Hope on the reading front

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Hope-on-the-reading-front-30282969.html

SPECIAL FEATURE

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Thais are spending more time reading, but millions have yet to catch the bug

The good news is that Thais are reading more. The bad news is that fewer Thais are reading.

That’s the bittersweet word from the National Statistical Office, whose sixth “Survey on Reading of Population” determined that Thais now spend on average twice as much time reading as they did two years ago.

The same poll of 55,920 households across the country in 2014 and 2015 also found, though that the percentage of the public who read declined in that time from 81.8 to 77.7.

The office says 48.4 million Thais read and spend an average of 66 minutes a day at it. Younger people are more avid – children six to 14 read 71 minutes a day and youths 15 to 24 devote 94 minutes a day to the written word.

Among the working population ages 25 to 29, the average time spent reading each day is 61 minutes. Senior citizens 60 and up are reading 44 minutes a day.

“We were very proud to learn that Thais are spending more time reading, although the number of readers has decreased,” said Pattama Amornsirisomboon. The director the government’s Human Resource Development Bureau presented the results of the survey during a seminar on Wednesday at the National Book Fair at the Queen Sirikit National Convention Centre.

Citing limitations in the data she and other speakers at the seminar weren’t sure why fewer people are reading.

More than 83 per cent of those contacted filled out the survey questionnaire, Pattama said, the highest number since the first poll in 2003. “This was the fourth time we included pre-school children under six in the survey and the first time we asked about reading from online sources and e-books.”

The context was narrowed, however, to reading outside the workplace and the classroom and excluded email, letters and chat messages.

“Ideally we’d like to do this survey every year, but often there are more pressing matters on the national agenda that we have to work on, so it’s conducted every two to three years,” Pattama said.

“Also, it has to be kept in mind that these are preliminary findings – more specific studies are needed to answer more specific questions, such as whether it’s better to have more readers or people reading longer. And why aren’t 22.3 per cent of the respondents not reading? That represents 13.9 million people in the overall population! Plus, how do we determine the quality of the reading time?”

What the latest survey could assess was that readers still prefer printed reading material (96.1 per cent) over the social media (45.5 per cent) and websites (17.5 per cent). Meanwhile e-books – widely seen as a key tool in promoting reading – gained slightly in popularity in the past two years (1.9 per cent).

More than 67 per cent of the respondents read print newspapers, while 51.6 per cent get their news online, often from the social media, and nearly 40 per cent stick to magazines. The news remains the most-read content, followed by material related to general knowledge and entertainment.

There are some indications as to why a lot of people read nothing at all. The five reasons most often cited, in descending order of prominence, are a preference for television, lack of interest, lack of time, inability to read and finally visual problems.

“I can’t really say why we’re reading more and it would be quite a challenge to find out,” Federation of Thai Printing Industries president Jaran Homtienthong observed.

“I personally think it’s because of ready access to the Internet and the social media, which encourages people who might not like reading novels or long articles to spend more time reading. The limited space for posts and comments on the social networks keeps the reading brief and there’s a lot of informative graphic content.

“But, once you get hooked on reading, you want to explore a subject more and get the full version. You become more curious and feel inspired to look for more in-depth information.

“If you’re a reader,” Jaran said, “you’ll read on any platform. It’s not a question of the reading material – it’s more about how to encourage people to read more. We need to find ways to get those 13.9 million people reading.”

While kids under six are happy enough being read to, the survey found, 2.7 million of them are budding bookworms, spending an average of 34 minutes a day reading on their own. Unfortunately there are also a lot of tykes who can’t read and aren’t being read to – because their parents think they’re too young for it.

“Children are our best chance to build a nation of readers, especially from birth to age three,” said Sudjai Phromkerd, manager of the Reading Culture Promotion Programme.

“Starting reading from infancy enhances children’s linguistic skills, which in turn improves their learning ability throughout life. Studies have found that people with better language skills learn more easily and are better at analytical thinking and more receptive to complex ideas. It’s much simpler instilling this skill set early on rather than later in life.

“In Thailand,” Sudjai said, “400,000 students dropped out of school in the past decade because they ‘couldn’t learn’, and this is a problem that can be traced back to their early childhood. Encouraging reading when children get to school is too late – it’s much more effective to start at home, very early.”

Sudjai urged parents to read to their children and give them picture books, even before they learn to talk. “You’ll see wonderful results. A lot of children who are regularly read to by their parents quickly learn to read by themselves. And, when parents read to children, a deep bond develops, and the kids gain the ability to feel compassion towards others.

