Songs for a worthy cause

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/music/30369469

  • Ice Saranyu croons “Buppesannivas”.
  • The eight artists and Neung Jakrawal and his band take a picture with the audience after the “Pink Park Eternal Love” concert.
  • Handsome Kong Saharat kept the ladies happy.
  • Pod Tanachai had the audience up on their feet and dancing.
  • Pu Anchalee’s hits brought back fond memories.
  • Kob Songsit impressed the audience with his love ballads.
  • Tor Saksit added some of the lyrics of his father’s song when the latter was in Grand Ex’.
  • Tom Isara and Ae Jirakorn join up for “Khid Thueng”.

Songs for a worthy cause

music May 17, 2019 01:00

By Kitchana Lersakvanitchakul
THE NATION

Eight much-loved singers from different generations join forces to raise funds for the Pink Park hospice

Love was all around on Monday night, as members of the audience came together to sing along with their favourite love songs of different eras at the second edition of the “Pink Park Eternal Love” concert at Royal Paragon Hall.

 

As the name suggests, the concert aimed to raise funds for Pink Park Village, Thailand’s first non-profit holistic centre for underprivileged, terminally ill women suffering from stage-4 breast cancer operated by the Queen Sirikit Centre for Breast Cancer Foundation.

 

Tanachai “Pod” Ujjin, Saharat “Kong” Sangkapreecha, Songsit “Kob” Roongnophakunsri, Isara “Tom” Kitnitchee, Jirakorn “Ae” Sompitak, Anchalee “Pu” Chongkhadikij, Saksit “Tor” Vejsupaporn, and Saranyu “Ice” Winaipanit took turns on stage to perform their best-loved ballads as well as some up-tempo tracks that had the audience on its collective feet.

 

The predominantly female audience shouted out with sheer delight as their favourite artists brought 40 timeless love songs and medleys to life.

First out on stage was Moderndog’s Pod Tanachai who got the ball rolling with “Chuang Thi Dee Thi Sud”. He was followed by Kong Saharat with “Pen Yang Nee Tang Tae Kerd Loei”, Kob Songsit with “Patiharn” and Tom Isara with “Pen Thuk Yang” and a cover of songs-for-lifer Pongsit Khampi’s “Samer” with Ae Jirakorn before the latter let rip on “Jai Klang Kwam Roo Suek Dee Dee”.

 

Distinguished producer and keyboard player Jakrawal “Neung” Saothongyutitham, who was also the music director for this concert, made a special request to Tom and Ae to sing a cover of Rang Rockestra’s “Khid Thueng” (“Miss You”) in remembrance of his mother, who died recently.

 

Pu Anchalee thrilled with a series of her best-loved hits including “Nueng Diew Khon Nee” and “Mee Ther”, and talented pianist Tor Saksit took to his keyboard for “Rak Ther”, swapping the lyrics with some of Grand Ex’ “Rak Nai C Major” and “Yim Kor Phor”. Ice Saranyu closed the first part of the show with “Buppesannivas”, the soundtrack of Channel 3’s popular period drama of the same name and “Cham Khue Rao” featuring Tom Isara.

 

“If we have someone with us, our lives are more valuable,” mused Pu Anchalee.

Tom Isara returned after the intermission with a medley of hits featuring “Nuang”, “Restart” and “Chan Tong Khoo Kap Ther” though sadly, he failed to generate as much interest as Kob Songsit who performed a medley of “Kheed Sen Tai” and “Term Mai Tem” before singing “Rak Rao Mai Kao Loei”. The ever-handsome Kong Saharat drew screams as he appeared on stage to sing “Rak Ther Sud Huajai”, “Luek Sud Jai” and a cover of Rewat Buddhinan’s “Chao Sao Thi Klua Fon”.

 

Pod Tanachai returned with a slow song, “Rak Khun Khao Laew” before segueing into uptempo numbers “Korn” and a medley of “Busaba” and “Tim”. Ae Jirakorn entertained with “Klub Ma” and “Jak Nee Pai Jon Niran” matching his high pitch to Pu Anchalee’s powerful rock vocals then handing the stage over to her.

 

Anchalee took the audience back to 1984, the year she released her debut album “Nueng Diew Khon Nee”, with a medley of “Yoo Pai Wan Wan”, “Mai Phid” and “Khid Pai Aeng” and had the audience waving their hands in time to the tunes. Fans screamed again, when Tor Saksit and Ice Saranyu came back with their popular songs.

