much more far-reaching power than previous hit shows, the analysts said. Its 10th episode, aired last Thursday, reached new records in viewership of 36.4 per cent in Seoul and 31.6 per cent nationwide.

In China, the show has been viewed more than 440 million times cumulatively through the video-streaming portal iQiyi. The Chinese government has even issued warnings about the dangers of South Korean dramas. Watching too much could lead to legal troubles, Chinese authorities said in a statement posted on Weibo, the Chinese Twitter.

Set in a fictional war-torn country, “Descendants of the Sun” tells the love story between a solider and a surgeon, played by actor Song Joong-ki and actress Song Hye-kyo, respectively. It is a departure from the traditional plot of hallyu (Korean Wave) dramas as it weaves in a humanitarian tale with romance.

The reason why industry watchers, officials – and even President Park Geun-hye – are excited about the drama is that it is expected to again boost the Korean Wave. Hallyu is a vital source that has boosted South Korea’s income through merchandise, film and television distribution, exports and tourism. But some raised concerns that the Korean Wave may be losing its steam.

They are taking notice of the potential economic impact of “Descendants of the Sun” as it also exposes a wide range of South Korean products, including major export items such as Samsung phones, Hyundai cars and cosmetics by Amore Pacific.

The drama also subtly features South Korea’s rising industries, such as health care and sustainable energy by using a movable medical facility – known as medical cube in the drama – and a solar power plant.

Companies are cashing in on the popularity of the drama, which has helped raise their brand recognition rapidly.

Hyundai, Korea’s largest automaker, expects the drama to generate 110 billion won worth of advertising effects and also to help the company raise its market profile in China. It is one of the South Korean manufacturers that invested in the drama in exchange for exposure of their products.

“We signed a product placement contract with the drama producers as part of our marketing strategy to improve Hyundai’s market profile in China as the drama had hallyu stars Song Hye-kyo and Song Joong-ki as leading actors, and was to be exported to China,” says Baek Byung-uk, a manager at Hyundai Motor.

The automaker, which ranks fourth in China with around 10 per cent of market share, has been seeking ways to expand its market presence as well as its reputation.

“We export a lot to China, but we need to lift our reputation in the market to compete with other foreign carmakers like Audi and BMW,” he said.

Sales of the Hyundai Tucson, a sport utility vehicle that actor Song Joong-ki uses in the series, has already risen 10 per cent in South Korea.

Cosmetics firm Amore Pacific, which runs the Laneige brand, is also benefiting from the buzz surrounding “Descendants of the Sun”.

“The number of the so-called Song Hye-kyo lipstick searched on the Internet surged 11 times after the drama started to air,” the company says. “The lipstick [Laneige’s Two-tone Lip Bar] has become a best seller in March and sold out in some stores.”

According to 11st Street, a Korean online retailer that runs a Chinese-language site, sales of the Korean cosmetics brand Laneige’s blemish balm pact BB Foundation Cushion surged tenfold between March 14 and March 20.

“Korean dramas are usually released in China at least several months later and the sales of related products reflect that time lag,” says Yoo Sang-woo, a sales director for 11st Street’s Chinese shopping site. As ‘Descendants of the Sun’ is being aired in Korea and China simultaneously, customer response is almost instant.”

Even health products are seeing sales boom as a result of the success of the drama series.

Sales of Cheong Kwan Jang Red Ginseng Everytime, a 10ml packet of ginseng extract, grew 176 per cent from a year ago, according to the Korea Ginseng Corporation. The product appears as a health supplement for characters in the drama.

“Descendants of the Sun” was pre-produced by Korean film company Next Entertainment World for 13 billion won. This is significant as it is not usually easy for an entertainment company – particularly those with no ties to the big conglomerates – to secure this amount of funds prior to filming.

Commercial banks are often reluctant to lend them money as production firms hold very little capital to offer as security. Not to mention the risky nature of the entertainment business.

The production company reportedly secured 3 billion won through product placement investments, and the rest of the amount was funded partly by the South Korean government.

The government recognises the impact of K-drama on exports and tourism. Since the late 2000s, it has run various hallyu support programmes including offering loans for production companies at low interest rates.

Late last year, the state-run Export and Import Bank of Korea granted 3 billion won at a low interest rate for NEW, the production company behind “Descendants of the Sun”.