“You don’t need to read to them 34 minutes a day – just 15 minutes is more than enough. Reading not only makes your kids smart, it makes them caring, understanding and kind people, too.”

Go get a book

The 44th National Book Fair continues at the Queen Sirikit National Convention Centre through April 10, daily from 10am to 9pm. There is no admission charge.

Until Monday the 2015 “Survey on Reading of Population” is on display as an infographic exhibit in the Eden Zone on Level 3 of CentralWorld Plaza.

Club Scene

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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AFTER DARK

Backstage Cocktail Bar

Backstage Cocktail Bar

Find good parties in Bangkok

Smells like grunge spirit

The Rock Pub near the Ratchatewi BTS station is paying tribute to Kurt Cobain tonight on the 22nd anniversary of his death. Jimmy Revolt, Madman, the Layers and other acts will be covering Nirvana’s greatest hits, from “Come as You Are” and “Negative Creep” to “Smells Like Teen Spirit”. The Bt250 admission charge buys you a drink. Call (099) 991 5666.

Macka B stylin’

Studio Lam on Sukhumvit Soi 51 and Dubway Sessions are hosting a party with the celebrated British reggae artist Macka B tonight. The Rastafarian’s dancehall and dub music is steeped in political and spiritual messages and enlivened with humour. Entry is Bt400. Call (02) 261 6661.

How Sweed it is

Phatfunk brings DJ Sweed to Glow on Sukhumvit Soi 23 tonight for a night of pure dance-floor fire. The multitalented up-and-coming DJ and producer will deliver funky, soulful flavours in drum-and-bass. The cover charge is Bt250 and includes a drink. Call (086) 614 3355.

It’s a mystery

New Bangkok hangout Backstage Cocktail Bar – hidden somewhere along Soi Thong Lor (the clues are on Facebook) – is having its grand opening tonight with a mesmerising array of cocktails designed to blow one’s mind. The sipping starts at 7 and the fun within moments.

T-Bone lets loose

The magnificent ska outfit T-Bone takes centre stage at Maggie Choo’s tomorrow night, back by popular demand. Their positive groove in jazz and reggae, riddim and dub, are guaranteed to chase away your worries. Bt500 gets you inside and a first drink. Call (091) 772 2144.

Life or something LIKE IT

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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AFTER DARK

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The newly rebranded Ce La Vi throws its official opening party tonight

FORMERLY KNOWN AS Ku De Ta Bangkok, the city’s popular nightlife hotspot has now been rechristened Ce La Vi and is celebrating its new name tonight with a party marking the official grand opening.

Having already made its presence felt in key destinations in the region, Ce La Vi is aiming to create a global family of glamorous, world-class dining and nightlife hotspots in key cities.

That started last June in Singapore with the launch of the international lifestyle venue atop the SkyPark of Singapore’s iconic Marina Bay Sands and was followed by the opening of a club on the rooftop of Hong Kong’s California Tower, the jewel of Lan Kwai Fong. Ce La Vi will also be launching its beachfront venue on Pampelonne Beach in St Tropez this month and is targetting other key urban centres across the world, with Dubai and Taipei already in the works.

Tonight, though, it’s Bangkok’s turn to shine as Ku De Ta is officially rebranded Ce La Vi. Patrons will be treated to a sensual elevation of the look and feel of the brand as the group’s “modern Asian heritage” signature flair is translated through sleek motifs and textures.

“We are taking indulgence to new heights with unique experiences that stimulate the senses, elevate the spirit, amplify passion and fuel the pursuit of pleasure,” Ce La Vi chairman, Ravi Thakran, told XP.

“Born from a universally known French phrase that translates as ‘This is Life’, we believe there is no better name to sum up who we are and what we do – the pursuit of pleasure, passion and play and of living life to the fullest.”

Entertainment will remain the stronghold of the brand in Ce La Vi Bangkok, with weekly club night programming staying, including Tuesday’s Soul Kitchen, which harks back to the old school of hip-hop, house and soul by DJs Sg and Jedie. Crush Wednesday’s, named one of the best ladies’ nights in Bangkok, with the Bangkok Invaders pulling in up to 800 people per week, is also staying while Stereo Saturdays have Tommy Nori, Kimball Collins and Knatz offering an enthusiastic crowd a glimpse of the future in dance music.

A new Thursday night will be introduced next month. Called Canvas, this weekly event aims to combine art, music and people in a fun social environment to give a dynamic platform for local and international artists to showcase their work. In addition, monthly theme parties and regular high-profile international guest DJs will frequent the calendar to ensure a fresh and current entertainment agenda.