 

The concert wrapped with “Proh Arai”, a song penned especially for this concert by Neung Jakrawal.

“I am very proud to be a part of the concert,” said Neung Jakrawal, who along with his band provided the backing for the show.

“Every single artist came here tonight to keep the audience fully entertained. Our energy and enthusiasm had no limits. The whole show was impressive and memorable.”

Sweet raps in Phuket

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/music/30369425

Sweet raps in Phuket

music May 17, 2019 01:00

By THE NATION

Influential Thai hiphop icon DaBoyWay, a member of Thailand’s famous hiphop group Thaitanium, will thrill his fans in the South of Thailand when he performs at Suger Club in Phuket next Thursday from 10pm until late.

Entry is Bt200 including one drink. Book a table at (098) 889 8590 or email info@sugarclubphuket.com.

“Above Ordinary” gig postponed

South Korean rapper Simon Dominic, who was due to appear in Thailand on May 26 will now be performing on August 24 due to the organisers requesting a change of venue.

Ticket sales have now been suspended and will resume on July 20. A full refund will be given to anyone who wants to cash in their tickets rather than delay.

For more information, go to ticket.achi.co.th.

Paradise on the beach

Chang Music Connection presents the 7th Khanom Festival with a new theme, “Seven Paradise”, on Khanom Beach in Nakhon Si Thammarat on July 27, aiming to stimulate the province’s economy and tourism.

Taking part in the music festival are Bodyslam, Slot Machine, Max Jenmana, Vee Violet, Oat Pramote, Non Thanon, LazyLozy, Oganic, Highhot, DJ LP x MC Prada, DJ ATip x DJ Birdkid x MC Macro, and DJ Yukie x MC Pam.

Tickets cost Bt1,500 at http://www.Ticketmelon.com. For more information, visit facebook: Go Khanom or contact the Khanom Tourism Association on (085) 909 0583.

Wet time in the hills

Another music festival making a return in July is “Singing in the Rain” and this year promises to be more enjoyable and wetter by moving to a new venue, Umbrella City on Thanarat Road KM 21, Khao Yai.

Taking place on July 27 on the theme “Let’s Say Play Together”, this upcoming festival will be decorated with a giant umbrella, feature an activity zone called “Umbrella Roulette” and see performances by Potato, The Toys, Singto Numchok, Better Weather, Polycat, Lipta, Mean, Mints, Lomosonic, Youngohm x Fiixd and DJs from Quay Records.

Tickets are now on sale at Bt1,300 at Thai Ticket Major outlets and online at http://www.ThaiTicketMajor.com and http://www.singingintherainfest.com.

Rocking out with Lok

Vancouver-based producer and DJ Pat Lok is the special guest tomorrow night of Beam Club at 72 Courtyard at the Phetchaburi end of Thonglor.

His releases “You Street” and “Your Lips” and numerous remixes have received critical acclaim, racking up millions of plays and consistently topping Hype Machine.

For more information and reservations, call (02) 392 7750.

Life or something like it

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/music/30369501

  • Stefan Paul Sanchez and Dr Cherie Carter-Scott
  • “The Workshop, A Dress Rehearsal for Life!”, which is adapted from Dr Cherie Carter-Scott’s real life coaching experience, makes it Bangkok premiere tomorrow night.
  • Pete Pol plays transgender Venda.
  • Janya Thanasawarngkul takes on the role of Karen, a women with an eating disorder.
  • Mahannop Panasaratool as Maurice faces racism.
  • Director Napsiri Reyes

Life or something like it

music May 17, 2019 01:00

By Kitchana Lersakvanitchakul
THE NATION

A new musical based on a life-coaching workshop makes its Bangkok debut

Musicals are traditionally based on books, movies, history, folk tales, even the animal kingdom but in a first for Thailand if not the world, coming to the Bangkok stage tomorrow night is one based on a life-coaching workshop.

The brainchild of Dr Cherie Carter-Scott, who is sometimes referred to as the “Mother of Coaching” and a best-selling author, “The Workshop, A Dress Rehearsal for Life!” is having its world premiere at the small hall of the Thailand Cultural Centre.

“Dr Cherie has now than 40 years of experience as a life coach and wrote this musical based on her life and the characters she encountered in her profession,” says stage director and lyricist Napisi Reyes, who also wrote the musical book.