Not anyone can get the financial support, says an official from the Service Industry Finance Department of Korea Eximbank, adding that the agency makes decisions by looking at whether the proposals have the potential to be a new hit. It also considers the popularity of cast members.

It is difficult to pick out gems, says the official, adding that it is the duty of a state financial institution to nurture hallyu content production companies with great potential. The export promotion agency has already decided to grant another loan to NEW to help its market entry into China.

The drama has been exported to 27 countries so far. But the number is set to grow, the company said.

China and Japan have bought broadcasting rights to the drama series for $250,000 (Bt8.7 million) and $100,000 per episode, respectively. The show will be aired in an additional 25 countries, including the US, the UK, France, Italy, Germany, Russia and Saudi Arabia.

SUN SHINES

– In Thailand, “Descendants of the Sun” airs on TrueVisions’ KBS channel 232 and on MThai.com.

 

Anything but lucky, Bangkok’s No 8 buses given a “last chance”

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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SOOPSIP

pic

Eight is a lucky number, the Chinese tell us, since in Mandarin and other dialects it’s a homonym for prosperity.

They might change their minds if they rode the No 8 bus in Bangkok. And, if they did, they’d probably suggest renumbering the buses to four, which sounds like their word for “death”.

The No 8 buses plying the route between Pak Klongtalad and Happy Land are so accident-prone that the Bangkok Mass Transit Authority has given the operator of the line “one last chance” to improve safety. Otherwise it will yank all the buses off the street, and there are more than 100 of them.

“One last chance” sounds like the Chinese word for “that’ll be the day”, but at least there’s some room for optimism. The passengers refer to their risky rides as “the bus from hell”, “telephone-booth slammers” and “the fast and the furious”, and to themselves as “ghost riders”.

The No 8 easily tops the list of the most dangerous bus lines in Bangkok in the BMTA’s 2015 operating report, based on commuter complaints accumulated over the previous 10 months. The transit authority knows what the problem is and it’s not about the wheels falling off. It all comes down to reckless driving.

Last June, a No 8 slammed into concrete pillar near the Ari Skytrain station when the driver lost control while engaged in a race with a rival bus at breakneck speed. Injury prevented the driver from honouring his contractual obligation to flee the scene before the cops showed up. One morning last week the menace turned truly tragic when a 60-year-old woman was killed in a bus mishap in Lat Phrao.

Even when there are no outright collisions, riding the No 8 can be like enduring an earthquake. The centrifugal motion of sudden swerves tosses passengers out their seats, knocking heads together. Commuters are routinely dropped off in the middle of the road and taken on mystery-tour detours that are anything but magical.

And the conductors are often surly and rude. Earlier this month a young woman posted a terrified selfie on Facebook taken aboard a No 8 between the Lat Phrao subway stop and Chatuchak Park. The young male conductor had sat next to her, ogling her thighs and bumping into her suggestively.

More than 10,000 passengers brave rides on the No 8 every day from eastern to western Bangkok and back. People attempting to defend the service might point out that these are 10-tonne vehicles, not suites at the Ritz-Carlton, so what can you expect?

Let’s reiterate what we expect, then. We expect to get off the bus in one piece.

The neverending battle

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http://www.nationmultimedia.com/life/The-neverending-battle-30283086.html

STAGE REVIEW

The performances told various tales and fables and made efficient use of their limited set. Photo/Caroline Moreau

The performances told various tales and fables and made efficient use of their limited set. Photo/Caroline Moreau

Now a sprightly 91, director Peter Brook shows how the Indian epic “Mahabharata” is timeless

There’s no typo here. Brook is not far from the century mark and thanks in major part to his longtime collaborator, Marie-Helene Estienne, who shares the directing and script adaptation credits, he hasn’t shown any sign of slowing down. “Battlefield” premiered at Paris’ Theatre des Bouffes du Nord, where Brook stepped down from the artistic directorship after almost four decades, and after travelling to many countries, enraptured the audience at the 44th Hong Kong Arts Festival last month.

Hearing that Brook and Estienne were adapting Jean-Claude Carriere’s play “Mahabharata”, many theatregoers thought that we would get to see a redux of Brook’s most famous nine-hour production from the 1980s. After learning that “Battlefield” would run for a little more than an hour, we then thought it was an abbreviated version of the Indian epic. In fact, it was neither of the above. Rather, Brook and Estienne focused on what happened after the great war in which the casualty toll reached 10 million. Through encounters with other characters who recounted allegorical tales and fables, the new king Yudishthira couldn’t really enjoy his victory with so great a loss, and meanwhile the defeated blind king Dritarashtra pondered if such a war could have been prevented in the first place. And with this title, the play had even more resonance – the most important part of any war is not the battle itself, but its aftermath.