Ce La Vi also houses a full-fledged mixology programme, devising incredibly creative and unique concoctions with a distinctively refreshing modern Asian philosophy. Swedish-born Ce La Vi regional head mixologist Knut Randhem oversees the crafty array of international classics and signature drinks. Rendhem spent more than 10 years honing the art of bartending at Europe’s most esteemed venues including the Bella Sky, Copenhagen’s most reputed hotel and “Ourselves Alone” bar, rated among Europe’s top 50 bars, and most recently judged the Diageo World Class Thailand 2014.

“We’re very excited to bring the Ce La Vi experience to Bangkok. Every element has been carefully considered and orchestrated to get the crowd to lose their inhibitions and let go. Our team is solely focused on providing the highest quality of entertainment, audio and visuals, DJs and mixology,” says general manager, Denis Hemakom.

Tonight sees special performances by Bangkok Invaders DJ Tob and Ono, plus DJ Ono’s highly acclaimed new project, OZMO. The night will be supported by talented DJs Jedie, SG, Knatz and Tommy Nori. In celebration of the new brand, come early to receive limited complimentary cherry shots, snacks and exclusive give-aways. The dress code for tonight is red, black and white.

Ce La Vi is located at 37th & 39th Floors of Sathorn Square Building, close to BTS Chong Nonsi.

Call (02) 108 2000 or visit http://www.CeLaVi.com.

Bollywood lends its brawn

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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BOLLYWOOD-THAI FILM INDUSTRY

The government’s Film Division has just opened a remarkable museum showcasing its work. Nation/Phatarawadee Phataranawik

The government’s Film Division has just opened a remarkable museum showcasing its work. Nation/Phatarawadee Phataranawik

The government's Film Division has just opened a remarkable museum showcasing its work. Nation/Phatarawadee Phataranawik

The government’s Film Division has just opened a remarkable museum showcasing its work. Nation/Phatarawadee Phataranawik

A classic old mansion is among the dozens of location sets on offer at Mumbai Film Nation/Phatarawadee Phataranawik

A classic old mansion is among the dozens of location sets on offer at Mumbai Film Nation/Phatarawadee Phataranawik

Dr Bhau Daji Lad, the Mumbai City Museum shows some of the Bollywood exhibits. Nation/Phatarawadee Phataranawik

Dr Bhau Daji Lad, the Mumbai City Museum shows some of the Bollywood exhibits. Nation/Phatarawadee Phataranawik

Mumbai Film City officials greet Deputy Prime Minister Tanasak Patimaprakorn, centre with bouquet, Culture Ministry permanent secretary Apinan Poshayananda , left,Vice Minister of Culture Chaweerat Kasetsoontorn, right, and Thai actress (and Bollywood fil

Mumbai Film City officials greet Deputy Prime Minister Tanasak Patimaprakorn, centre with bouquet, Culture Ministry permanent secretary Apinan Poshayananda , left,Vice Minister of Culture Chaweerat Kasetsoontorn, right, and Thai actress (and Bollywood fil

Thai government officials head to India in search of new ideas for our film industry

Seeking generators for Thailand’s “creative economy”, Deputy Prime Minister and Foreign Minister General Tanasak Patimaprakorn was in Mumbai recently, learning how Bollywood earns its billions in box-office revenues.

The general led a delegation to the heart of the Indian movie industry, visiting Mumbai Film City, which churns out half of the Bollywood features and hundreds of TV soap operas. They got an intensive four-day crash course in cinema, taking in five studios, movie museums, a government-run TV complex and other facilities. Discussions covered everything from scriptwriting and financing to overseas marketing.

“Film here is almost ingrained in people’s lives,” Culture Ministry permanent secretary Professor Apinan Poshyananda observed on the tour. “The love of movies is passed down from generation to generation.”

Devendra Fadnavis, chief minister of Maharashtra state, where Mumbai is located, said India wants to learn from Thailand too. “We’re looking forward to good cooperation in tourism and culture,” he told the delegates at a government guesthouse.

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Though this marked the first inter-government effort in the movie business, Thai private firms such as Kantana have been running joint ventures with Indian studios for years, making good use of the beautiful locations and lower production costs.

And likay actress Ann Mitchai – who tagged along on the tour – is locally revered as a Bollywood celebrity, having starred in the 2013 film “Ishk Actually”.

Meanwhile India’s Culture Minister Valsa Nair-Singh is hoping Thailand will help promote the ancient Ajanta and Ellora cave temples, which her country has begun touting as a tourist destination.