“It is totally different from other musicals. I have seen many Broadway musicals about athletes, actors and even singers but none about a therapist. That alone makes it an interesting, challenging and rewarding experience.”

 

“Dr Cherie dreamt of producing a musical relating to her career and was able to do so almost on her own as she has a talent for writing songs and the script,” she continues.

Napisi was approached late last year by Stefan Paul Sanchez, an opera singer and producer who lives in Thailand. She is responsible for performance, direction and concept, while Sanchez serves as producer and artistic director and Darren Royston is the choreographer.

 

“It’s been a challenge as it’s a new story without any reference, so we had first to determine the direction we should take and how it could be staged. It was also important to find performers who could create and understand their characters by themselves, without any references. Not many Thais know what life coaching is and how it works. Dr Cherie took us to see her coaching method and that helped us understand. It’s really about psychology but is completely different from psychiatry where the patient is helped to make decisions. A life coach has a set of questions and the patient has to understand and unlock the problem by himself. It isn’t therapy but a guide. Anyone coming to see the musical will be able to observe how Randi, the life coach and workshop leader, guides the participants,” she says.

 

The mainly Thai performers must communicate in English language.

Dr Cherie wrote the play with her sister, Lynn, so that larger audiences could share this human experience. The characters in the play are everyday people who face the same challenges in contemporary society as many of us do – boundary management, being overweight and/or overworked, abuse, discrimination and communication breakdowns.

The workshop participants are made up of 11 individuals of diverse ethnicity, occupation and sexual preference. All have individual challenges and are seeking solutions. Their stories are funny, sad and moving and told through more than 17 songs written by Dr Cherie and set to a diverse range of genres – classical, gospel, Western country, even a German beer song. Every character has his/her own special song, which defines and differentiates them.

 

Remarkably, the English-language musical is performed by an mainly Thai cast. Pete Pol plays the transgender Venda, Janya Thanasawarngkul is Karen, Nutchapong Asavakarn is Lee, Pavichya Ruengjitsang is Ashley, Pitchaya Kemasingki is Ernie, Woramon Santikarn is Lindsey, Panurut Pongpitakkun is Nigel, Bussayapat Aunchittikul is Randi, Mahannop Panasaratool is Maurice, Sutpatorn Masamran is Reena, Anuttra Kitiyakara Na Ayudhya is Tamara, and Chorlada Suriyayothin is Rose.

“I’m not completely the same as this character as I haven’t yet changed gender. However, I can relate to being bullied as a child. It is my first time performing a musical and it is hard for me to speak English, although I practised hard. My character is rather complex and multilayered. My song ‘Am I this or am I that’ is asking myself what I am really – male or female,” he says.

“Karen is an 40-something overweight woman from Texas who suffers from an eating disorder. Her real problem stems from her father who has never allowed her to be herself. She can’t disobey him but the one thing he can’t control is her eating. Texans are known for eating large dishes and she thought by devouring lots of food, she could conquer her father. And when she’s stressed, eating is what makes her happy,” says Janya.

“I’m fat because of hyperthyroidism but I’m learning to balance my body.

“My song is ‘Metabolically Challenged’, which is about challenging the metabolic system with many temptations such as sweets and ice cream. As Stefan says, it’s strange that all 11 member of the cast actually have lots in common with the characters they are playing,” she adds.

 

“I’m Maurice, an American man of colour who works in Hollywood as a film director. His problem is racism, No matter how proficient he is, he doesn’t feel he is accepted. On one occasion, when he drives his Mercedes-Benz to the entrance, a guard asks him who he is picking up. The guard thinks that he is from Uber or Grab. It’s a hard role to play. The reprise of my song ‘Let It Be Me’ emphasises ‘look at me, listen to me,” Mahannop explains.

With such a diversity of characters and problems, what does Napsiri think the audience will take home from the musical?

“First of all, it’s entertaining – there’s drama, a good story, singing and dancing. Our aim is to have the audience members feel that they are part of the workshop and that they are involved rather than just onlookers. The characters develop as the musical unfolds and they solve the problems by themselves. We hope that the musical will bring hope, happiness and comprehension to those who watch it,” she says.

Life’s little  challenges

– “The Workshop, A Dress Rehearsal for Life!” is being staged at the small hall of the Thailand Cultural Centre tomorrow and Sunday and from May 29 to June 1.

– Showtime is 7.30pm.