Just as Brook is a master storyteller, his four performers of different nationalities, namely Carole Karemera, Jared McNeill, Ery Nzaramba and Sean O’Callaghan also had a great time telling various tales and fables with highly efficient use of their limited set and hand props – fabrics and bamboo sticks. Manipulated in different ways by the actors, these turned into various objects and beings. Always present on the stage, Toshi Tsuchitori’s percussion became another character. In this almost empty space, the artists used plenty of their imagination and so did the audience. And in an era when our senses are being overloaded with visual images from social media, this was much needed.

Brook wrote that when his production of “Mahabharata” premiered at Festival d’Avignon in 1985, not many people knew how the title should be pronounced. Seated next to me at the Hong Kong Cultural Centre’s studio theatre last month, a woman taught her friend that the first two syllables should be pronounced as “Mahab” -silently I tried using the same criteria to pronounce my family name. Perhaps that’s part of the reason why in this age of information technology when we can easily access information on anything, we love going to the theatre, to watch and listen to stories we’re not yet familiar with and from which we can learn.

The tagline of the recently ended 44th HKAF was “What comes after”, and of course this “Battlefield” fit right in, asking us to think what came before and what is happening in a time when terrorism is never far from the headlines.

On the Web:

http://www.BouffesDuNord.com

http://www.HK.ArtsFestival.org

The manic maestro behind Mozart

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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STAGE REVIEW

Damian Whiteley in 'mozart & ME'. It's the story of Mozart's librettist Lorenzo da Ponte, who takes credit for the Austrian composer's greatest hits. Photo courtesy of Siam Opera

Damian Whiteley in ‘mozart & ME’. It’s the story of Mozart’s librettist Lorenzo da Ponte, who takes credit for the Austrian composer’s greatest hits. Photo courtesy of Siam Opera

Often on the Bangkok opera stage, Damian Whiteley takes a stunning solo turn

Opera Siam last week presented two performances of “mozart & ME”, an extraordinary one-man show by the Australian bass Damian Whiteley.

Whiteley works at the Zurich Opera and commutes between Europe and Sydney, and in transiting through Thailand recently he’s appeared in operas as varied as “The Magic Flute” and “Sakuntala” and three by Somtow Sucharitkul, “The Snow Dragon”, “Bhuridat” and “The Faithful Son”.

In “mozart & ME”, Whiteley is more than a smooth-tongued operatic bass. He plays the piano, sings, changes clothes, does wild accents and even “makes love” to a coat – all with maniacal intensity and verbal humour. The show flies by so quickly you could miss a lot if you blink.

This entertainment is the story of Lorenzo da Ponte, the Italian poet in the Viennese court who wrote the libretti of three of Mozart’s greatest operas – “Don Giovanni”, “The Marriage of Figaro” and “Cosi fan Tutte”.

Da Ponte, of course, takes all the credit for revolutionising music, and much else besides. The conceit of the playwright, Melvyn Morrow, is that da Ponte, who emigrated to America and become professor of Italian at Columbia University, has somehow survived into modern times and is now in Hollywood writing commercial jingles. In this show, we have him telling his story.

And how he tells it! A greater genius than Mozart, a more passionate lover than Casanova, a more brilliant poet than Metastasio and a lustier priest than – well, nothing is left to the imagination.

It is rare for a single artist to be able to act and sing and play the piano all at the same time (not to mention do his own wardrobe). Whiteley’s lightning transformations stunned the audience.

The small but rapt audience at the Siam Society was blown away and gave Whiteley a lengthy standing ovation on opening night. He returns to Bangkok again in June for the premiere of Somtow’s “The Chariot of Heaven”, the fifth opera in his “Lives of the Buddha” series.