Tanasak pointed out that the two countries’ ties are a millennium old, reaching to the birth of Buddhism, even if formal diplomatic relations date back only six decades.

Culture, tourism and religion are all on the agenda as possible areas of cooperation, he said, but “this particular trip is focused on cooperation in the film industry”.

India’s movie industry is strong, vibrant – and technically advanced, fully backed by the government. The Ministry of Information and Broadcasting has a Film Division (FDI) that’s produced more than 9,000 movies since its founding in 1948, including documentaries, shorts and animations.

The FDI maintains a hi-tech archive that’s in the process of converting 5,000 films, all government-funded, into digital format so copies can be made for sale. (Privately made commercial movies are stored at the National Film Archive.)

“With all this advanced technology, we should send staff from the Thai Film Archive to learn about turning film into digital,” Apinan suggested.

Most titles produced by the FDI are broadcast from the Doordarshan, a vast telecommunications centre that opened in 1972, whose operating budget also comes mainly from the government – 400 million rupees (Bt225 million) per year, said Mukesh Sharma of the FDI. Additional funding is secured elsewhere to give the station a measure of independence, he added.

The Doordarshan employs 3,000 people at 10 branches around the country.

Each January the industry’s movers and shakers gather for the Mumbai International Film Festival, hosted by the FDI. The edition just held was the 14th. Apinan recommended having Thai films shown at the festival.

Mumbai Film City – otherwise known as Dadasaheb Phalke Chitranagi – is the massive, throbbing heart of Bollywood, with replicas of entire villages, huge lakes and soaring temples and palaces taking turns as movie backdrops, 40 potential locations in all.

Opened on Mumbai’s outskirts in 1977, it incorporates the Maharashtra Film Stage and the Cultural Development Corp. “Fifty per cent of Bollywood films are produced here,” its director, Abhay Yavalkar, boasted. That adds up to around 500 titles a year.

“Some companies have been filming here for a decade. Kantana used to work here too. Each year we take in 500 million rupees.”

The Indian government pays close attention to promising young filmmakers. The National Film Development Corp (NFDC), founded in 1975, has offices in Kolkata, New Delhi and Shani as well as Mumbai.

“We have a script lab and the ‘First-film Director’ programme and host a film bazaar in parallel with the International Film Festival of India in Goa every November,” said Nina Lath Gupta, head of NFDC Mumbai.

Among the movies it has backed, Mira Nair’s “Salaam Bombay”, Richard Attenborough’s “Gandhi” and Shyam Benegal’s “The Making of the Mahatma” all won acclaim and awards.

“We’ve had co-productions in 10 countries, including France, Britain, Germany, New Zealand and South Korea,” Gupta said, and domestically the corporation has helped finance more than 300 films in 21 regional languages. While 1,000 Bollywood titles are issued every year, she noted, that number doesn’t even take account the hundreds of “Kollywood” pictures made annually in the country’s south – films with Tamil stars and dialogue.

The Thai delegates also met representatives of private studios. Tanasak said it was important to learn how India’s film industry has progressed so quickly and securely. “We can find out here how to develop our film industry the right way,” he said.

He also pointed out that Indian moviemakers have often utilised scenic Thai locations. “Last year we earned Bt300 million from Indian film-shoots,” he said.

Sirin Surathin of the Thai consulate in Mumbai believes both countries have much to gain from cooperating in movies.

“Thai food and destinations are famous in India,” he said. “That’s a good basis for cooperation in trade and business. Our culture and Buddhism place us close to India, as well. So I see this cultural exchange trip as a pioneering effort to recognise the potential for good cooperation between the countries. It will inspire other culture-related parties to do the same.”

Apinan is ready to formulate an action plan at the Culture Ministry. “To learn from government staff, filmmakers, producers and promoters here we can start setting up bilateral exchanges immediately,” he said.

“The film industry, including animation, games and music videos, has been increasing yearly. It earned Bt56 billion in 2009, then jumped to Bt77 billion in 2011 and Bt180 billion in 2014. If we have co-operation with India, we will earn more money from this industry,” said Apinan.

“We hope to participate in the next film bazaar in Goa in November, and we could also invite filmmakers and scriptwriters to Thailand to conduct workshops and give our people the benefit of their experience.”

 

Bouncing back, Yuthlert takes his funny ghost to Japan

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SOOPSIP

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Film director Yuthlert Sippapak has explored many other genres since making the marvellous horror-comedy “Buppha Ratree” in 2003, but obviously he was a haunted man. Now he’s trying to scare us again.