– Tickets priced from Bt800 to Bt2,500 are available at Thai Ticket Major counters. Call (02) 262 3456 or visit http://www.ThaiTicketMajor.com.

Three nights at the opera

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/music/30369414

Three nights at the opera

music May 15, 2019 01:00

By THE NATION

Banyan Tree Bangkok and Opera Siam will jointly host the Opera Siam Silver Rose Charity Dinner 2019 on May 22 with a four-course set menu with paired wines and musical performances.

The gala fund-raiser at Vertigo TOO restaurant and lounge on the hotel’s 60th floor, benefits the Bangkok Opera Foundation, a non-profit educational and cultural body, initiated by award-winning novelist and composer of operas Somtow Sucharitkul, to support the advancement of culture and music amongst young Thai artists.

The evening’s programme includes star of Zurich Opera and Spanish Teatro Reale, singer Damian Whiteley; and Stacey Tappan from the Metropolitan Opera, along with renowned Thai opera singer Barbara Zion. Those attending will also enjoy internationally renowned composer Trisdee na Patalung conducting the Jatava Quartet, along with a dance and costume performance.

Local media personality Andrew Biggs will man the gavel as guests bid on intriguing artworks and luxury holiday packages.

The event offers the opportunity to mix and mingle with the talented and dedicated patrons of the arts who have made Opera Siam a focal point of contemporary culture in Southeast Asia, and support the ongoing and worthy cultural and educational initiatives of the Bangkok Opera Foundation.

Tickets cost Bt5,000 per person and are available at HostessesBangkok@banyantree.com or online at Ticketmelon.com.

Opera Siam has now presented 60 opera productions, one of the successful of which was the five episodes of “Dasjati: Ten Lives of the Buddha” that had been performed in Bangkok, Houston, Prague and Bayreuth. After a twoyear hiatus two more episodes – the vignette dance version of “Chandakumar” and the epic opera “Mahosot, Architect of Dreams” – will be premiered in Bangkok.

Performers from different countries will join maestro Trisdee and more than musicians, choristers, dancers and opera singers to retell two iconic tales from the Buddhist scriptures. In “Chandakumar” – the seventh of the ten major jatakas – the Buddhatobe is a prince whose father is told that to attain his dream of heaven, he must sacrifice the most valuable things in the kingdom, including his sons. Prince Chandakumar averts the monstrous sacrifice by summoning the King of the Gods.

“Architect of Dreams”, the fifth of the tales, tels the story of Mahosot, a boy genius who overcomes 101 armies by his wits alone, builds magic castles out of thin air, and causes his king to fall for the daughter of his greatest enemy, bringing about an age of peace to the Kingdom of Kashi.

The performances will take place at Thailand Cultural Centre on June 7 at 8pm and June 8 at 4pm.

Tickets cost Bt300 and Bt1,000 for VIP seats.

Going out with a ‘Bang’

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/movie/30369460

The cast of “The Big Bang Theory”, from left Melissa Rauch, Johnny Galecki, Kaley Cuoco, Simon Helberg, Jim Parsons, Mayim Bialik and Kunal Nayyar pose at the 2016 People’s Choice Awards.
The cast of “The Big Bang Theory”, from left Melissa Rauch, Johnny Galecki, Kaley Cuoco, Simon Helberg, Jim Parsons, Mayim Bialik and Kunal Nayyar pose at the 2016 People’s Choice Awards.

Going out with a ‘Bang’

movie & TV May 17, 2019 01:00

By Agence France-Presse

The curtain comes down on “The Big Bang Theory”, an unlikely ratings giant

Peopled by sometimes-awkward geeks making physics references, “The Big Bang Theory”, whose finale episode aired last night, seemed destined at first to appeal to a niche audience.

But as the show reaches its conclusion, it has become one of the most-watched series in the world.

Focused on whether characters Sheldon Cooper and Amy Farrah-Fowler will win the Nobel prize, the show is going out on top as it wrapped up its 12th and final season.

The show, which airs on US network CBS, has carved its place at the top of American television, with more than 12 million live viewers for much of the most-recent season (17 million when including delayed watchers) – similar levels to “Game of Thrones”.

According to research firm Parrot, “Big Bang” was one of the five most popular shows in the world last year, a streak CBS would have been happy to continue – were it not for Sheldon actor Jim Parsons having announced he would leave the show after the 12th season.