A hug for Kanye

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CONTEMPORARY ART

Students Stephanie Brown, left, and Marianne Schafer-Gardiner, pose for pictures with a mural of US rapper Kanye West in Sydney. Photo/AFP

Students Stephanie Brown, left, and Marianne Schafer-Gardiner, pose for pictures with a mural of US rapper Kanye West in Sydney. Photo/AFP

Sydney interrupts us for just a moment with a grafitti mural of the American rapper and his double

An Australian artist behind a larger-than-life mural of American rap star Kanye West embracing himself has offered to paint over it – for a sizeable fee.

The 6.1-metre painting dubbed “Kanye Loves Kanye” features a black-suited image of the singer kissing another version of himself wearing a glittering pantsuit.

Artist Scott Marsh said he decided to paint the image after a friend did a mural of a nude Kim Kardashian selfie at one end of the wall and he wanted to create an artistic “link”.

He said he was inspired by the internet meme which followed the infamous red carpet photograph of Kanye embracing Kim Kardashian in which the rapper’s head was superimposed on his wife’s body.

“It was pretty light-hearted,” he says of the mural made on March 19. “I suspect when you paint something big on a wall people tend to take notice of it.”

He said he was contacted by someone claiming to represent West, asking him to remove the image, although he was not convinced it was genuine.

Marsh, who has been painting on the wall in the Sydney suburb of Chippendale for several years, said he was open to whitewashing the mural for US$100,000. Whoever pays the fee will receive a one-off large print of the amorous embrace, in which the image is mostly whited out, an offer Marsh said was open to anyone but may appeal to the global superstar. “If you pay that I will also paint over the wall,” he said.

The mural on Wednesday drew a number of onlookers to the quiet lane, with 22-year-old Stephanie Brown saying she took a short detour to snap the image she said was “a reflection of society”.

Quintin Fawcett, a 20-year-old axe and saw maker from New Zealand, said he’d heard about the mural and thought “I might as well come and have a look”.

“It highlights how crazy people are for the cult of celebrity that I can paint a six-metre mural in Chippendale and it’s global news,” said Marsh.

Zaha Hadid, architect famed for futuristic curves, dies aged 65

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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OBITUARY: ZAHA HADID 1950-2016

Zaha Hadid dies on Thursday March 31, 2016 Hadid died of a heart attack while she was being treated for bronchitis in a Miami, Florida, hospital. She was at 65. Photo/EPA

Zaha Hadid dies on Thursday March 31, 2016 Hadid died of a heart attack while she was being treated for bronchitis in a Miami, Florida, hospital. She was at 65. Photo/EPA

Zaha Hadid, the world’s most famous female architect who attracted plaudits for works of sweeping curves and controversy for huge cost overruns, died on Thursday at the age of 65, her company said.

One of the world’s most famous architects, Hadid died of a heart attack while she was being treated for bronchitis in a Miami, Florida, hospital.

Iraqi-British Hadid, the first woman to win the prestigious Pritzker Prize for architecture, was best known for her designs for the Guangzhou Opera House in China and the aquatics centre used in the 2012 London Olympics.

But she faced criticism last year after her futuristic $2 billion (1.7 billion euro) design for the 2020 Tokyo Olympic stadium was scrapped amid spiralling costs and complaints over the design.

Born in Baghdad in 1950, where her father was a politician, Hadid forged a career in the male-dominated world of architecture bringing her curvaceous, radical designs to life in glass, steel and concrete.

“It is with great sadness that Zaha Hadid Architects have confirmed that Dame Zaha Hadid died suddenly in Miami in the early hours of this morning,” her firm said in a statement, adding that she had suffered a heart attack after contracting bronchitis this week.

Iraqi Prime Minister Haider al-Abadi paid tribute to Hadid describing her death as a loss for the “whole world”.

She “served the world through her creativity, and in losing her, the whole world has lost one of the great energies that served the community”, Abadi said in a statement.

Hadid’s other notable works included the Italian National Museum of 21st Century Arts in Rome, the Heydar Aliyev Centre in Baku and the Rosenthal Centre for Contemporary Art in Cincinnati.

“I believe that the complexities and dynamism of contemporary life cannot be cast into the simple platonic forms provided by the classical canon,” she said in her speech accepting the Pritzker Prize, the most prestigious in architecture, in 2004.

“The initial sense of abstractness and strangeness is unavoidable and not a sign of personal wilfulness.”

Hadid studied maths at the American University of Beirut before going on to study at the prestigious Architecture Association in London, where her professors included leading Dutch architect Rem Koolhaas.