“Buppha Ratree” was the funny type of horror, about a female ghost making life miserable for the tenants of an old apartment building. Two sequels were made, but neither did nearly as well at the box office, so Yuthlert is having another try, this time with “Buppha Arigato”. It’s due in theatres on May 5.

Yuthlert explains in Hamburger magazine there was a rumour that Somsak “Sia Jiang” Techaratanaprasert of the studio Sahamongkol Film had given up making movies. He went to ask him why. Sia Jiang told him the rumour was a wild exaggeration – he’s only being more careful about which movies he makes.

So Yuthlert pitched a movie – only to remember that the last four films he made for Sahamongkol were flops, collectively costing Sia Jiang around Bt40 million. Fortunately Sia Jiang is always ready to forgive and forget when a project sounds promising, and this idea – about a Thai dying in Japan and haunting folks there – certainly had potential.

Yuthlert wanted to call the picture simply “Arigato” (Japanese for “goodbye”), but Sia Jiang suggested there be some link to “Buppha Ratree”, so they settled on “Buppha Arigato”. Fans of the original shouldn’t expect to see Cherman Boonyasak in the title role again, though. This one stars Suppassara “Kao” Thanachart, whom Yuthlert credits with bringing added sex appeal to the role.

Kao’s co-stars are some of the former child actors from “Fan Chan”, led by Charlie Potjes and Chalermpon “Jack” Thikampornteerawong. It marks the first time they’ve reunited on screen since they were little. Now grown up, they portray friends making a short film while on a trip to Japan. They meet Kao, who’s fled Thailand after killing her boyfriend.

Yuthlert confides that he went through a miserable period after his second child died at birth and could find no inspiration to carry on. He needed a fresh challenge to get his life back on track. The new movie definitely offered challenges, starting with the fact he only had Bt9 million to spend, enough for a local shoot but nowhere near enough for filming in expensive Japan.

So he scrimped and saved as they went along, innovating in his directing techniques and also pulling double duty as cinematographer. The Japan shoot was limited to 20 days and the crew was skeletal, with just six members, counting Yuthlert.

They got the picture finished, he says, and he feels excitement in his life once more, so, after enduring such an awful personal tragedy, he’s ready to move on. We’ll happily be scared all over again if only for his sake.

Shakespeare takes a Cantonese bow

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Shakespeare-takes-a-Cantonese-bow-30282906.html

STAGE REVIEW

Tang Shu-wing Theatre Studio's Macbeth/photo by Fung Wai-sun

Tang Shu-wing Theatre Studio’s Macbeth/photo by Fung Wai-sun

East and West mix in Tang Shu-wing’s adaptation of “The Scottish Play”

With the 450th anniversary of his birth marked two years ago and the 400th of his death a few weeks from now, the Bard has retained his top spot as the world’s favourite playwright. Over the past few years, many of us have watched more productions than ever before. And one of the delights of watching a Shakespearean production is seeing how the production concept differs from what have previously experienced, with extra fun coming from watching a play with which we’re familiar in another language.

Such was the case for Tang Shu-wing Theatre Studio’s Cantonese-spoken “Macbeth”, a co-commission of Hong Kong Arts Festival and Shakespeare’s Globe. This cooperation stems from the immense success of Tang Shu-wing’s “Titus Andronicus”, which was among the 37 productions in 37 languages staged as part of the Globe to Globe Festival during the London Cultural Olympiad 2012. This “Macbeth” premiered in London last summer and closed the 44th Hong Kong Arts Fest last weekend.

Tang cut some scenes and edited others and the play ran at a good pace, clocking in at a little over two hours. It was clear that he had both English and Hong Kong audiences in mind, as the title character, arrestingly performed by stage veteran Ng Wai-shek, and his wife, the equally mesmerising Rosa Maria Velasco, were attired in modern Western clothes while others wore traditional Chinese costumes – though that wasn’t simply to point to the villains of the piece.

Rather, as the prologue and epilogue by this modern day couple were set in the here and now, this bridge reminded us that what happened in this play, no matter how dreamlike or imaginative, is still recurring now. The performers’ movements showed influences of both Western physical theatre and Chinese traditional theatre techniques, and made it unnecessary for the audience to read surtitles all the time.

Set designer Ricky Chan’s backdrop looked like a Chinese landscape painting while the barren floor allowed lighting designer Leo Cheung to efficiently paint with western lighting techniques. Facing the stage and seated just in front of the audience’s first row was multi-instrumentalist Billy Leong whose rendition on Chinese, Japanese and Korean instruments, coupled with other soundscapes on his laptop computer, added aural texture to the production.