 

The cast from the television comedy series “The Big Bang Theory”, from left, Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Mayim Bialik and Melissa Rauch, place their hands into two blocks of cement at a Handprint Ceremony at the TCL Chinese Theatre in Hollywood.

For producer and writer Stephen Engel, who worked on it at the beginning of its run, “Big Bang” owes much of its success to the annoying-but-loveable character.

“It was a serendipitous blending of a character and an actor that was just magic,” he says.

Depicting a brilliant scientist who is socially clueless, Sheldon’s portrayal was “just a perfect marriage of point of view, jokes, voice and actor that made that character jump off the screen,” Engel adds.

But Sheldon’s charm alone can’t explain how a series that wasn’t critically acclaimed or even breaking into the top 50 most-popular at the end of its first season went on to run longer than American sitcom classics like “Friends”, “The Cosby Show” and “Seinfeld”.

According to conventional wisdom, it was series’ depiction of characters like Sheldon, Leonard, Howard and Raj as proud geeks – obsessed with TV series, video games and obscure sub-genre interests – that allowed for its longevity.

Long associated with niche interests, geek, or nerd, culture has made its way into the mainstream, thanks to sagas like “The Lord of the Rings”, “Star Wars”, “Game of Thrones” and others, meaning there was a growing audience that could feel an affinity with the characters.

“There was a tendency in the wake of ‘Friends’ to just to put as many good looking people in a room as possible and just hope people would look at them and just want to watch the show. ‘Big Bang Theory’ just decided because they were nerds, we can get the funniest actors we can find,” Engel says. “They don’t have to be handsome.”

Though “The Big Bang Theory” differs from most shows in its popularity and subject matter, the series still relies on a variety of tried-and-true sitcom conventions: the episodes, shot on multiple cameras, are made up of a series of punchlines interspersed by a laugh track, some of it edited in later (the show is filmed in front of a studio audience).

The end of the series, which coincides with the end of ABC’s “Modern Family”, which will finish with its 11th season next year, marks the end of an era for the genre.

Sitcoms on traditional networks, such as “Big Bang” spinoff “Young Sheldon”, and “Mom,” also the work of “Big Bang” creator Chuck Lorre, just don’t bring in the same audience numbers.

And Netflix has tried its hand at the format, with “Fuller House” and “One Day at a Time”, though neither will be returning after the end of the year. By 2020, the classic sitcom will be absent from nearly every major streaming platform, including Amazon and Hulu.

“I’ve lived in many periods in this business where people have said: the sitcom is dying,” says Stan Zimmerman, who worked on “Roseanne” as a producer and writer. “And then it somehow comes roaring back.”

Coupled with the decline of the traditional sitcom, the fragmentation of audiences means there is concern that universal series, capable of capturing the attention of large swaths of the public, like “The Big Bang Theory” or even “Game of Thrones” was able to do, is gone.

“I think it’s wonderful that we are being so diverse in the programming and the voices that we are hearing and we just need to have more of that,” said Zimmerman, who is working on a show called “Silver Foxes”, a comedy centred on ageing gay men.

But he says he wouldn’t count out watercooler series just yet.

“There’s still room for a big, general-audience show that everybody could sit and watch and laugh and talk about the next day at work,” he says. “There’s room for everything now.”

Studios gets serious at Cannes

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/movie/30369454

Spanish actor Javier Bardem, left, and French actress and singer Charlotte Gainsbourg pose as they arrive for the screening of the film "The Dead Don't Die", which opened the Cannes Film Festival on Tuesday night.
Spanish actor Javier Bardem, left, and French actress and singer Charlotte Gainsbourg pose as they arrive for the screening of the film “The Dead Don’t Die”, which opened the Cannes Film Festival on Tuesday night.

Studios gets serious at Cannes

movie & TV May 16, 2019 01:00

By Agence France-Presse
Cannes

Glitzy film festival opens with a red carpet teeming with stars

The Cannes film festival opened Tuesday with one of the glitziest lineups in years as Hollywood stars and studios return in strength to the world’s biggest film jamboree.

Spanish star Javier Bardem and French actress Charlotte Gainsbourg declared the 12-day marathon open, before sitting down to watch the first movie – “The Dead Don’t Die” – with it’s small army of A-list stars led by Bill Murray, Adam Driver, Chloe Sevigny, Tilda Swinton and pop idol Selena Gomez.

The cast of the zombie flick sendup of Donald Trump’s America by arthouse favourite Jim Jarmusch also takes in Steve Buscemi, Danny Glover and music legends Iggy Pop, Tom Waits and WuTang Clan guru RZA.