She established her own practice in London, Zaha Hadid Associates, in 1979 but it took some time before she got a building constructed. The first was a fire station in Weil Am Rhein, Germany, in 1993.

In 1994, she won a competition to construct an opera house in the Welsh capital, Cardiff. However, the design was eventually scrapped amid fierce local opposition.

“Honestly, we were like a leper colony here after Cardiff,” Hadid said in an Observer newspaper interview in 2008. “For about six years after Cardiff, we had no work and all the money I made was through teaching or lecturing or competitions.”

But by the turn of the millennium, however, her practice was taking off and she became one of the world’s most famous architects.

She was twice awarded Britain’s top architecture award, the RIBA Stirling Prize, in 2010 and 2011.

Queen Elizabeth II honoured her with a damehood in 2012 and only last month she was awarded Britain’s Royal Gold Medal, joining Frank Gehry, Norman Foster and Frank Lloyd Wright in receiving the architectural honour.

Hadid had a reputation as a sometimes daunting individual.

Last year, she walked out of a BBC radio interview after angrily denying there had been deaths of construction workers on the site of a stadium she designed for the 2022 football World Cup in Qatar.

But her talent and determination drew praise from peers and the public alike.

“We are deeply saddened by the death of Zaha Hadid, the world of architecture loses a great,” the 2022 World Cup organising committee wrote on Twitter.

“Surely her work is special,” renowned architect Peter Cook said on presenting the Royal Gold Medal. “For three decades now, she has ventured where few would dare.

“How lucky we are to have her in London,” he added. “Our heroine.”

Fan frenzy as social media almost kill off Joey Boy

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Fan-frenzy-as-social-media-almost-kill-off-Joey-Bo-30282975.html

SOOPSIP

Joey Boy

Joey Boy

Thankfully, Apisit “Joey Boy” Opasaimlikit isn’t dead, but surely a mild species of Hell awaits those who spread the rumour of his death around the social media in the past week.

Misinformation, that great stumbling block of the social networks, had hundreds of fans of the 41-year-old rapper leaving “RIP” comments on his various sharing platforms.

All that happened was that Joey Boy had posted the tragic news that his former sound engineer had been found dead at home. Some of the fans read only the “Joey Boy” and “found dead” parts of the message and concluded that their idol was the one who’d died. Panicked imaginations stoked a wildfire.

Fortunately the newspaper Siam Dara was quick to track Joey down, finding him very much alive and attending a public event. “I laughed about it, actually,” he told them (surely referring to the rumour about him rather than the passing of a colleague).

“In this day and age everything comes and goes so fast and most times people don’t take the time to listen or read carefully before jumping to conclusions,” Joey said evenly. “Most of the time we blame the press for distorting the facts, but there are a lot of cases like this where people don’t pay enough attention when taking in the news. It’s like the whispering game – it starts out as one thing and ends up a completely different down the end of the line.

“I don’t blame anyone and I don’t take offence. But I would like to take this opportunity to offer my condolences to the families of the deceased.”

Joey Boy then took to Instagram with the reassurance that “I’m alive!” He added a series of hashtags including “I posted this myself”, “The deceased used to work with me” and “Respect for the deceased, please”.

Looks familiar

If you wear the same outfit as a diva, you’re obviously her devoted fan. But if a diva dresses like another diva, let battle commence.

Singer-turned-actress Rhatha “Yaya Ying” Phongam inadvertently started a war when she posted a picture on Instagram of herself in the exact same outfit that Pachrapa “Aum” Chaichua had previously worn. In terms of stardom, style icon Aum outranks Yaya, so blood boiled.

We’re talking about simple denim jeans matched with a white cold-shoulder blouse, but that didn’t matter. And it wasn’t a question of who wore it first or better, but who was the bigger star.

Gossip reporters’ ears pricked up as Aum’s fans tore into Yaya Ying, accusing her of stealing their idol’s look. Siam Dara, again quick off the mark, rushed to get Yaya’s response.

“Oh gosh, no, it was never my intention to steal someone’s look, especially Aum’s!” she said. “I would never in a million years dare to try and compete with her. She’s the most fabulous and she’s my idol. I went to an event and the outfit was prepared for me. The stylist matched it up and I had no idea Aum had worn the same outfit.”

Aum has more than a million followers on Instagram and every one of them was gleefully waiting for her reaction. Incredibly, but full credit for coolness, she said not a word.