While this “Macbeth” might not be as astounding as his “Titus”, Tang Shu-wing proved once again that Shakespeare is indeed our contemporary and there’s plenty more we can explore with his plays.

ALL EYES ON HK

  • The 45th Hong Kong Arts Festival is set for February 16 to March 17, 2017. Highlights include Bavarian State Ballet, Les Ballets Jazz de Montreal and Tanztheater Wuppertal Pina Bausch. Ticket sales begin in October. Visit http://www.HK.ArtsFestival.org.
  • The Tang Shu Wing Theatre Studio offers physical-theatre training for youths and adults in addition to workshops by international masters. For more details, check http://www.TSWtheatre.com.

Romancing the rickshaw

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ART

Rickshaw painting is an art unique to Bangladesh./ANN

Rickshaw painting is an art unique to Bangladesh./ANN

Bangladesh’s uniquely colourful conveyances inspire a fashion line

Rickshaw art can be introduced into the home through household decor, accessories and tableware, but today it’s also an increasingly popular theme in fashion.

The style itself incorporates bright colours with vivid motifs portraying birds, flowers, and other aspects of nature. Colours like yellow, red, blue and green come together to invoke the deeply rooted traditional look of rickshaw art of which Bangladeshis are so fond.

These motifs are found in saris, shalwar kameez sets, and kurtis, made in a range of fabrics so they are appropriate for daytime-wear, as well as being suitable for more formal dressy events.

You can wear a plain top with a rickshaw-themed skirt, or wear a bright and bold kurti with monochrome leggings or trousers.

There are many options available, thanks to local fashion houses like Aarong, Chondon and Jatra, which are revitalising the fashion scene by injecting it with the vibrancy of rickshaw art.

Rickshaw painting is an art unique to Bangladesh with its unusual burst of colours. What started in the ’40s, with a view to attracting more customers has now become an ambassador of the Bangladeshi way of life.

Over the years, this form of art has not only showcased film stars, animals, villages, and beliefs, it has also followed the curves of the country’s political and cultural history.

During and after the Liberation War, the rickshaw artists, with great patriotism, depicted the scenes of the atrocities of the conflict as well as the valiant faces of the war heroes.

In the mid-1970s, artists turned towards fabled animals. At the start of the ’80s, film stars came to rickshaws with their sunglasses, iconic hair, blushed cheeks, and huge eyes all too alluring to onlookers. Even though movie references have reigned over the rickshaw paintings, and for good reasons too, the cheerful animals, Taj Mahals, floral designs, religious motifs, country scenes and even aeroplanes have also found a place on numerous rickshaws in the more prominent cities.

While rickshaw painting in all its colourful glory has been able to capture the hearts of the city-dwellers and tourists alike, it didn’t enter homes on regular objects until the 2000s.

Around that time, fashion designers took a keen interest in the art and the rejuvenating of it. Fashion houses such as Jatra and Bibi Productions designed clothes and decor in the rickshaw art style. For a long time, there was even a rickshaw without the wheels in one of the Jatra outlets that could be used for trying on new shoes.

The art is more fashionable than ever. Clothes designed in rickshaw painting style are one of the high fashion trends and can be made to look traditional or contemporary,

A light coloured kurti with a hand-painted animal in front can portray a modest and serene beauty whereas a skirt showing off a collage of rickshaw panels paired with a dark top demands attention.

Rickshaw painting on cloth handbags is also a favourite with fashionistas who have sported them with edgy and trendy apparel.

Home decor items with rickshaw art are found in many stores around the city and there’s plenty of room for creativity.

For example, cushion covers painted with floral motifs or city scenes can be a great way to change the look of your house with minimum effort. It will create a warm and cosy sitting area perfect for afternoon tea. Perhaps a red rickshaw-painted kettle or a vivid yellow bowl can become the centrepiece of attention on your table.

Similarly, an eye-catching curtain on the living room window with partly hand-painted designs or a drape over a curtain in full rickshaw paint glamour will liven up the mood of anyone who enters your home.

Rickshaw art is, after all, about the people of Bangladesh.

Beautifying Bangalore

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

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Volunteers Priya Prasad, left, and Naveen Kumar (right) decorate the pillar of a concrete flyover in Bangalore/DPA

Volunteers Priya Prasad, left, and Naveen Kumar (right) decorate the pillar of a concrete flyover in Bangalore/DPA

Anonymous activists scrub the dirt and bring color to India’s cities

The once drab concrete pillars are now brightly decorated with yellow, green, and orange triangles.