Having watched its Tinseltown thunder stolen in recent years by Venice, which US studios have used as their Oscars launchpad, this time Cannes is putting its much smaller rival back in its place.

Quentin Tarantino brings auteur heft and star power to the party with the premiere of his epic “Once Upon a Time in Hollywood”, a quarter of a century after he lifted the Palme d’Or – Cannes top prize – for “Pulp Fiction”.

US singer and actress Selena Gomez, left, and British actress and model Tilda Swinton talk with US film director Jim Jarmusch as they arrive for the screening of the film “The Dead Don’t Die.”

The panorama of Charles Mansonera Los Angeles stars Leonardo DiCaprio as a television Westerns star and Brad Pitt as his stunt double. Margot Robbie also appears as actress Sharon Tate, who was murdered by the cult leader’s followers.

Almost as big a coup was persuading Elton John to launch his wartsandall musical biopic “Rocketman” on the Croisette out of competition, with festival director Thierry Fremaux hinting that the singer will perform on his grand piano at the premiere.

The screening tonight is the first big blockbuster event at the festival, where Sylvester Stallone will also unveil a teaser for “Rambo V: Last Blood”.

Another headline-grabber, soccer legend Diego Maradona, is sure to create a stir when he turns up for a documentary on his rollercoaster career by the maker of the Oscar-winning “Amy”.

The festival has sparked controversy by giving a prize to veteran French star Alain Delon, with the Women and Hollywood group saying honouring a man who has admitted to hitting women “sucks”.

Tempers also flared after French taxi drivers protesting about online ridehailing rivals blocked traffic at nearby Nice airport, holding up movie movers and shakers trying to reach Cannes.

Mexican director Alejandro Gonzalez Inarritu, who heads the jury that will pick the Palme d’Or winner, also struck a political note Tuesday by condemning populist leaders like Trump, but without naming names.

“The world is melting and these guys are ruling with rage and anger and lies and making people believe that they are facts,” he told reporters.

“This is a dangerous thing we are returning to, to 1939,” he added, referring to World War II. “We know how this story ends if we keep with this rhetoric.”

Analysts, meanwhile, were upbeat about this year’s offerings.

“That Cannes has managed to get ‘Rocketman’ is a very big coup because Paramount was historically one of the studios who were the most reluctant to show films at the festival,” said Christian Jungen, author of the book “Hollywood in Cannes”.

Studios have often been reluctant to risk their big-budget productions, fearful of a savaging from critics. Cannes got “Rocketman” thanks to Fremaux’s friendship with Paramount boss Jim Gianopulos, Jungen said, who was head of Fox when it took “Moulin Rouge” to the Croisette in 2001.

It’s precious breathing space for the festival, which is stuck in a standoff with Netflix over the streaming giant’s refusal to release its films in French cinemas.

Yet Netflix has far from turned its back on Cannes.

Jerome Paillard, the head of the festival’s vast market, where deals worth hundreds of millions of dollars are done, said it has sent a team of around 25 buyers and executives.

“More than ever the whole world comes to Cannes, particularly the Americans. They are still the biggest group overall, and their numbers remain stable,” Paillard said.

Even so, the last big Cannes Oscar success was the comedy “The Artist” in 2012, which won five gongs after being premiered on the Croisette.

Fremaux – who had only two US films in the main competition last year – claimed that Cannes is above “this general obsession about the Oscars”.

The festival, which calls itself the “Olympics of film”, is “about world cinema”, he said, and giving a platform to new voices and auteurs.

A carnival of races

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/world/30369421

A carnival of races

World May 17, 2019 01:00

By THE NATION

Not only is the Dragon Boat Festival a major celebration in the Lunar calendar, but it’s also pushed dragon boat racing into the limelight as a sport in its own right. As the birthplace of modern dragon boat racing, Hong Kong is celebrates the festival next month with a series of competitive races and cultural activities.

Now in its tenth edition, the Hong Kong Dragon Boat Carnival will feature an action-packed programme.

The dragon boat, a long canoe carved with a decorative dragon head and tail and painted with totems, embodies the venerable creature in Chinese mythology.

“Traditionally, dragon boats and paddles are made from teak and camphorwood and there are three different boat sizes. Today in international races, the stronger fibreglass is used and the boats are standardised in size,” says HKCDBA chairman Arnold Chung Chi Lok.

While dragon boat racing is practised throughout the world year-round nowadays, Hong Kong is the world’s first to organise invitation races, and has been hosting a major carnival since 2010 to promote the sport.

Dragon Boat Festival celebrations in Hong Kong are heated. In addition to wellknown races in Stanley, Shatin and Aberdeen on June 7, the Hong Kong Dragon Boat Carnival will push the festivities to the summit in the weekend that follows (June 14 to 16).

One can expect to witness vigorous battles among some of the world’s strongest dragon boat teams at the threeday carnival. Previously a Hong Kong dragon boat team member and coach, Chung said that it is no easy feat to paddle in Victoria Harbour: “The deep, wavy water poses a great challenge. That said, the atmosphere is wonderful, especially when you see spectators lining the harbourfront to cheer on the teams.”

This year will surely be more exciting for Thai spectators, as the Thailand Dragon Boat Team and the CU Dragon Boat Team will be participating in the competitive races.

Conventional races aside, there will be a “Fancy Dress Competition”, while a funfilled playground with a manmade beach, a “Splash Area”, the Street Food Gala, the newly introduced Artisanal Market and more will be set up at the Central Harbourfront – and entrance is free for all.

The Dragon Boat Festival wouldn’t be complete without the festive food – glutinous rice dumplings. Theresa Mak, cook, food writer and top apprentice of Cantonese cuisine authority Pearl Kong Chen, makes dumplings at home every Dragon Boat Festival. She recalls “In the 1940s and 50s, people were eating small, almost bite-size savoury dumplings made of glutinous rice, mung beans and braised pork belly.”

Today, the bigger, leafwrapped steamed rice dumplings which contain a greater variety of ingredients, from salted egg yolk to roast duck, roast pork, dried scallops, Jinhua ham and shiitake mushrooms, can easily feed two to three people.

Another choice is the sweet lye water dumpling, made with yellow tinted sticky rice and a lotus paste filling. Visitors should also try other regional variations available in Hong Kong, such as Zhongshan’s reedwrapped rice dumplings and the famous Shanghainese rice dumplings from Jiaxing and Huzhou.

Find out more at http://www.DiscoverHongKong.com/eng/seedo/eventsfestivals/highlightevents/dragonboatcarnival.jsp.

Your legs can help the world’s refugees

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/world/30369420

Your legs can help the world’s refugees

World May 17, 2019 01:00

By THE NATION

The Office of the United Nations High Commissioner for Refugees (UNHCR) launched its new global campaign in Thailand this week, calling on people to cover the distance travelled by refugees each year.

The “2 Billion Kilometres to Safety” campaign encourages people to support refugees by championing individual acts of solidarity. These acts, when taken together, acknowledge the resilience and strength of refugees.

UNHCR traced the journeys of refugees around the world and calculated that collectively, people forced to flee travel approximately two billion kilometres every year to reach the first point of safety. In 2016, Syrian refugees travelled more than 240 kilometres to reach Turkey, South Sudanese refugees travelled more than 640 kilometres to reach Kenya, and Rohingya refugees in Myanmar travelled approximately 80 kilometres to reach Bangladesh.

The “2 Billion Kilometres to Safety” campaign invites people to act in solidarity and run, walk or cycle to achieve a cumulative total of two billion kilometres. Participants can use their fitness apps or the campaign website – http://www.Unhcr.or.th – to log the kilometres and contribute to a global total.

In Thailand, UNHCR introduces the campaign with a “2 Billion Kilometres to Safety” charity run to be held on June 16 on Rajdamnern Nok Avenue in order to commemorate World Refugee Day on June 20. The charity run is the first in a series of events organised by UNHCR’s corporate partners to accumulate the distance covered by Thai people and contribute to the campaign to show solidarity with refugees worldwide.

“Running, walking and cycling are well accepted in Thailand. This campaign will encourage Thai people to support refugees through something they are already doing,” said Giuseppe de Vincentiis, UNHCR representative in Thailand. “At a time of record high global displacement, it is vital that we remind ourselves of the real and dangerous journeys they are forced to take.”

Thailand is one of 27 countries across Africa, Asia, Central and North America, Europe and the Middle East taking part in the campaign, including individuals, celebrity supporters, refugees and UNHCR personnel.