In the Indian city of Bangalore, one motorway flyover after another is being transformed from an eyesore into a spectacle.

The pillars at many metro stations have also been decorated.

Anonymous activists are behind the painting campaign – a loose group calling itself “The Ugly Indian”. The name is pure irony.

One of the organisers is a 40-year-old man with a moustache, who describes himself as a “full-time helper” but does not wish to reveal his name. He says thousands of locations in the metropolis of Bangalore, and increasingly also in other cities like Bhopal, Chennai and Pune, have been spruced up in the last five years.

It’s not just about brightening up the unsightly surfaces with a lick of paint.

The busy helpers clear away trash, cover over open drains, and clean off walls stained with things that people chew and spit out.

Photos of more than 500 beautified sites can be seen on the group’s Facebook page. On it, there are constant calls for people to get involved. Only the location and the time are mentioned – everything else happens on site.

“The Ugly Indian is an idea, an attitude. We’re not an organisation,” the 40-year-old helper insists. The aim is to motivate as many people as possible to lend a hand.

Anyone visiting the group’s website must first respond to the question of why India’s streets are so filthy. They are then told that, “It’s time we admitted that many of India’s problems are because many of us are Ugly Indians.”

But, according to the group, there are grounds for hope and optimism. If Indians believe that they can change things, these problems could be solved.

Around 30 optimists recently met under the Vanivilas flyover. They grabbed buckets and paintbrushes, sticky tape and paint rollers.

While they painted the pillars, auto rickshaws, rickety busses, trucks, cars, and scooters zoomed around them.

Inquisitive shopkeepers came by to take photographs.

“The government and city administration can only do so much – we have to do something too,” 26-year-old electronics technician Naveen Kumar said between brushstrokes. He was getting involved for the first time and plans to come again.

“We are playing our part so Bangalore gets a little bit nicer,” added IT specialist Priya Prasad beside him. “And we want to inspire others.”

The “full-time helper” said it was important to make the initiatives cool and to publish the results online, to attract young people.

“Event management is also important. Many people don’t want to give up a whole day, or come regularly, as they would with an aid organisation. Here, it’s a matter of two hours, and then every time they pass the coloured pillars, they can feel proud of what they’ve done.”

In the Indian capital New Delhi, the group ST+ART was formed in 2012, to bring more colour to the city. Now, a huge portrait of Mahatma Gandhi, painted by street artists Anpu Varkey and Hendrik Beikirch, adorns the police headquarters.

The Govind Puri metro station is decorated to the roof with naive paintings. And several exterior walls in Lodhi Colony are painted with 25 large-format motifs that lend the whole area a new flair.

“Art should be for everyone, and not just for a select few,” says Giulia Ambrogi, curator of the annual Delhi Street Art festival. “Our artists come from all around the world, but they arrive without a finished idea of what they want to paint,” she says.

“That only emerges in the interaction with the place and the people.”

Splendours in the Sun

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Splendours-in-the-Sun-30282875.html

FASHION

Triumph

Triumph

Leading fashion and skincare brands offer plenty of help to keep you lookng good no matter where you decide to spend Songkran

With the Songkran Festival less than two weeks away, fashionistas are already packing their bags with outfits, accessories and cosmetics that will ensure they look good while staying cool during the long holiday.

Triumph lost no time in suggesting swimwear for beach bunnies, organising a fashion show dubbed “Find Your Summer” and showcasing images of beautiful babes snapped by leading fashion photographer Amat “Yai” Nimitpark on the beach in front of Movenpick Pattaya. Made from high-quality fabrics and covered with summery plants and flowers, the swimwear is tailored to flatter every body. Tops in bandeau, halter or strap style provide the necessary lift while bottoms show off or hide the thighs as low-rise, shorts, and skirts. There are also one-piece suits designed to compliment a woman’s curves.

Prominent French swimming and beachwear brand, Vilebrequin introduces its new “Water Reactive” technology that allows those unable to choose between plain and printed to enjoy the best of both worlds. Astonish fellow pool users by going into the water with plain swim shorts and emerging with trunks bearing an attractive print. Dry off and the swimwear returns to its original plain colour. The magical Vilebrequin shorts are made from an innovative spinnaker cloth that reacts with water to reveal a cool all-over printed pattern.

For daywear, Tory Burch suggests a peasant blouse and swish skirt in crisp cotton made even prettier with a spray of embroidered floral and delicate smocking. The off-the-shoulder Eliza top brings a fresh, romantic flourish to the summer and boasts a white stretch-cotton poplin background sprayed with colourful flowers. A ruffled neckline and short, fluttery sleeves finish the look. Accessorise with a flat sling-backs and a little satchel.

Get elegant for the evening with Asava’s distinctive look that sees elements of the 60’s and 70′ reinterpreted through one-shoulder and cape blouses. You can also slip into a little black dress inspired by “Breakfast at Tiffany’s” or add a touch of masculine class to a night out with a tuxedo jacket and pyjamas matched with a custom-made lace dress.

Embrace the spirit of Aloha with Christian Louboutin’s new Hawaii Kawai collection. Spanning women’s and men’s shoes and leather goods, as well as two limited edition Nail Colour Coffrets, the collection is inspired by the mood and style of 1950’s Hawaii, harking back to the golden days of Elvis Presley’s “Girls, Girls, Girls”. An exotic hibiscus flower print, available in black and white iterations, can be seen throughout the collection on grained calf and linen toile, and in key mixed material styles.

The print also serves as a standout trim enhancing the curvaceous lines of the Houla Hot and mirage heel sandal Olala.

Brazilian flip-flop brand Havaianas looks to Latin America’s iconic beaches for its spring and summer 2016 collection, inviting celebrities during a recent party to create their own styles by matching the sole, the strap, and the pin.

For summery totes, look no further than Coccinelle’s Perine chic shopping bag. Its minimal volumes are dressed with shiny-opaque contrasts, surface patchwork, |lace-effect fretwork and gold brilliance.

Finish the look with a pair of shades from Marvel Vision’s “Retrosuperfuture” collection. |The 100-per-cent handmade sunglasses boast top-notch Zeiss lenses and frames and arms carved out of a single sheet of material. They’re available black, deep blue mirror, silver, all-gold, red, and green.

Finally, keep your beach make-up simple and sexy with Sisley’s Phyto Lip Twist and Eye Twist. Water resistant, both come in a jumbo twist pencil form that make them super easy to apply. Poppy red adds passion to the lips while emerald green and deep amethyst give a sultry hint to the eyes .

And after a day in sun, don’t forget to de-stress your face |with La Mer’s Brilliance White Essence line.

Springing a leak

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/life/Springing-a-leak-30282873.html

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If coughing, sneezing, laughing or jumping makes you lose a few drops of urine, you’re definitely not alone! A significant number of women experience urine leakage with activity.

But many suffer in silence because they are too embarrassed to seek help, instead protecting their dignity by wearing absorbent pads every single day.

It doesn’t have to be that way though, so don’t ignore the problem.

Urine is normally prevented from leaking by the urinary sphincter – a tight ring of muscle at the neck of the bladder – and by the support of the muscles of the pelvic floor. If these muscles weaken, urine can leak during moments of physical stress, like lifting, coughing, sneezing or laughing. Common causes of the weak sphincter and pelvic floor muscles include ageing and childbirth.

As we age, our elastin and collagen production diminishes. Both collagen and elastin add strength to muscles. Muscles get weaker with age, and the pelvic floor muscle is among those affected.

Pregnancy and vaginal delivery can also cause the condition. A long, hard or very fast delivery can overstretch and tear the pelvic floor muscles and surrounding tissue, resulting in a loose vagina with weakened muscles.

In order to help strengthen the pelvic floor muscles, a self-care technique that squeezes the vagina muscles – aka Kegel exercises – is recommended. However, Kegel exercises |take a very long time and require a lot of dedication to see improvement.

Fortunately, there is now a non-invasive option that uses unipolar radiofrequency technology to treat bladder leakage. A deep tissue tightening technology used by dermatologists for saggy skin, the device delivers radiofrequency energy to the vaginal area, which results in a temperature increase in the target tissue, causing an immediate contraction of collagen and |long-term collagen remodelling. This improves pelvic floor |muscular strength and tightening, resulting in the reduction of a leaky bladder.

According to Dr Red Alinsod’s clinical study, all patients reported improvement. Before treatment, these patients would be using up to five pads each day. After treatment, most patients no longer required pads and the leakage was gone.

Bladder surgery requires significant recovery time and can lead to complications. Now, a non-surgical radiofrequency technology is giving women the opportunity to get their confidence back.

Take control!

THANISORN THAMLIKITKUL MD is a member of the American Society of Cosmetic Dermatology and Aesthetic Surgery and certified in dermatological laser surgery. Send your questions |for her to info@romrawin.com