“Refugees do not have a choice and must take dangerous journeys to seek safety for their own lives and those of their loved ones’,” says UNHCR Goodwill Ambassador Praya Lundberg. “To show solidarity with refugees, I will start by running at the 2 Billion Kilometres Charity Run to step with refugees and ask all Thais to join me.”

Tickets are available at Bt550 and Bt1,000 and can be purchased at http://www.Unhcr.or.th. All proceeds will go to support refugees with registration and reception services, food and water, shelter, basic aid, healthcare and psychological support.

Birthplace of Buddha launches tourism campaign

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/world/30369417

Birthplace of Buddha launches tourism campaign

World May 16, 2019 01:00

By The Kathmandu Post
Asia News Network

The government of Nepal’s federal province 5 is all set to launch Visit Lumbini Year this Saturday (May 18) with the aim of attracting 2.5 million tourists to the birthplace of Buddha. The country’s president Bidhya Devi Bhandari will inaugurate the campaign, which is being held for the second time.

“The campaign is basically aimed at attracting domestic visitors this year and we have started promotional campaign drive in all seven provinces,” said Shankar Pokharel, Chief Minister of Province 5.

Bhairahawa, the gateway to Lumbini, has transformed itself into one of Nepal’s largest tourism and industrial hubs with investors and the government pouring billions into infrastructure development.

The once sleepy market town in the Tarai plains was thrust on to the international stage after becoming the gateway to the pilgrimage destination of Lumbini. Proliferating factories and a rapidly spreading transportation network have turned Bhairahawa into an economic powerhouse.

Lumbini, which attracts international pilgrims as the birthplace of the Buddha, has observed the construction of large-scale infrastructure from an international airport, industrial corridor, trade highways to a bevy of luxury hotels.

“The Visit Lumbini campaign is not only aimed at drawing domestic and foreign tourists, but to let everyone known that the area is ready to welcome investors with its world class infrastructure,” Pokhrel told the press.

A six-lane highway has already been constructed from bordering Sunauli in India to Gautam Buddha International Airport and is expected to come into operation by the end of this year.

Lila Giri, Minister for Industry, Tourism, Forests and Environment of Province 5, said that the provincial government has allocated a budget of Rs40 million (Bt11.3 million) for the campaign with key focus on attracting domestic tourists from across the country.

More than 1.55 million tourists visited Lumbini in 2017, of which 1.25 million were domestic visitors, according to the statistics of the Lumbini Development Trust. The statistics show that foreigner numbers stood at 301,240, including 155,444 Indian visitors.

Despite the growth in foreign tourist numbers, foreign tourists’ stay in the birthplace of Buddha has not increased, travel trade entrepreneurs said. Nearly 90 per cent of foreigners visiting Lumbini spend less than an hour in the area before moving on.

Foreign tourists usually stay for an average of 13 days in Nepal but most travellers visiting Lumbini barely stay for 30 minutes, according a study conducted in 2013. The survey titled “Visitors Survey and Observation” revealed that 72.6 per cent of the visitors spent only half an hour sightseeing in Lumbini.

According to Giri, the campaign objective is to increase the visitors’ length of stay and create local jobs by adding infrastructure and other facilities. “We have launched road shows and other promotional programmes in some key Indian cities also,” he said.

Lumbini is a potential worldclass tourist destination for 500 million Buddhists in Asia. It hosts the birthplace of the Buddha and over 100 related archaeological sites scattered within a 50km radius.

Cruising with an ecofriendly slant

ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation

http://www.nationmultimedia.com/detail/world/30369357

Cruising with an ecofriendly slant

World May 14, 2019 11:30

By The Nation

2,722 Viewed

If you like to spend your holiday on the water but worry about your carbon footprint, the A-Rosa E-Motion ship, featuring battery propulsion and air bubbles technology for clean cities and unpolluted rivers, has the answer.

Offering the space of a land-based hotel, this innovation in the river cruise segment is offering breaks on the river Rhine from 2021.

With a width of 17.7 metres and a fourth deck, the ship is extremely spacious. All standard cabins are generously sized and feature a balcony, and there is a dedicated family area with a kids club and an extensive sun deck with separate adults’ and children’s pools.

“We have designed our new ship according to the wishes of our guests. Our customers appreciate the fact that they can enjoy many kinds of holiday rolled into in one with us,” reads the press release advertising the service.

“A city break, a package holiday, a cruise that takes in natural and cultural sites, a spa break – with A-Rosa, you don’t have to choose just one. You can have them all.”